HAI TAQAZA E MOHABBAT NA UTHE SAR AASTHA SE

Giran_jo_mujh_pe_Hangama e zamana howa - Allama IQbal

Abida Parveen - Tujh Lab Ki Sifat Lal e Badakhshan

O Lord, cleanse my eyes from the world’s illusions,
Purify me from worldly distractions and delusions.
I desire nothing, O my Lord, save this one plea,
Make me the servant of the Master, forever free.

You are the praise of God, eternal and sublime,
Your very existence, O Prophet (PBUH), is the divine.
Your beauty surpasses all, your grace is supreme,
In you, the greatness of the world does gleam.

God venerates the name of Muhammad (PBUH) with honour,
What a name, O Messenger (PBUH), a reflection of grandeur!
May the fire of Hell never touch those who speak,
The name of Muhammad (PBUH), so flawless, unique.

I cannot stray from the sacred precincts of the Haram,
The thought of the Prophet (PBUH) in my heart, a calm.
I cannot leave the door of His presence so dear,
Nor can I live on the world’s scraps, far or near.

Do not despair, O night, though darkness may fall,
For the dawn is coming, answering the call.
Do not be disheartened by the night’s cruel sway,
The guiding star will soon light your way.

When the signs of drowning begin to appear,
In His black cloak, the Prophet (PBUH) will draw near.

Whoever calls Muhammad’s (PBUH) name with faith so bright,
Cannot be lost in the depths of the night.

No storm can subdue, no tempest can drown,
The ship of Muhammad (PBUH) sails with honour and renown.

O Captain of the Ship, do not worry,
Though the storm rages, I travel in a hurry.
The Noble Prophet (PBUH) called out with grace,
"Fear not, I am with you, come, find your place."

My protector is the Beloved, the Master of all,
The helper of the Prophets (PBUH), who answers the call.
Let no enemy disturb my world or sphere,
For I will call upon Muhammad (PBUH), and find peace near.

What harm can befall me, when the world is against my fate?
With Muhammad (PBUH) beside me, I hold the keys to my state.

My protector is the Beloved, the Master of all,
The helper of the Prophets (PBUH), who answers the call.
Even in trials, when you feel lost and astray,
You will see, He stands with you, guiding your way.

In thousands, we stand unique, we rise,
On the Day of Resurrection, Muhammad (PBUH), the prize.

You will be astonished, surprised by what you see,
The truths once hard to grasp, now clear to be.
Those who once called themselves followers of the divine,
Will stand as true servants, as the Creator’s design.

When humanity’s dawn emerges, on that bright day,
The Prophet (PBUH) will appear, showing us the way.

When the guilty tremble, in fear on that day,
No one will come to help, none will stay.
But on His shoulders, the black cloak will rest,
The beloved of Amina, with grace manifest.

When the Prophet’s (PBUH) face shines with a radiant glow,
All will be drawn to Him, their hearts in tow.

On the Day of Judgment, those with hearts of gold,
Will be redeemed by Muhammad (PBUH), His love untold.

As the embodiment of mercy, purity, and grace,
His light shines forth from the heavens, in a divine embrace.

The story of the Prophet (PBUH), far from the day’s sun,
Is written in the stars, a light never undone.
The eternal flame burns bright through every trial,
In His name, we find our strength, mile by mile.

Since the beginning, the veil has been lifted,
In the Prophet’s (PBUH) presence, all hearts are gifted.

— Translated by Jamil Hussain, Sung by Nusrat Fateh Ali Khan

Raat Ki Teeragi Se Na Mayoos Ho, Roshni Ka Sitara Nazar Aaye Ga - TheLegend.NFAK

پھر دَرِ احمدِؐ مختار تک آ پہنچا ہوں

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Zaahri Ebadat Wakhri Hoondi   Sufiyana Kalam 2019   Sami Kanwal

1.	Sufi poetry is sung in multiple ways in India and the Sufi Kalam is one of the most common renditions as compared to the rare genres of Bheth and Waai that have very few living exponents. Also this style is less fervent than the Qawwali and can be sung in both classical Ragas or to folk rhythms. There are Sindhi and Muslim variants to the style that also acquires typical traits from region to region and in terms of the instruments employed in each case. The genre is thus identified more by the poetry that is sung and less by any particular style of music integral to its character.  ‘Kalam’ is a term for poetry and etymologically derives from the Arabic word for conversation. A poet gets into a communion with a muse and slowly unearths its character and the statement of this exchange is a work of poetry. The Sindhi and Mehar Sindhi communities that inhabit the extremities of the Barmer and Jaisalmer regions of Rajasthan on the border of India and Pakistan, are one of the many exponents of the Sufi Kalam style of music. Deriving from the words of Sufi poets like Shah Latif, Bulleh Shah and SachalSarmast, this music explores the meanings and modes of spirituality. Algoza, Kamyacha, Khartal, Dholak and Sindhi Sarangi are used in the performances that are conducted either on significant festive occasions or even upon invitations by patrons. 

Saleh Mohammad - Ratadli

HAI TAQAZA E MOHABBAT NA UTHE SAR AASTHA SE

Sufi Sama

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