Slithering Truth

DRINKS

Laying Down Rock - DRINKS

2025-09-11「悪気のない言葉」

悪気のない言葉がいつか
見えない棘を持ちはじめる
このままではその時が来てしまう
そうならないようにそれとなく伝われ
ささやかな願いも虚しく
時が経つにつれ深いところまで
遠慮なく入り込んでくる
それでもまだ悪気のないまま

----------------------------------------

BPM = 142
A B | B A | A B | B A |
Eadd9 | Eadd9 A | Eadd9 | Eadd9 A |
C#m | D | Eadd9 | Eadd9 |
C | C | Am | Am |

----------------------------------------

HB-TBElectroBuzz, EGuitar, EBass, Shaker, Tambourine, Voices, Chorus, SA-Burgundy-Basic

5652 Harmless Words

"On the Run" blends intense UK indie energy with heavy guitars, telling the story of someone fleeing their deepest fears and questioning their attachment to a partner who may not be right for them. Caught between doubt and longing, the track channels both the adrenaline of escape and the vulnerability of questioning “is this the real thing?”—a moody, heartfelt anthem for anyone torn between holding on and letting go.

On the run

instrumental intro ]


no dark shadows
morbid toughts in your mind
has no place
[ bridge]
you shot them down

bad dreams wake you up in the night
heart is beating like a crazy
can't slow it down
[ bridge]
you sleep alone,
when you'r telling  yourself
[ bridge]
- don't cry 

[ ref]
tell it now
scream it out
don't let them down

[ bridge][

[ instrumental intermezzo, dark synth solo with responding electric leading guitar fender stratocaster brilliant metal hypnotic solo ]

life is easy?  not for you
not in this  sleepy  grey  blue town
no clear collors in your sight
dark grey streets, closed doors,
moving shadows in the windows
creepy smiles 
[ bridge]
that's looks  it here
[ bridge]
that's what you like

[ ref]
tell it now
scream it out
don't let them down

black  shirts and jacket too
silver rings, no tatoo
you decided agsinst flow
stay alive - [ bridge]or don't go.

not even think , you can smile
your steps and black boots 
leave  raw derp footprints 
[ bridge]
on your skin

[ ref]
tell it now
scream it out
don't let them down
[ bridge]
say it now and say it loud!!

[ outro ]

heart beats wake you up.

Taken from the album 'Blisters In The Pit Of My Heart' 
Coming Out July 2016 via Dirtnap Records (USA) and Fortuna POP! (UK)

Goldman's Detective Agency

We've had a bit of a break punctuated by moving house and our 6th birthday at Knee Deep Festival but today we're back with the debut single from Holiday Ghosts, punchy paranoia fueled garage pop.

Having dug up this treasure from within sadly otherwise lost tape sessions at Troubadour in Falmouth, Stacpoole (The Black Tambourines) and fellow Kernow stars Katja Rackin, Ben Woods (Lost Dawn and Charlie Murphy (The Red Cords) bring the melodic erudition of their other projects together into a melting pot of loose pop and timeless malaise.

Under the haze of Stacpoole's relatable charm lie dynamic harmonies and vivacious rhythms, spaghetti hooks under the floorboards moving a knee or two as the Holiday Ghosts frontman waves off the anxiety of a night under the influence and life itself and just exists. The pin comes with a download code and backing card and is available from our shop now: http://artishardrecords.limitedrun.com/products/580793?preview=true

The Pin Pal Club

Buy 1" pin single

Holiday Ghosts - Paranoia

Tooth Ache is taken from RF Shannon's sophomore album, Trickster Blues, due for release May 4th on Fuzz Club in Europe and Cosmic Dreamer in the US. Pre-order the vinyl at fuzzclub.com

RF Shannon - Tooth Ache

**Out 4/5 on Get Better Records**

All songs by Control Top
Produced and mixed by Al Creedon
Recorded by Al Creedon and Jeff Zeigler
Mastered by Emily Lazar
Additional production by Ali Carter

Design by Nolen Strals
Photography by Kevin Spaghetti

Covert Contracts

Chain Reaction

It’s Easy Then

It's Easy Then

'Networker' (Release Date: November 1, 2019) 

Spotify: https://u.subpop.com/2YQKrNz
Apple Music: https://u.subpop.com/2yIPSTY 
Sub Pop Mega Mart: https://megamart.subpop.com/releases/omni/networker

Bandcamp: https://omniatl.bandcamp.com/
Facebook: https://www.facebook.com/omniatl/
Instagram: https://www.instagram.com/omnideluxe/
Twitter: https://twitter.com/omniatl
On Tour: http://www.subpop.com/tours/omni

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Omni - Sincerely Yours

A meeting of legendary musical innovators as dub pioneer Lee "Scratch" Perry collaborates with polymath Brian Eno. A radical dub re-work overseen by Adrian Sherwood, re-configuring the track “Makumba Rock” from this year’s ‘Rainford’ album for the forthcoming dub companion LP 'Heavy Rain'.

Buy / Stream ~ on-u-sound.ffm.to/dreads

Lee "Scratch" Perry - Here Come The Warm Dreads ft. Brian Eno

Out on 12" LP / Digital on December 6th, 2019 

It’s been a few short months since Badge Époque Ensemble released their self titled debut, an ambiguous collection of woozy, narcotized funk. And yet already we have Nature, Man & Woman - a simmering new platter containing 3 songs, producing 26 minutes of dank flute-oriented atmosphere. 

