おと

Recorded on 1 June 1969, in Room 1742 at the Queen Elizabeth Hotel in Montreal, after the recording of 'Give Peace A Chance'.

<b>REMEMBER LOVE</b>

Remember love, remember love,
Love is what it takes to sing.
Remember love, remember love,
Love is what it takes to meet.
Remember love, remember love,
Love is what it takes to live.
Remember love, remember love,
Love is what it takes to dream.

Remember love, remember love,
Love is what it takes to see.
Remember love, remember love,
Love is what it takes to meet.
Remember love, remember love,
Love is what it takes to live.
Remember love, remember love,
Love is what it takes to tie.

Remember love, remember love,
Love is what it takes to live.
Remember love, remember love,
Love is what it takes to tie.
Remember love, remember love.
Love
Remember love.
Love
Love


Vocals: Yoko Ono
Guitar: John Lennon

The B-Side of the single 'Give Peace A Chance' by Plastic Ono Band.

Later released on the remastered CD of the John Lennon & Yoko Ono album 'Two Virgins'


Unfinished Music No. 1: Two Virgins

Plastic Ono Band - Remember Love

An epic struggle between two miggys and a dodgy internet connection continues. Soundart FM suffered in the crazy storms with cable damage as trees got blown down onto their stuff. It still isn't fixed, but we managed to get it done in the end. A wobbly start as we lock it down then off we go.

Greta Cottage Workshop Radio 1/3/14 Onlyz & Winkles

Multi Culti are proud to present the debut EP from Sao Paolo's Voodoohop resident, Thomash.

DJ Thomash has set up one of the most influential nights in the bazooming Brazilian scene with his Voodoohop party, a fusion of tropical hedonism and avant-garde trance-inducing European electronic music, a lively mix that no doubt has its genesis in his transplanted German roots (he's from Cologne aka Kompakt-ville). He's shared the stage with guys like Rebolledo, Joakim, Acid Pauli and more, and now finally looks to colonize the world with his first release.

Interestingly, Thomash has a degree in artificial intelligence, so while it might just be our imagination, it does seem that the rhythms, full of oddly tuned percussion and colorful synth stabs seem imbued with a distinct internal logic, playful forms that bounce off each other in their own reality, according to their own laws. This narrative of the ethnoid, German-Brazilian AI ties in nicely with the title: Candomble is the name of an Afro-Brazilian religion, meaning literally 'dance in honour of the gods.' Fortunately for us, Thomash seems to be honouring some scarcely acknowledged, far-out deities... spritely DMT-elves. Ectoplasma further plays into this reading, both in title and in vibe, floating unconcerned with material dancefloor goals into a space of peaceful imagination and spirit. Finally, Calango Fumando Palha is a soft, dreamy morning peyote-fire anthem… a healing latin lullaby to soothe troubles and set positive vibes free.

Called in to take us deeper into the trip are Multi Culti's go-to sooth-sayers DREEMS, who lead us forwards in full-chakra-alignment with the originals, bringing bigger bass into the heart of the jungle, tripping on acid, leaving us loose-limbed, wide-eyed, and open-minded in bliss as the final chords tuck us in and kiss us goodnight. Sweet Dreems!
  

Multi Culti Japan

Thomash - Calango Fumando Palha

Multi Culti are proud to present the debut EP from Sao Paolo's Voodoohop resident, Thomash.

DJ Thomash has set up one of the most influential nights in the bazooming Brazilian scene with his Voodoohop party, a fusion of tropical hedonism and avant-garde trance-inducing European electronic music, a lively mix that no doubt has its genesis in his transplanted German roots (he's from Cologne aka Kompakt-ville). He's shared the stage with guys like Rebolledo, Joakim, Acid Pauli and more, and now finally looks to colonize the world with his first release.

Interestingly, Thomash has a degree in artificial intelligence, so while it might just be our imagination, it does seem that the rhythms, full of oddly tuned percussion and colorful synth stabs seem imbued with a distinct internal logic, playful forms that bounce off each other in their own reality, according to their own laws. This narrative of the ethnoid, German-Brazilian AI ties in nicely with the title: Candomble is the name of an Afro-Brazilian religion, meaning literally 'dance in honour of the gods.' Fortunately for us, Thomash seems to be honouring some scarcely acknowledged, far-out deities... spritely DMT-elves. Ectoplasma further plays into this reading, both in title and in vibe, floating unconcerned with material dancefloor goals into a space of peaceful imagination and spirit. Finally, Calango Fumando Palha is a soft, dreamy morning peyote-fire anthem… a healing latin lullaby to soothe troubles and set positive vibes free.

Called in to take us deeper into the trip are Multi Culti's go-to sooth-sayers DREEMS, who lead us forwards in full-chakra-alignment with the originals, bringing bigger bass into the heart of the jungle, tripping on acid, leaving us loose-limbed, wide-eyed, and open-minded in bliss as the final chords tuck us in and kiss us goodnight. Sweet Dreems!
  

