Experimental 1

So glad to finally welcome our brothers from another mothers Love Reaction, it’s just about sun, love and happiness

Rinse France Podcast

Music for Tourist invite Love Reaction - 02 Mai 2022

Live recording at Radio Tempo Não Pára (25.02.2023)

Artist: @classicalllove

Classical Love @ Radio TNP 25.02.2023

I DO NOT OWN THE RIGHTS TO THIS SONG!! New York avant-garde folk

Arthur Russell - Answers Me

The Archives

Big Business/I Zimbra

Houses In Motion

A nine-story panel building, four entrances, a hundred something apartments. Perhaps, every morning, you pass by this building on your way to the subway station, or its gray walls were visible from the window of a room in which you have not been for so long, and perhaps will never be again.

In the tenth apartment on the third floor, six-year-old Vitalik wakes up. He breathes heavily. This horrible dream again about a huge red excavator trying to bury him. The old refrigerator hums in the kitchen. On the walls there are shadows of a tall birch standing in the front garden. In the next room, the TV is barely audible – Mom drank cognac again and fell asleep during the evening news. Vitalik wraps himself in a heavy blanket with a tiger pattern. In his little curly head, an unknown melody starts playing, and suddenly, it becomes somehow calmer and happier. Later, in the future, he will turn on the the Bevissthet mix for 5/8: radio, he will unmistakably recognize it, and on a particular evening, he will also become a bit calmer and happier.

Bevissthet

Bevissthet - 5/8 Radio #230

REGULARDISCO Mix selected by PROTS
Follow the artist: @iamprots

Project's founder Prots is back after a recharging break, and he is back not with empty hands, but with a powerful blend of progressive acid house, breakbeat, indie-dance and nu-disco. In other words, the original sound of Regulardisco.

REGULARDISCO 029 | PROTS

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

Fiestuki Ambient Amigas - Ezeta - 17 Oct 2024

Recorded in the living room at Park Parade.

Walk through the wilderness, see how many species, patterns, textures, colours and scales make the whole. 

Albrecht La’Brooy — The Sherbrooke
Dreems — Kings Hwy Bwood
Forest On Stasys — Wilderness
Hugo Massien — God Knows We Tried
Charles Webster — The Spell(Burial Mix)
Efdemin — Stately, Yes.
Wa Wu We — Opens The Door
Kassian ‚ Actions
Mike Dehnert — 8 Years Fachwerk
Genius of Time — Untitled
Ulo S. — Uphoria
System 7 & Marcus Henriksson — Million Suns
Trancesetters of Westphalia — Acid Dungeon
Ekkel — Spore Core
Manipura — Halcyon Days(Conceptual Scarlet Starlight Mix)
Iori — Under The Water(Wata Igarashi Remix)
Trevor Linde — Spiritual Currency
Biri & Yoga — Always Silver, Never Gold
Altinbas — Tempest
Benza — Spore Spreader
Villager — Ow Wow
Once Twice — Your Love
Tim Wright — Searchers
Wodda  —Womp Womp
Huna — U Too(Huna’s H4cked Shiny)
Fearful & Mtwn — Twelve Over
Mr. Mitch — Likkle Taste
Bastian Benjamin, French ii — end of line
Homelander — Solaristics (Axon Growth Factor Remix)
Hojo — 16 Os feat. Novelist
Jimi Joel — So Uhm…
Francesco Skip — Oceans Explorer
Toumba — Rashash
BFTT — THP
George-i — Change
Karenn — When Lutes Were a Thing
The Books — A Cold Freezin’ Night
Ken Davis — Sounds of The Rainforest

In the Wilderness

Live 1977-1978

96 Tears Intro / Ghostrider / Rocket USA / Cheree / Jonny / Frankie Teardrop (CBGB Sept 29 1977)

► Download audio: http://blrrm.tv/BR_APP ► More here: http://blrrm.tv/manfredas
► The people's champion! shorter than his usual marathons, but Manfredas still found time to nail a home turf set for us at Opium Club.

Manfredas Boiler Room Vilnius DJ Set

When the band Einstürzende Neubauten was being founded in 1980 there were hardly any others that could have been compared to them.

Instead of playing conventional instruments, the band – out of shortage of money – used tools and other objects of daily use to create atonal industrial collages predicting a near downfall (“Kollaps”). 

They started with a destructive and nihilistic basic attitude that corresponded to the zeitgeist of post-punk in the early 80’s; however, the realization could not be any more radical than this: percussionist F.M. Einheit maltreating the stage with a power drill, mastermind and singer Blixa Bargeld playing the guitar with an electric shaver. If there existed any parallels, then to “musique concrete” at best.

