CR-044

The sharply defined lines of Brutalist architecture, the infinite starry expanse of the cosmos, the industrial automation of the factory floor, the endless virtual worlds that make up the alternate universe of cyberspace: what do each of these things have in common with the new EP from Wata Igarashi on The Bunker New York? All are essentially a distillation of the grand, overarching spirit of modernity embodied by techno music.

Wata Igarashi is a lifelong musician and professional sound designer by trade. His decades of experience composing music for TV, web, live events, and beyond taught him the ins and outs of electronic music production — the mood of his machines — and led him to develop mind-bending techno timbres that recall the similarly hypnotic artistry of Rrose or Donato Dozzy, alongside a certain ineffable quality that makes his work uniquely his own. “Japanese people like to refine things,” suggests Igarashi. “There’s definitely some kind of particular ‘Japanese thing’ in electronic music — some Japanese producers are so detailed, carefully looking after the smallest elements,” he adds. Certainly, Igarashi himself falls in that cohort.

The last several years have been fruitful for Igarashi, with hotly tipped records on Peter Van Hoesen's Time to Express record label, the Berlin-based Midgar, and Spanish minimal techno specialists Semantica. A chance meeting at Berghain in February 2015 led Igarashi to connect with Bryan Kasenic, the man behind The Bunker New York, who already knew and loved his music. The pair developed a fast friendship based on mutual respect, and Kasenic was honored to welcome Igarashi to The Bunker New York family.

For his debut on The Bunker New York, Igarashi presents Mood of the Machines, a pristine techno record so perfectly composed, so tightly woven, that it simply speaks for itself. Each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain. Techno is a universal language, and The Bunker New York is proud to share Wata Igarashi's latest dancefloor declaration with the world.



Wata Igarashi - Mood Of The Machines Part II (preview clip)

From Our Minds to Yours

Curvature Of Mind

B1 Acronym - The Permafrost Melt

Support the label and buy Cavallina ep digital here:
https://danzatribale.bandcamp.com

Cavallina Ep / ADIEL & DONATO DOZZY 

A1. Cavallina _ Adiel & Donato Dozzy
B1. Cavallina Matta_ Donato Dozzy

Written and produced by Adiel & Donato Dozzy
Mastered at Enisslab Studio by Giuseppe Tillieci
Graphic Design: Koto Hirai
www.newsdistribution.be
Cat. no. DNZT005 – all rights reserved
℗ & © Danza Tribale 2019

Cavallina Ep

ADIEL & DONATO DOZZY_ CAVALLINA [DNZT 005]

For its seventh release, Obscura - the thriving label of Italian trio Agents Of Time - returns to the compilation format to welcome exciting new talents and core label acts. 

‘East Coast’, the Agents Of Time track which opens the release, is at once tough and atmospheric, with delicate pads suspended above the rugged, syncopated rhythm. London Modular Alliance complete the A-side with an organic jam of bleeps, bass and crisp percussion. Next, Australian Jensen Interceptor contributes a fresh cut of rapid-fire electro which leads neatly into the sci-fi tones of ‘Welcome To My World’ by newcomer Golden Virgo. 

Following a full EP on Obscura earlier this year, Hiver is back with the elastic bassline and dreamy arpeggios of ‘Stasys’. Orbe, a remixer on Hiver’s EP, impresses with ‘Never Comes’, a similarly restrained and endlessly detailed journey through the depths. 

The final side is split between Laguna and Kris Wadsworth. The former tunnels further into the hypnotic side of Obscura’s sound whilst Wadsworth’s crunchy, Detroit techno ends the release on a high. With ‘From Sound To Silence 2’, Agents Of Time have compiled eight, stand-out tracks to explore the full range of their dancefloor sensibilities. 

Buy & Download: https://www.obscuramusic.com/releases/obsm007/from-sound-to-silence-2

Buy or Download

[OBSM007] D1. Laguna - Adriatic

Six years on since his latest appearance on the label’s main series, Stroboscopic Artefacts boss Luca Mortellaro, aka Lucy, returns with ‘Dyscamupia’ – an introspective, multisensory techno triptych revolving around the core sequence of Albert Camus’ classic existentialist novel, ‘The Stranger’. Also known as the ‘killing of an arab’, this pivotal moment in Camus’ seminal book – which also inspired The Cure their song ‘Killing An Arab’ back in the day, is here evoked through three variedly intense, deep and hypnotic techno variations – flexing from 120 to 130, onto 140 BPM – each of them translating a particular step in the author’s minute, focal-shifting depiction of the unknown man’s murder on the beach.   

