Lullaby

K.Q. Essar - My Afghanistan - Anar Anar

از میان این لالایی، صدهزار سرباز می‌گذرد و گیس‌ِ بلند‌ِ صدهزار مادر سفید می‌ماند به انتظار و از.ـ‌ 
تبار زنانه‌گی‌‌ِ این زمین است انگار، انتظار... ـ
ـ(سهم‌ِ من، سی شب خواندنش بود در نمایش «ننه دلاور، بیرون پشت‌ِ در» به نویسندگی و کارگردانی سجاد افشاریان)ـ

https://soundcloud.com/shahr-zad/laylay

لالایی کُردی | Kurdish Lullaby

تنظیم : سیامک جهانگیری
سحر لطفی : آواز 
مریم قرسو : تار 
روشنک نوری : سنتور 
المیرا مردانه : کمانچه 
مژگان قرسو : تمبک 
سارا فطرس : دف 

Sahar Lotfi : chant 
Maryam Gharasou : Tar 
Roshanak Noori : Santour
Elmira Mardaneh : Kamancheh
Mozhgan Gharasou : Tombak 
Sara Fotros : Daf

Lullaby    لالایی

This Rough Guide concocts a collection of laid-back music you can hear pumped out from street-side coffee-houses across North Africa and the Middle East. Sip the historic infusion with musical masters Maurice El Medioni, Akim El Sikameya, Ali Hassan Kuban, Salamat and Abdel Gadir Salim.

For more information: www.worldmusic.net/arabiccafe

The Rough Guide To Arabic Café

Nowadays in the West coffee chains are endemic on every high street. Pounding the streets anywhere from Croydon to Chicago, you can be sure to find a slick, stainless-steel-clad Starbucks or a clinical, corporate Costa crowded on to every other corner. In these capitalist climes, multi-national chains jostle for space with holistically hip independent joints where media consultants tip-tap on MacBooks whilst sipping their double-shot decaf doppios. Looking back at the richly roasted history of the potent brew reveals a fascinating story and its deep connection to the musical culture of Eastern Africa and the Middle East, where the drink originated. 

There are hundreds of contesting accounts of coffee’s legendary first uses. A popular theory surmises that in the tenth century, nomads wandering through Ethiopia’s mountains ate the coffee plants red fruits and first discovered its stimulating properties. Next, members of the Shadhiliyya Sufi order are said to have spread coffee-drinking across Southern Arabia and the Islamic world from the thirteenth century onwards. Today coffee’s enveloping aroma still scents the streets of the Arab world’s beating cities and village outposts. Touchdown in Beirut, Ramallah, Cairo, Casablanca or Riyadh and you are sure to soon have your hands wrapped around a steaming strong amalgam. This Rough Guide concocts a collection of laid-back music likely to be pumped out from street-side Arabic coffee-houses where the clinking of glasses, gentle ripple of conversation and misty shisha smoke mingles amongst the guests in percussive interplay.

We sip our first Arabian infusion in a Franco-Algerian establishment in the company of Maurice El-Medioni. Born in Oran, El Medioni first learned to play the piano by mimicking popular 1930s French songs he heard on the old family radio. During the 1940s he learned to boogie-woogie and jazz along with the US troops stationed in Oran. In 1962 escaping his country’s bitter civil war El Medioni relocated to France and set himself upon the cosmopolitan cabaret scene. Joining us in Algeria, Akim El Sikameya’s unique high-range vocal is heard on ‘Ya Waadi’. Both artists blend Arab-Andalucian tradition with swinging jazz trumpets and syncopated swagger.

Ali Hassan Kuban’s music greets us in Egypt with a steaming cup of his Nubian blend. Known for his wide gap-toothed smile and jazz-inflected wedding music, Kuban transformed the complex rural rhythms and trance-like chants of his homeland by adding Western instrumentation and danceable beats. Sudanese musician Abdel Gadir-Salim also draws on wedding repertoire as heard on his strident 6/8 tune ‘Gamearina’. The band Salamat was formed by Mahmoud Fadl, another musician with a strong rooting in the Nubian and Arabic wedding scene in Egypt. Fadl’s love of percussion is resonant in the playful patterns underpinning tracks ‘Elleya Misafir’ and ‘Wainek’.