Thomash - Candomble

Space Mix 111 (rough versions unmastered)

"Love Runs Out" - 4/14 release

Get the 'Native' album on iTunes: http://smarturl.it/Native?IQid=soundcloud

http://OneRepublic.com
http://facebook.com/OneRepublic
http://twitter.com/OneRepublic

Full Song Out 4/14!

OneRepublic - Love Runs Out

First collaboration between myself and https://soundcloud.com/cogidubnus. OUT NOW on the new Broken Bubble compilation, Second Variety. DL here: http://brokenbubble.bandcamp.com/album/second-variety

Cogi & Blood Boy - Marshall's Mushroom

Pre-order on iTunes: http://smarturl.it/BehindTheLight?IQid=sc

http://PhillipPhillips.com
http://facebook.com/PhillipPhillips
http://twitter.com/Phillips
http://instagram.com/PhillPhill

Pre-order on iTunes

Phillip Phillips - Midnight Sun

Takagi Masakatsu - j.f.p.


Artist:       Takagi Masakatsu
Lyrics:     Matt Halles
Vocals:    Aqualung
Year:        2006
Track:       01


Ophelia

砂を捨てる日(2008.8)

大事に取ってた　残ってた袋を破って中身を捨てて
君は笑ってる　彼は怒ってた　それは２人の物だったから
すれ違い出す日　熱を失くし　いつまででも続くと思ってた
何の気なしに石ころ放ってた　気付けば水は固く凍ってた
「始めからそれは空だったのよ　あなたから私をからかったのよ
　汚い砂を貯め続けても　どこにも着けないって気付いたの」
「確かにそいつはただの砂だった　俺だって最初は我を疑ったが
　袋が膨らむことが大切で中身は何でも良かったんだ」
崩れる壁にぶつける物を見つけることも出来ずにすねる
子どもじみて弱くて馬鹿げてて　沈むのを待ってるボートの上で
色褪せるに任せる景観　湖面にばら撒く作業に精出す
不思議にはしゃぐ彼女を見ていた

「あなたの砂が水に溶けてったわ」
「俺の砂じゃない　２人のだ」
「私の砂？そんなもの無かった　そもそも私の袋も無い」
「大切な物を見失ってるがそれが何なのかはまだわかってない
　確かに言えることはひとつだけだ　俺は君をからかってない」
「あなたはきっと何もわかってない　自分勝手な夢の中にいる
　私を理解しようとしてない　何より本当の私を見てない」
「それについては謝る他ない　でも君はきっとそれを望まない
　少しずつ全ては変わる　俺らがいるべき場所はここじゃない」

平衡感失った日々　開かないドア　閉まった切り　
あの日より濃くなる天井のシミ　彼女が笑うドア越しに
終わりを知り　靴を履く彼と　その姿を見て呟く「だけど」
彼女は壁の方を見つめて言う「きっとこれは一時の別れよ」と
彼は溜め息をつき立ち上がって　言うべきなのか迷って結局
もう部屋に消えた彼女に言う　それはあるいは自分への説得

「俺は知らない、君を何ひとつ　そしてこれからも知ることはない
　どうか哀れに思わないでほしい　たまに思い出してくれれば嬉しい」

返事は無く　去るしか道は無く　こんな時に唄いたい詩は無く

「どうせなら最後に口汚く罵り合えれば違ったかもな
　まあいい　出口は最初から用意されていなかった、この通り
　結局一時交わっただけだ　戻ったわけだ、元通りに」

哀しいほど晴れた日　バス亭は混んで　人を運んでく

「もし今何処かの火山がポンペイみたく爆破したなら
　俺はどんな形で固まるのだろう　未来でそれを笑うのだろうか」

答えの出ないたくさんを抱いて　膨らんで弾けたベッドで眠る
彼女は泣いて　すぐに見失う涙のわけ　そしてまた眠る

「終わったことはもう終わったこと　まだ始めるべきじゃないから始めない
　理由も無いのに理由を見出すやり方には上手く馴染めない」

寝返り打って寄りかかる壁の冷たさに彼女はほっとして
小さく一人呟く「わかってる　だけど今はほっといて」
投げ出した足で空に絵を描いて　何か思い出しまた少し泣いて
次の約束　指先で数えまた一人言「明日からも大変」
いつでもそうだ現実は滑稽で　止まることは無く強制的に
人を乗せただ前に進む　だから深く沈まないで済む
きっと互いの低いと高いを見極めることに怠惰だっただけ
着地出来るとは思ってなかった最初から　だけど

垂直　薄い空　滲むクロスとフローリング
揺れる湖面　砂で濁ってく　今日と昨日　変わってく色
垂直　分厚いドア　今でもきっと向こうにいる
伸ばす手を止めて　向き直り去ってく　今日の日を覚えていよう
新たな地平　新しい価値観　追いついてないことだけは確か
しがみつく手摺りの無い安堵感　まだ歩ける何とか
長く　小さく　ここで息をする　低く　短く　唄う
固く　滑らかに　夜は降りてきて　のっぺりとしたステップでたゆたう
それが終わるまで　一人で
それが終わる前に　一人で
薄れる影　何処かで　また消えるまで　続けている

垂直　薄い空　わざと道の無い方に行く

おと

Sugi Sumi