Fiesta En El Vacio - No Sabes

All tracks produced, mixed, and mastered by Fridge

10000 Deathknells

'REMXNG 2.4' (Release date: October 12, 2022)
Listen Now: https://ffm.to/clipping_twopointfour

clipping.: https://www.clppng.com
Bandcamp: https://clppng.bandcamp.com
Facebook: https://www.facebook.com/clppng
Instagram: https://www.instagram.com/clppng
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On Tour: https://www.subpop.com/artists/clipping/tours

Sub Pop Records: http://www.subpop.com
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Facebook: https://www.facebook.com/subpoprecords
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Podcast: http://subpop.fm

REMXNG 2.4

A clipping. Story

clipping. & Slikback - A clipping. Story

hey arnold - glitchygoo

All the profits generated by the sales of this compilation will be donated to the Legal Team Antiraciste fund, which aims at helping the victims of french police violence and their families, fighting against systemic racial discrimination as well as defending their access to fundamental rights.

Huge thanks to Casual Gabberz <3
Mastering by Lorenzo Targhetta
Cover by JB Normand

Bungalovv - Torn and Tattered

OVERKISSED - INNER LIGHT [ANGEL030] 

Buy: https://angelsrecs.bandcamp.com/album/inner-light

Inner Light, the new EP by Overkissed, DJ/producer and edit virtuoso based in Istanbul is an ode to introspection and self-discovery. All tracks feature Club oriented sonorities with complex structures, tight drums and breakbeats, hard dance influences and meticulous attention to synths and samples, flawlessly shifting between playful tones (Drown, Your Love is my Drxg) and melancholic / emotional club vibes (I will always Love you, Whoa) while never forgetting their dancefloor-friendly destination.

Inner Light includes two remixes by Swooh ("My Love" and "Drown"), Additionally, Brenda offers a remix of "Whoa," completely deconstructing the track with a Latin club twist and adding their magical touch.

Credits:
All tracks written, produced and mixed by: Overkissed
Remixes written and produced respectively by: Swooh, Brenda
Mastering by: Phil "Bicycle Ride"
Visual Identity by: evodna
℗ 2025 ANGELS RECORDS

💧

Overkissed - Whoa

OBLINOF - Kmpamento (KIO002)

ᴀʀᴛɪꜱᴛᴀ ᴍᴜʟᴛɪᴍᴇᴅɪᴀʟ ᴅ ɢʀᴀɴ ʏ ʟᴀʀɢᴀ ᴛʀᴀʏᴇᴄᴛᴏʀɪᴀ, ᴏʙʟɪɴᴏꜰ ᴠɪᴇɴᴇ ᴅᴇꜱᴀʀʀᴏʟʟᴀɴᴅᴏ ᴅᴇꜱᴅᴇ ʜᴀᴄᴇ ᴠᴀʀɪᴏꜱ ᴀÑᴏꜱ ᴜɴ ᴜɴɪᴠᴇʀꜱᴏ ᴅɪɢɪᴛᴀʟ ᴘᴏꜱᴛ ʜᴜᴍᴀɴᴏ ᴘᴇʀꜱᴏɴᴀʟ, ᴘᴏʙʟᴀᴅᴏ ᴅ ꜱᴇʀᴇꜱ ʏ ᴘᴀɪꜱᴀᴊᴇꜱ ꜱᴏɴᴏʀᴏꜱ, ᴠɪꜱᴜᴀʟᴇꜱ ʏ ᴛᴇxᴛᴜʀᴀꜱ Qᴜᴇ ꜰᴜꜱɪᴏɴᴀɴ ʟᴏ ᴏʀɢÄɴɪᴄᴏ ᴋᴏɴ ʟᴏ ꜱɪɴᴛËᴛɪᴄᴏ, ᴀᴠᴀᴛᴀʀᴇꜱ ʏ ᴇᴄᴏꜱɪꜱᴛᴇᴍᴀꜱ ꜱᴄɪʙᴏʀɢ Qᴜᴇ ʀᴇɪᴍᴀɢɪɴᴀɴ ʏ ᴅᴇꜱᴅɪʙᴜᴊᴀɴ ʟᴀ ꜱᴇᴘᴀʀᴀᴄɪÓɴ ᴇɴᴛʀᴇ ʟᴏ ʜᴜᴍᴀɴᴏ ʏ ʟᴏ ɴᴏ ʜᴜᴍᴀɴᴏ, ʟᴏ ɴᴀᴛᴜʀᴀʟ ʏ ʟᴏ ᴍᴀQᴜɪɴɪᴄᴏ .

