PRE-ORDER: https://onloop.bandcamp.com/album/peace-building-ep

Acclaimed Italian producer DJ Matisa cements her ’one to watch’ credentials with the ‘Peace Building’ EP, released via On Loop on October 29th.

The EP follows up releases on Optimo Music, Permanent Vacation and Biologic Records and the track 'Don't Let The Bugs Bite!' has been included in Ben UFO's latest essential mix.

"The world would have been different today if we would have united for love, peace, construction, and to support each other in building as allies to one another making this world a better place. I hope my music can pass on some of this ethos and we can create a better world," Matisa says.

Peace Building

More exclusive music

Premiere: Matisa 'Don't Let The Bugs Bite!'

Digital Purchase Link + MV:
https://jinrecords.bandcamp.com/album/jin-07

MV Credit:
Iouxuan

Mr. Ho - TCB2

Download/Vinyl/Stream: https://toy-tonics.lnk.to/BabysBerserk

There are many shades of funk in dance music. Berlin’s Toy Tonics label brings up artists that reflect many of these different aspects of dance music. Now the label comes up with a band! A band that is inspired by 1980ies New Wave as well as the Y2K Indie dance scene. Two guys and two girls from Amsterdam and Montreal called Baby’s Berserk.
Baby’s Berserk is about taking the freedom to be who you want to be, about being comfortable. Having played in all-girl punk bands since the age of 14, the bands singer Lieselot is an expert on female empowerment. “Dress like a girl and act like a boy,” is a catchphrase she lives up to every day and it clearly is a message that resonates with the band’s wild fans.
In the great tradition of Roxy Music, Throbbing Gristle and Malcolm McLaren, Baby’s Berserk is not just about the edgy music but also about a very strong own visual style. They readily blend their sounds with underground fashion. What you see is what you get and seeing Baby’s Berserk is feeling right at home. Lieselot is a visionary when it comes to stage presence. Have you always wanted to see an electronic band with a punk attitude perform wearing a mix of haute couture and Flintstone-style rags? Look no further, it’s Baby’s Berserk.
Following on the critically acclaimed singles ‘What I Mean’ (2020) and ‘Toxic Kisses’ (2022), Baby Berserk’s highly anticipated self-titled full-length is now finally about to see the light on Berlin’s Toy Tonics records. Sonically designed for gritty rock venues as well as up-to-date edgy dance clubs, Mano’s lush compositions smoothly intertwine with the highly associative lyrics written by Puggy and Lieselot. Poets and literary addicts may think they’ve just discovered the rock & roll equivalents of Sylvia Plath, Kurt Vonnegut and Allen Ginsberg. To tell you the truth: their wild guess is pretty accurate as the works by these greats lie scattered around the Baby’s Berserk studio for inspiration.
The band was born in a laboratory back in 2019. Tired of being in bands with unruly and unpredictable humans, Mano Hollestelle set out to create a group of high precision robots to create the post-punk sound he had in mind. His outdated technology of floppy disks and cassette tapes worked well to program the androids, until one day a 90s rave mixtape was mistakenly entered into his computer. House music is a feeling and the punk bots instantly got hooked on it upon hearing it for the first time. They could never be reset to factory settings again. Mano worked tirelessly with his androids, currently known by their humanoid names of Lieselot Elzinga, Puggy Beales and Eva Wijnbergen, to fulfill his evil plan to make the rockers dance and the dancers rock. Baby’s Berserk is the fiendish extension of this plot. Beware, the band’s bass driven grooves and computerized beats have been known to cast a spell upon all within earshot.
So what do the songs on ‘Baby’s Berserk’ tell you? That it’s totally fine to have lots of fun in life! To have a boyfriend as an accessory (‘Accessories’), to get inspired by Sponge Bob (‘Dancing with the Fish’) and to blend your spirits with mixers whenever the hell you feel like it (‘Rum ‘n’ Kola’).
Baby’s Berserk member Puggy Beales on ‘Limousine’: “Decant the wine from my tip jar to yours. Soon we'll be on easy street, chauffeured home from the rat race each evening. Is it everything you'd hoped it would be?”
Check not only the debut album but also the forthcoming Remix EP with remixes by Each Other, Niklas Wandt, Sam Ruffillo, Kris Baha and Nicolini.

Album released: 29.09.23

Baby's Berserk - Eat Your Dollar

In the Zone

Rave On Tonight

Retromigration - Frostbyte

Re-edit from 12" vinyl, also on Youtube with animation @Bluelagoonstudios .

Label:	Disco Smash – DS3016 MXT, Disco Smash – DS 3016 MXT
Format:	 Vinyl, 12", 33 ⅓ RPM
Country: France
Released: 1995
Genre: Electronic
Style: Trance
BPM 128

A2. Maybe Tomorrow (After Outside Mix)

Executive-Producer – Fabrice Nyiri, François-Xavier Legleye, Frédéric Riesterer
Written-By – Frederic Riesterer*, Pascal Pante
Produced by Three Little Boys Production
SACEM
Rights Society: SACEM SDRM SACD SGDL

Re-edit @ Bluelagoon Studios Antwerp, Belgium ©2023

2 Flying Stones - Maybe Tomorrow (After Outside Mix) HD 24bit

Ajuna

Fire in the Sky

How to describe such an original track....Twinspin is a funny guy...really!!! 140 Bpm happy techy trancy bouncy flaky funny driving uplifting ting ting ting pumping track!
Seriously, if you don't feel happier after listening I will give you a free hug you poor thing! Enjoy some JoY... ENKOD3D

TWINSPIN - ENKOD3D (Original mix)

🔥 Oni.m – Afterhours Protocol
125 BPM • Electronic / Club Energy

A late-night club banger designed to keep the dancefloor moving.  
Made with deep grooves, punchy bass, and hypnotic synths — perfect for late sets and afterhours vibes.

Follow Oni.m for more original electronic beats and club mixes.

🎧 Produced by Oni.m  
📍 Mixed & Mastered for 125 BPM energy

💬 Let me know what you think in the comments and share if you vibe!

Oni.m – Afterhours Protocol vol 1 ( FREE DOWNLOAD )

The summer sun is high in the sky. A cocktail in hand. The soundtrack? Chiara. Steeped in Latin rhythms, produced with the golden touch of Francesco de Bellis (Francisco), this two-tracker is set to a serious groove. Beats chatter and mingle in the evening heat of “Rec” Bass smoothness and brassy blasts are sweetened by Chiara’s vocals before dramatic strings flash like lightning, igniting this already energy-packed encounter. “Studio Line” continues that theatrical touch. Bold keys, echoing the cinematic grandeur of Italy, are supported by dynamic drum patterns as a vocal sample circles. Styles spin and spiral, the track twirling between genre tags refusing to be pigeonholed. Elements of East and West glide and pirouette hand in hand across this stunning 7”, Chiara offering the perfect soundtrack to dance from dusk to dawn.

Ajuna

Suite Simone

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