vocal mix

Careless

Shake That (Blonde Remix)

...Buy the stunning new Jocelyn Brown "Unreleased" album here! http://itunes.apple.com/gb/album/unreleased/id419142225 Also out on Amazon MP3 store.

Somebody Else's Guy

House legend and Rinse FM resident Shadow Child has teamed up with Doorly on new single ‘Climbing (Piano Weapon)’, which is now available to stream on Soundcloud. Following a premiere on Annie Mac’s Radio 1 show, the new vocal version of 'Piano Weapon' (co-written by MNEK) will be released by Polydor Records this November. Following a run of remixes for big names such as Hot Natured, London Grammar and most recently Duke Dumont, Shadow Child is currently working on original material and playing a run of live dates in Ibiza and across the UK including a London show supporting the legendary Groove Armada.
 
Simon Neale’s darker, bass-heavy alter ego Shadow Child was born in 2012 with the signing of his bassline house classic ‘String Thing’ to Dirtybird Records. Championed across the world by DJs including Annie Mac, Jamie Jones and Eats Everything, Shadow Child’s early house tracks have attracted a global fan base. Now playing the closing shows on his Summer 2014 tour, Shadow Child will be hitting the studio to complete his debut full-length release. Until then, head to Soundcloud to stream ‘Piano Weapon’ and get stuck into his Rinse FM guest mix series featuring the biggest names in UK house.
 
For more information on Shadow Child, please contact Chris.Slade@umusic.com
 
https://soundcloud.com/theshadowchild
https://twitter.com/Shadow_Child
https://www.facebook.com/theshadowchild/
http://instagram.com/shdwchld

The Year Of House

Climbin' (Piano Weapon)

iTunes Pre-Order

Rumble (Breach Remix)

DJOKO - Freak

iTunes: itunes.apple.com/gb/album/got-wha…d-ep/id948503769
beatport: www.beatport.com/release/got-what…-need-ep/1434537

New from Alex Mac "Got What You Need" feat remixes from Tommy Vercetti, Ditto & Pharley, Handsome and Burgs

Alex Mac - Got What You Need ( Tommy Vercetti Remix)

Enjoy Your Life

Boris Dlugosch feat. Roisin Murphy - Never Enough (Chocolate Puma 2011 Remix) ( WWW.MP3MD.ORG )

Released 5th August on Cr2 Records.

Available on Beatport - hyperurl.co/APEXAPE
Available on Spotify - bit.ly/ApexapeS

The perfect combination of production and performance, APEXAPE are renowned for their immersive live shows, having supported the biggest and best in the industry. 'Joy & Pain' maintains the grooving, soulful vibes that made the original by Maze + Frankie Beverly such a hit in the 80s, but APEXAPE revamp it with the delicious vocals of Josh Barry and their own signature energised, funky house beats making it a huge summer anthem. Big support from Pete Tong, Annie Mac, Danny Howard, B Traits, Monki, Nick Grimshaw, Kiss FM, Kiss Fresh and plenty more.

APEXAPE Facebook: www.facebook.com/apexaperecords
APEXAPE Twitter: www.twitter.com/apexapeLDN
APEXAPE Instagram: www.instagram.com/apexapemusic
@apexape

Cr2 Facebook: bit.ly/Cr2Facebook
Cr2 Twitter: bit.ly/Cr2Twitter
Cr2 Instagram: bit.ly/Cr2Instagram
Cr2 YouTube: bit.ly/Cr2YouTube
@cr2records

Joy & Pain (Radio Edit)

Buy here

APEXAPE - Joy & Pain

You & I

Sonny Fodera - You & I (feat. Janai) [Extended Mix]

You're Sunshine

Weiss (UK) - You're Sunshine

Submotion Orchestra

Single: ‘Thinking’ Exceptional Blue records: 28/1/13

“Stunning” The Guardian “Seductive” The Times “Towering, exhilarating and often beautiful” Mixmag

“An object of desire” Metro “Submotion orchestra are on the rise, and for good reason” Q “Excellent vehicles for Ruby Wood’s soulful vocals” Uncut “They carry both the funk and the groove into new dimensions” The Word “Intriguing - one to keep an eye on” BBC.co.uk

Tracklist
Thinking (Radio Edit) 
Thinking (Uggs and Barbour Remix) 
Thinking (Mark Knight Remix)