ᴅᴇ ꜱᴏɴɪᴅᴏ ᴀɢʀᴇꜱɪᴠᴏ ʏ ᴅᴇᴄᴏɴꜱᴛʀᴜɪᴅᴏ, ʀɪᴛᴍᴏꜱ ᴄᴏᴍᴘʟᴇᴊᴏꜱ ʏ ᴘᴇʀᴄᴜꜱɪᴠᴏꜱ, ʏ ᴍᴜᴄʜᴏ #ᴋɪᴄᴋɢᴜɴ ; ɪᴋᴏɴᴏ ᴅᴇʟ ꜱᴏᴜɴᴅᴄʟᴏᴜᴅ ʏ ᴇʟ ᴄʟᴜʙ ʟᴀᴛɪɴx ɢʟᴏʙᴀʟ , ʜᴀ ᴇᴅɪᴛᴀᴅᴏ ᴇɴ ꜱᴇʟʟᴏꜱ ᴄᴏᴍᴏ ꜱᴏᴜʟꜰᴇᴇᴅᴇʀ, ᴘᴀʏɴᴏᴍɪɴᴅᴛᴏᴜꜱ ʏ ᴜɴɪᴢᴏɴᴇ ᴄᴏɴ ᴜɴ ᴄᴀᴛᴀʟᴏɢᴏ ɪɴᴍᴇɴꜱᴏ ᴅ ᴛʀᴀᴄᴋꜱ ʜʏᴘᴇʀꜰᴜᴛᴜʀɪꜱᴛᴀꜱ ᴘᴏꜱᴛ - ɪɴᴛᴇʀɴᴇᴛ .

L̡͓̟a̦͇̻d̞̞o͖͎͔ A͕̝ :̟̺͕ K̙̼̟m̡̼̦p̻̪͕a͉̻͉m̟̞͚e͕̘͓n̻̟t͍͇͙o̡̞̦

1) Pegó La (OUT Via Traaampaaa)
2) Kult Run
3) e Mònika
4) vai Vai Vai
5) eY
6) Kmpamento

$ǝxᴉɯǝꓤ p oʇuǝɯɐdɯꓘ : ꓭ opɐ⅂

7) Kult Run Dj Ashley Girly Flip (OUT Via Swine Daily)
8) Pegó La Mika Saka RmxXx
9) eeeeeYyyYYyy Choca Drum Fix

Fuͧll Aͣlвⷡuͧmͫ Oͦuͧᴛⷮ 28/02/2025 14:22hͪs͛

Prod / Mix: Oblinof
Remixes: Dj Ashley, Kristal Miau, Choca Problema
Master: Lado A - Wim Dehaen / Lado B - CHLObeats

CEM - FORMA
Cat. Nr: DN031
Format: Digital / Transparent LP
Release Date: 28 March, 2025
Buy / stream: dansenoire.ffm.to/cem

CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Mauro Ventura’s performative installation of the same name, shown fi rst at the Volksbühne in 2022; the work engaged notions of labor and repetition through a multiplicity of gestural and corporeal interventions. Featured prominently on FORMA are the sound of bells—doorbells, meditative bowls, farm cowbells, Shinto bells—a motif CEM distills repeatedly onto the record to presage and work through both the violent specter of order and discipline, as well as the reparative qualities of harmony and retreat.
Opening the album with poignant synths, granulated bell hits, and double bass string drones is “The Calling”, which summons listeners into a rattling and twisting soundscape that dichotomously channels alertness and serenity at once. “Bells Corrupt”, in turn, transforms the comforting chime of bells into an alarming and insistent pattern as it evolves in pitch and form, recalling the anxious fi lm grammar of Italian giallo legends Lucio Fulci and Dario Argento or Czech animator Jan Švankmajer. “An Industrial Satire” is conceived as an homage to experimentalist Limpe Fuchs, known for her Dadaist use of self-made, metallic instruments and strings. The second part of the piece takes a staggering turn with the addition of ghaita—a Northern Moroccan double reed horn with a series of holes—sampled from the Master Musicians of Joujouka’s collaborative 1971 album with Brian Jones and layered alongside CEM’s own percussion work. The horn elements—linked to the ancient fertility rites of Pan—here culminate in a melodic embodiment of panic and celebration. “Statue Garden” is a minimalist organ drone piece interlaced with fi eld recordings accumulated through the musician’s recent travels across East Asia. Its dexterous balance of stillness and depth provides a contemplative interlude amidst the album’s vigour. The album closes on a provocative note with “The Sincerity Test” that features Berlin-based Lithuanian performance artist Gertrūda Gilytė, whose wry spoken-word intervention mirrors the kind of grotesque, deluded ‘positive affirmations’ that abounds on social media, suggesting a relatedness between narcissistic online speak and the rise of reactionary politics.

CEM is no stranger to the ever-threatening past and present of fascism, having been raised in Vienna within a Turkish-Kurdish immigrant household. FORMA thus emerges as a militant sonic offering and, through its razor-sharp interweaving of atmosphere and texture, conjures a fractured, albeit elegiac, space of possibility wherein time is out of joint and the circular motion of history with a capital H is dizzyingly thrown into disarray. As our world rushes forward into the past, casting dissonant spells might turn out to be our last rempart.

Forma is a series of action painting performances founded and directed by Mauro Ventura with movement direction by the choreographer Kiani del Valle

Track 1 mastered by Raphael Valensi
Track 2-6 mastered by Rashad Becker
Artwork by Niels Wehrspann

buy / stream 

CEM - An Industrial Satire I

Our guest this month, @dnza, is a mexican producer and mastering engineer, whose work has been featured in @terminalrec , @cuntryclub, @nofutureberlin releases and has helped define the emerging global experimental Latin club sound

@k1rasound trklst
Yama - INHALE//EXHALE
DJ ZL - MTG = PAU NA PIRANHA (TLGDQEODJZL)
MALANDRA - PEGA LA CUCHARA ft YZY WALKER
Sugaarrbbaby x Paul Marmota - Rebotando
svengali - darkqueen.mp3
Adame DJ - Brota na Base
Lila Tirando a Violeta - NEW FLESH
La Zowi x Zora Jones - CULO SHAKE (Tokio Outbreak)
DJ CARLOZS - OBSERVANDO ESSA SALADA
Umru x Jacques Greene - 1st Light
Never Gon Lose - DJ J-Heat
LAZA - Perturbação
UNDRWGHT-Reflejo
Maria Madalena (CyberKills & Clementaum Club Tool)

@dnza trklst
Undrwght - Tundra
LAO X Other Islands - Años Despues
Mensik - Exodia
Santa Niña - High Energy
OMAAR - Drummer
DNZA - ?
DNZA - Rey Dragon
DNZA - Planeta Gris
Undrwght - Reflejo
Entrañas X Zunfo - En El Fondo Hay Asiento
Entrañas - En El Aire
Santa Niña - Contempt


WSI #54 W/ K1RA & DNZA April 3rd, 2025 (Radio Alhara)

PsykoPriest - A Demon Like You (Original Mix)

WAGWINE

We're not the best, but we're pretty good.

clipping. & Slikback - A clipping. Story

Sub Pop

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