The disco-sleeved 12” EP provides a revealing glimpse of a musically omnivorous approach. On Badge Theme we find the group upping the ante of the sound of their debut, unspooling 14 minutes of sensual Ike Hayes indebted oomph, sure to thrill future generations of loop diggers (cut live off the floor no less!). 


The A side contains 2 songs, which seem to hint at diverging future directions this eclectic combo might take moving forward. Opener “Zealous Child” comes as something of a sequel to the debut LP’s sole vocal featuring track “Undressed In Solitude”. This go round BÉE have teamed up with Toronto singer Dorothea Paas to ruminate on notions of spiritual wisdom overtop a progressive and climactically bombastic homebrew. Title track “Nature, Man & Woman” closes out the side with 6 ominous minutes of mysterious provenance. Somewhere between a live performance and a collaged tapestry, the group make more explicit than ever before their affinity for beat-centric loop music. Sounding like Lonnie Liston Smith gone trip-hop for a broadcast prohibited episode of Law & Order, BÉE posit themselves here as amongst the moodiest of contemporary instrumental collectives. Little wonder that library music enthusiasts around the world have made emphatic note of the Ensemble.

Badge Époque Ensemble - Badge Theme

'Thin Mind' (Release date: January 24, 2020)

Sub Pop MegaMart: https://megamart.subpop.com/releases/wolf_parade/thin_mind
Spotify: https://u.subpop.com/32iYxJn
Apple: https://u.subpop.com/2Niv9ys

Wolf Parade:
Bandcamp: https://wolfparade.bandcamp.com
Twitter: https://twitter.com/wolfparade
Facebook: https://www.facebook.com/WolfParadeMusic
Instagram: https://www.instagram.com/wolfparade
On Tour: www.subpop.com/artists/wolf_parade/tours

Sub Pop Records: www.subpop.com
Twitter: twitter.com/subpop
Facebook: www.facebook.com/subpoprecords
SoundCloud: @subpop
MegaMart: megamart.subpop.com/
Podcast: subpop.fm/

Wolf Parade - Forest Green

Taken from Gavilán Rayna Russom - The Envoy LP/Download [ELP047]

• Solo debut album of pulsing, beat-less urges by NYC transdisciplary artist Gavilán Rayna Russom
• Includes guest appearance by industrial and downtown figures Cosey Fanni Tutti and Peter Zummo 
• Cut at D&M, Berlin

Transdisciplinary NYC artist Gavilán Rayna Russom beautifully comes into her own with a distinguished solo debut album statement including the voice of Cosey Fanni Tutti and brass arrangements by downtown legend Peter Zummo

After decades exploring her sonic personality in various projects inspired by her deep immersion in NYC’s club and avant-garde scenes, Rayna uses ‘The Envoy’ as a vessel to firm up and convey her personal conclusions on intersections of gender and electronic music. Enriched with complex human experience and key influence from sci-fi writer Ursula K. Le Guin’s novel ’The Left Hand of Darkness’ - a book that strongly resonated with her due to its descriptions of an alien race with multiple sexual characteristics - the album is intended to realign misconceptions of Russom’s prescient early work such as 2005’s ‘The Days of Mars’ LP for DFA, which arguably foreshadowed a rise of beat-less and more ambiguous urges that are now commonplace in contemporary dance music, yet were at the time lumped in with retro-fetishist trends. With ‘The Envoy’ Russom returns to a 2019 music scene that’s better prepared with the politics of an emerging new world, and thus readied for her ideas to take hold in the public consciousness.

Entwining Russom’s perspectives on gender, the occult, and spirituality, and how they relate to the body and music’s healing properties, ‘The Envoy’ clearly yet ambiguously expresses the artist’s concerns in nine interrelated parts. Practically devoid of percussion, but full of body-moving polyrhythmic pattern, the pieces spill out of the lines of any typically imposed “grid”. Within this loose context, porous to the chaos of noise, Russom smudges a blend of analogue and digital synths to connote an elusive sense of self, encouraging the listener to navigate the music’s curves and silhouettes by instinct. 

Employing the fluid potential of electronic music at its most fundamental in a way that loops right back to the glyding suspense of her prized early work, even literally incorporating elements of long form solo recordings made in the late ‘90s in the wake of Russom’s psych/noise band Soma.

Unanchored by kicks, yet pulsing in its own ways, the album flows with an underlying elegance from Cosey Fanni Tutti’s spellbinding recital of Russom’s text in ‘Kemmer’, set to an organic, orgiastic writhe of arps and stressed noise, and on thru the free-floating organ scape of ‘Envoy’, to acknowledge more grimly industrial impulses with ‘Strength out of the Dark’ and also a towering highlight of the album in ‘Discipline of Presence’, where Russom’s throbbing mass is hauntingly illuminated by plangent brass arrangement from Peter Zummo (key Arthur Russell collaborator). The 10 minute ‘Winter’ then wraps it all up under a titular reference to Ursula K Le Guin’s novel, placing Russom as a filament of solo piano-playing light within the cold expanse of NYC.

Gavilán Rayna Russom - Kemmer (w/ Cosey Fanni Tutti)[ELP047]

We Cry For Harmonia

Horse

Matador

Futurist. Gamer. Modernism. Archetypes. Promoter of thoughtful innovations. 
-Check out my show in the link below. 

We're not the best, but we're pretty good.

Wolf Parade - Forest Green

Sub Pop

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