Embodying Meursault for a minute, Jason Snell lends his voice to the narrator and his inner demons, casting a strange, ominous spell on the club and its crowd. Willing to explore and dig up further into the textural wealth and crucial warmth of organic sounds and synthetic treatments, Lucy made wise use of the binaural microphones technology during the vocals recording process, greatly enhancing the immersive force of his compositions to create thoughtful, dystopic narrative bubbles that stand in their own right.

The first number, ‘ Dyscamupia (Forward)’, happens before and right until the actual killing – hence time flowing at a metronomic, heartbeat-like tempo; the second cut ‘Dyscamupia (Pause)’ takes place right after the nameless man’s death, when the narrator enters a kind of existential ‘pause’ and a whole new flow of consciousness begins; the third sequence, ‘Dyscamupia (Backward)’, plumbs the depths of the action itself as played backwards, like an equally hazed-out and dizzying reminiscence of the sad encounter’s mechanism. Don’t let its seemingly conceptual framework fool you though, like most of his past output ‘Dyscamupia’ also aims to bring dancefloors to a steady simmer, whilst maintaining Lucy’s ascending momentum towards an all-round genre-busting, thought-provoking apex.

 

All tracks (w) & (p) by Lucy AKA Luca Mortellaro
Voice on all tracks by Jason Snell
words by Albert Camus’ “ The Stranger”
mastered @ Artefacts Mastering Studio, Berlin
graphic concept by Ignazio Mortellaro [OA]
Ⓟ & © Stroboscopic Artefacts 2019
Cat. No. SA034 – all rights reserved
www.stroboscopicartefacts.com

A - Lucy - Dyscamupia (Forward) [SA034]

Strange anomalies are scattered throughout the world. Things that could not possibly belong to the time period or place in which they were found. These so called out of place artifacts baffle historians & archaeologists up until today and have inspired producers Vril & Rødhåd to write a collaborative concept album.

As a result the two producers got together in the studio with the idea to subvert the expectations of their previous work. They experimented over two sessions in 2018 and 2019, resulting in a record showcasing a different palette of sounds and tempo. 

The album is suited for deep listening and exploring aforementioned concepts or introspection in general. A mystic tone is set from the start, and grips the listener throughout the whole run time. Each track encapsulates this notion in its own unique form, blending sonic ambience and complex beats that reaches spectral heights. Both producer's styles shine individually, but the collaboration achieves something greater than the sum of its parts.

Out Of Place Artefacts will be released as double vinyl in a gate folder and in all digital formats on the WSNWG label on the 20th of October.

Apophenia Video
https://youtu.be/Xtz5x82flGo

Out Of Place Artefacts

Apophenia

BANDCAMP

Vril & Rødhåd presents: OUT OF PLACE ARTEFACTS - Apophenia

http://eaux.ro/album/waterfall-variations

Rrose 'Waterfall' (Lucy Remix) [EAUX491]

Track from NE81 Evigt Mörker - Enande måne EP
Out on EP and digital March 19th. Pre-orders on Bandcamp from March 5th.

'Enande måne' is Evigt Mörker's first release for Northern Electronics since his artful debut album, 'Krona.' The fizzy bliss of melancholia's brutal truths have rarely been explored this thoroughly by Evigt Mörker until now. Though often riding the torque of his caustic moments with a playful, ebbing refrain, these four tracks lead with the elation.

Mastered by Neel at EnissLab, Rome.
Artwork by Jonas Bard.

Evigt Mörker — Enande måne

Substrato, established in 2016, captures the essence of Earth's dynamic strata. Inspired by the undulating patterns of rocky formations, the vibrant pulse of thriving ecosystems, and the ethereal vistas of dreamy terrains, its techno acoustics spin a hypnotic narrative. It's a sonic exploration that traverses both the deep, hidden recesses of the subterranean and the enigmatic stillness of submerged worlds

B1 Acronym - The Permafrost Melt

Substrato Records

Recent comments

Hymera!

Omnitor Grind

Åre:gone

Arnaldo Capo

Related tracks