On 28 January London/Leeds-based seven piece Submotion Orchestra return with Thinking - the third single taken from their critically acclaimed second album Fragments.
Thinking kicks off with easy-going yet somehow frenetic high hat, all tight beats and ghost hits, imploring the foot to tap. This effortlessly cool and funky electronic track combines well-placed synths and live drums with Ruby Wood’s soulful vocals, cleverly chopped and produced, combined with close harmony backing vocals calling and echoing the refrain ‘I’ve been thinking ‘bout you’. Remixes come from Uggs & Barbour and Mark Knight.
Remix Number 1 comes from mystery men Uggs and Barbour who have delivered a slightly cheeky but fresh remix which somehow defies classification. Some say that the nom de mix hides a well known secret admirer of Submotion Orchestra but we couldn’t possibly comment, just check the mix and decide for yourself
Remix number two comes from Grammy nominated artist, Mark Knight, who is responsible for some of the biggest dance records of the last decade. His signature sound blurs the boundaries between mainstream and underground and has propelled his revered imprint, Toolroom Records, to world domination. As a producer, Mark has built a reputation for outstanding releases, consistently topping international dance charts with timeless anthems; You Got The Love (Mark Knight remix), Man With The Red Face, Downpipe, Conscindo, Good Times, Devil Walking, Alright... the list is endless. As a DJ, Mark holds international prominence, with his ‘Toolroom Knights’ residencies regularly hosted at Space-Ibiza, Ministry Of Sound-London, Cocoon-Frankfurt, Club Space-Miami, and at key festivals including SW4 London, Global Gathering UK and Dance Valley Netherlands.
Here’s a brief re-cap of the recent Submotion phenomena; Having captivated revellers with their frenetic live dubstep spectacle, the band became firm festival favourites, wowing crowds at Glastonbury, Bestival The Big Chill, Latitude, Secret Garden and Outlook in Croatia.
Last year the band released their debut album Finest Hour, plus singles All Yours and Always. They were met with widespread critical acclaim, plus heavy Radio 1, 6music, 1xtra and NME Radio support. The release of their sophomore album Fragments has helped them achieve more mainstream appeal, whilst still satisfying their die-hard followers. Fragments moves coherently between styles, marking a broader palate of influences seeping into their output.
Fragments received a huge amount of support at press, including a brilliant Mixmag feature, and positive coverage in quality titles DJ, Q, The Telegraph, Artrocker, Aesthetica, Trap and Hi Fi News. There has been great interest online recently with glowing pieces running on SBTV, Drowned In Sound, UKF, FACT, Fake DIY, Artrocker, Data Transmission, Soul Culture, Beatwolf, Potholes In My Blog and countless more, as well as extensive regional press coverage.
Highlighting their broad appeal, DJ support has come a diverse selection of jocks including Laurent Garnier, Oneman (Rinse), DJ Flight (Metalheadz/Rinse), Simbad (Defected), Tayo (Kiss), plus Ashley Beedle and Rocky.
Submotion Orchestra have toured the UK and Europe extensively usually selling out venues and delivering triumphant performances which see fans returning time and time again to watch them.
For all print and online media enquiries, contact info@exceptionalrecords.co.uk www.submotion.co.uk // www.facebook.com/submotionorchestra

Submotion Orchestra - Thinking (Mark Knight Remix) Clip

/// Support by: Huxley, Hector Couto, AFFKT, Brothers Vibe, Chaim, Noir, Slam, Moodymanc, Norm Talley +++ ///

YOO we made a remix for Kerri Chandler, one of the most influential and prolific artists of soulful and deep dance music. We tried to keep the spirit of the original track from 1996, while using instruments from back in the day (Roland JX-1, drum computers) and adding our own touch. The remix is coming out on King Street Sounds on 20th May, the infamous house label from NYC we bought records from when we were 16. Hallelujah!


OFFICIAL KERRI CHANDLER BIO:

"Kerri 'Kaoz' Chandler one of deep house music's originators, has been injecting soul into music since the early nineties. An ambassador of the natural and instinctive 4/4 beat, Kerri's influences can be traced back to New Jersey growing up in a family of jazz musicians. His father being a respected deejay, provided Kerri with a rich background in the origins of soul, disco and the New York Underground Sound (known also as "Garage" music). Accompanying his father to the gigs, Kerri began playing records at the Rally Record Club in East Orange, New Jersey at the tender age of thirteen. Exposed to such musical creativity, it wasn't long before Kerri found himself interested in production. 

Since the signing of his first single "SuperLover/Get It Off" by Atlantic in 1991, Kerri began producing a prolific body of work that has helped coin him one of the most respected house producers in the world. This has been achieved by remaining true to his style. When listening to tracks such as the "Atmosphere EP" on Shelter Records and the seminal, "A Basement, Redlight and A Feeling" album on Madhouse, one has to marvel at Kerri's ability to not compromise his unique sound for commercial gain. His ability to blend tradition and innovation produces avant-garde music with soulful roots reaching back into the history of Afro-American music. Tradition as in the soulful roots of Jersey house, innovation as in his use of streamlined sparse arrangements and technology, Kerri masters rhythm and space piecing together vocals and instruments with uncanny precision delivering beautiful monster jams.

A spiritual man, Kerri prays before making a record. Each project is an attempt to inject his free spirit into a groove. In the expanses of his breaks the odd counter rhythm will inexplicably appear for a second and then disappear, creating fleshy excitement, not mechanical repetition. His now legendary bass-lines go from heavy and heady to playful and quirky while remaining deliriously intoxicating. His fusions, clamped to the beat of his unique thundering kick drum, redefine house music at every turn. His hooks are loving details, paying attention to horn hits, washes of synthesizers, and catchy choruses creating songs with brutal drive. A believer in peace and harmony, Kerri blames soulful house's positive vibes for its failure to make it commercially, as its openness to influences are difficult for many to accept.

Kerri is fascinated by technology and its application to creativity. He has built his own studio and spends hours creating new EFX units and sound machines. Taking a fearless leap into millennium technology, he has recently innovated new tools and employed creative ideas designed to revolutionize the way we think of traditional deejay mixing. Kerri uses his deejay sets to inject a spirit into the dance floor. More than a mere deejay spinning records, his sets are "live" during which he remixes tracks whenever he can by incorporating keyboards, vocalists, percussionists, guitars, violins, horns, projector screens, laser synths or just his own excellent soulful voice. Armed with a lap top computer, thousands of MP3 files, his own handmade mini-mixer and a cutting-edge imagination, Kerri has been wowing audiences around the globe while inspiring debate and envy in top industry circles about his new toys.

If you think all house music sounds the same, has no soul and is just four to the floor, then I suggest you do some rethinking and check out Kerri Chandler's latest releases and back catalogue…You'll be glad you did!"

Kerri Chandler - "Hallelujah (Robosonic Remix)" - King Street Sounds

BOOKINGS: si@submotion.co.uk
MANAGEMENT: harry@submotion.co.uk

https://www.youtube.com/channel/UC3G28ip5EvyinCRAyupTSYQ

Submotion Orchestra - Thinking (Mark Knight Remix) Clip

Submotion Orchestra

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