But very soon, nearly unnoticed by their steadily growing community of fans, the picture refined: at an early stage, Blixa Bargeld rejected already comparisons to the British oil barrel beating epigones of Test Department or SPK and during an interview I had with him in 1985, he wondered why the parallels to a group like Ton Steine Scherben could be neglected carelessly.

Indeed, the Neubauten managed to escape pure industrial clichés very fast by their individuality, sophistication and above all, their lyrical substance. Even without blaring metal, on albums like Die Zeichnungen des Patienten O.T. and 5 auf der nach oben offenen Richterskala the Neubauten were able to produce gloomy, filgrane and spheric soundscapes (“Armenia”, “Kein Bestandteil sein”).

Blixa Bargeld’s fascination for the ancient German language became unmistakeably clear in their 1989 album Haus der Lüge which is the nucleus of this Rockpalast concert – to be experienced amongst others in the tune “Ein Stuhl in der Hölle”, lyrics that Bargeld had found in a book with old kitchen songs.

The band Einstürzende Neubauten consciously applies language in a different way than other bands at that time. The German language was being expanded by going back to its origins. In 1989 Blixa Bargeld put it like this: “I love the German language but sometimes it is too narrow for me. Sometimes it is necessary to bend words in a new way, and sometimes it is necessary to go back to words that are not so much burdened with other meaning. You cannot work with a word like ‘love’; that is the best example. It is a doormat, full of thousands of associations and those even vary from one person to the next.”

Thus, little by little they created their own cosmos that finds its perfect expression in metaphorical songs like “Haus der Lüge” or “Feurio”. Nevertheless, these pieces are only one part of a process neither do they carry a message nor are they arbitrary. Blixa Bargeld: “To me, creativity means to lose control. When I am losing control something comes out. For example, I have not written ‘Das letzte Biest am Himmel’. It evolved I do not decode my lyrics, not for me, not for the audience. When I decode them and disenchant, I will rob the lyrics of any charm.”

The Rockpalast concert at the Philipshalle in Düsseldorf combines in a unique and compact way all the songs that were relevant and had shaped the band’s style (according to the criteria formulated by Bargeld) to this date. The interaction of the line-up which at that time featured Blixa Bargeld, Alexander Hacke, N.U. Unruh, F.M. Einheit and Mark Chung has hardly been captured as perfect and so to the point as in this film document.

Ecki Stieg, September 2012

Zeichnungen Des Patienten O.T.

snakefinger cover
snakey beef?
long live 90s industrial

Bring Back Reality (feat. Lil Beefy Boy, Dr. Hitting)

John Frusciante presents Trickfinger II

Exclam

Last month, Andy Votel put out his Midlife Crisis Disco Mixtape on limited cassette and it sold out in minutes. However, the English producer, designer and DJ has very kindly given us the exclusive honour of releasing the mixtape digitally, for the very first time, through our podcast series. He is, of course the man behind reissue label Finders Keepers as well as Twisted Nerve, and has released a wealth of music under various pseudonyms on labels like XL. He is someone who is utterly free from categorisation having mixed jazz and hip hop at The Hacienda, documented the history of Welsh protest music on BBC Radio 4, collaborated with Demdike Stare, Suzanne Ciani and Gruff Rhys, and produced for Badly Drawn Boy amongst a lifetime of other dizzyingly diverse projects such as presenting radio shows for Gilles Peterson and NTS.

As the title suggests, his latest mixtape is focussed on outsider disco, and is made from original vinyl pressings only. Like the tens of others he has done over the years, it’s a masterclass jam packed with heat, propped up by funky drums and run through with boogie baselines or soaring strings. The tape brims with squelchy synthesiser colour and features vocals in a range of languages that lend it a worldwide feel and global appeal. It’s one for the ages, that’s for sure.

Dekmantel Podcast

Dekmantel Podcast 201 - Andy Votel

Spotify
https://open.spotify.com/artist/2nTAcIFWtNTygzrn08Lyx5?si=jD42casEQOKJ3N3hr1a48w


You Tube
https://music.youtube.com/channel/UCiAW47N3mM6zlHh1COB20Lw?si=Qe1AQqMsuX3Puvmh


AppleMusic
https://music.apple.com/hr/artist/elektronska/1796914197?l=hr


Deezer
https://dzr.page.link/wLiPijLf1gJYEg5P7


Tidal
https://tidal.com/artist/54551820?u

96 Tears Intro / Ghostrider / Rocket USA / Cheree / Jonny / Frankie Teardrop (CBGB Sept 29 1977)

Suicide

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