Within the course of this travelogue album we go on to glide from Ihsan Al-Mounzer’s Lebanese light roast to Groupe Mazagan’s Moroccan rock mix, Daramad’s relaxed-pace Persian delights, and Ramzi Aburedwan’s punctuated Palestinian grooves. Uncover the history of coffee culture on this carefully-blended compilation.

Ramzi Aburedwan: Tahrir (taken from The Rough Guide To Arabic Cafe

تار : حسین علیزاده
کمانچه: کيهـان کلهــر

آلبـوم سـازخـامـوش

تار و کمانچه

Kurdish Lullaby, Lay Lay,laye Laye,Nour Ensemble

Poems by the 13th-century Sufi Master Jalaluddin Rumi in English and the original Persian.

The Passion of Rumi (Shahram and Hafez Nazeri)

Keyhan Kalhor - Kamanche Solo

Hooman Roomi : Kamanche
Hamid Ghanbari : Tonbak

Lahzeye Didar

Join our journey : https://www.anna-rf.com/ :)))))
FaceBook : https://www.facebook.com/annarfmusic
BandCamp : https://www.masala-musicandspirit.ban...

anna RF feat Naadistan - "Tum Hi Ho" Aashiqui 2 
A new version we made after falling in love with this beautiful Indian song.

Roy Smila - Kamancha
Hadar Boxer - Lyra 
Madav - Saxophone 
Or raveh - Bass 
Ofir J.Rock - Guitar 

The video was recorded and shot in Arambol, Goa, India. 
Thanks a lot for all the friends that give us a hand :)
Much love ! 
Enjoy
קטגוריה


"Tum Hi Ho" Aashiqui 2 - anna RF feat Naadistan (Instrumental)

Just playing one of Anouar Brahem's pieces. 

▶▶▶  FREE 500MB TASTER DOWNLOAD:  https://primeloops.com/free-samples/ 

BUY: https://primeloops.com/sufi-ney.html

Over 500MB of ethnic Sufi Ney flute samples, featuring longer walks, loops, one shots, phrases as well as processed recordings

Cane instruments are first seen in Mesopotamia within the Sumerian Civilization. This instrument was called ’na’ back then because of the sound it produced. The word ’ney’ is a Persian adaptation of this name. Ney flute is made of knotty reeds obtained from reed beds. Six holes are drilled at the front and one at the back of the reed. The hole at the back is placed in the middle of the reed.

The reed flute is the core instrument in Sufi rituals (Whirling Dervishes) along with Anatolian percussions such as Bendir & Kudum. According to the Sufi, the ney instrument resembles the human experience. The reed with seven holes suffers until a breath passes through and flourishes music again. According to Rumi, if a person lacks this fire (breath), that being might as well be nonexistent. So the Ney is not just a musical instrument but also a tool!

This is a session recording package of Sufi Ney flute samples containing longer walks, loops, one shots, phrases and taster processed samples.

-uploaded in HD at http://www.TunesToTube.com

Middle Eastern Sufi New Flute Samples & Persian Loops

Arnalds has shared this on his tweeter!

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dedicated to Olafur Arnalds and one of his best works

کيهان کلهر و سيد جواد ذبيحي و عليرضا قرباني و همایون شجريان و الافر آرنالدز و سينه زنها و من دور هم جمع شده بوديم، که اين اومد بيرون

music used in this cocktail:
Olafur Arnalds - Near Light
Kayhan Kalhor improvasation on Nava
Seyed javad zabihi - monajat
Alireza Ghorbani - bigharar
Homayoun Shajarian early days live in Tv with father
Muslims mournings chest beating
my guitars

Eastern Arnalds (Near Iran)

أنور ابراهم - باهية

Masoud Shoari ft Christophe Rezai - Journey (Seyr) - JOURNEY

Wood Talk - Dhafer Youssef

Araam Araam (A Lullaby)

ارتکابی از سر بیکاری و بی حوصلگی
سهیل پیغمبری : کلارینت
مارتین شمعون پور‌ : فلوت ریکوردر
بهرنگ بقایی : دیوان و آواز
شاید دو سال پیش٬ یا بیشتر

عزیزجون

سه‌ تار عطااله ایمانی‌ 

نمونه صوتی سه‌ تار کاسه متوسط الگوی استاد محمود هاشمی‌

ساخته محمود صادق محمدی

Lullaby

suddenlysafa