really beautiful. i am eager to hear this transition. As a music listener/musician ive seen the same pattern happen in and outside of my self. "Express or not?" Its a sin if i do and im in hell if i dont. never ceases to be a blessing to myself and to others (i pray). As is the case here. Thank you. This is amazing.

🪭2024🪭

u can download the track here along with the rest of the edits n reworks here. this was part of a live set i have been performing the past couple months. benbondy.bandcamp.com/album/edits-an…-reworks-vol-1

mi bebe

masterpiece.

Andrea Boccaletti and Simone Van Baal for Carolina Herrera's '212 Men' 2004

Kelela - Happy Ending (A.G. Remix) (slowed + reverb)

LAVURN - COMBAT LANGUAGE

LOVE is WAR, Volume 6

STOP PLAYiNG WiTH ME (FT. Len)

LAVURN is the debut self-titled album from Lavurn Lee, a singer, songwriter, producer, performer and DJ from the inner suburbs of Toronto. He has also lived and worked in Sydney, Hong Kong and Berlin. His music is an emotionally complex assemblage of processed vocals, filtered pads, surgically programmed drums, haunting melodic fragments and hazy textures. This 13 track album of sparse, emotive and experimental R&B is his second for SUMAC and his first under his own name, following a previous record under the name Fake in 2018. Lavurn was made over three years between Toronto, Berlin and Hong Kong in close dialogue with SUMAC founders DJ Plead and T.Morimoto.

Previously, as Cassius Select, he has established himself as a unique voice in dance music, releasing on cult labels such as Unknown to the Unknown, Accidental Jnr, Hypercolour, Banoffee Pies, Raw Basics and Bruk Records. His side projects include collaborations with vocalists such as VV Pete and Daemon, his previous experimental R&B aliases Guerre and Fake, and BV (alongside Marcus Whale and DJ Plead).


THOUGHTS & REFLECTIONS ON THE MAKING OF LAVURN

“I’m trying to make pop music. Not in the industry sense, but in the way that everyone is making their own type of pop music. It wants to be listenable, so it can create emotions. I come from bedroom song writing in the age of the internet. The lyrical content and sounds reflect my demeanor. Big ego with low sense of self-worth. Constantly posturing. At once both strong and weak. I don’t always trust my abilities. I don’t have the voice to produce contemporary radio R&B. I don’t do traditional harmonies, mine are all over the place.

It's the first time I'm writing about my own life in a literal sense. I spent years writing love songs having never been in a relationship. Whereas this feels very raw as a reflection of my experiences. To me the album sounds insular because it was made that way, in isolation. The vocals are used in a sampled way. A chorus for one track might be chopped and turned into another hook. A verse for one song is half timed and used for the chorus of another. Auto-Tune is used heavily. Some tracks are ‘written’ by pulling different beats, textures and vocals from different tracks and seeing what fits together. I tried to take self-sampling further and further. I was thinking of ways to world-build.

Most of the lyrical content on the album is about dealing with a breakup. But the album doesn’t reflect a break-up because it’s completely one sided. It doesn’t reflect the reality that I was an awful person during the relationship. Really it's an inward study of a reaction to rejection. It’s ambivalent. The attitude is “hey imma do me and improve myself”, while also desperately wanting someone back (for all the wrong reasons). There’s a veneer of self-improvement and healing. But it’s all performance. I used to think all the songs had a kind of toxic intent because of this. Trying to impress someone in a way that would make them want to return to you. In retrospect I understand the songs differently. They’re not perfect. A bit confused in their vulnerability. Maybe quite sweet in a way. I think it’s healthy for me to see the lyrics on the album as directed at myself. It’s an album about self-love. I learnt that making music can be a kind of self-care.” 
credits
released February 16, 2024

Written, recorded, produced and mixed by Lavurn Lee
Mastered by T.Morimoto
Photography by DJ Plead

LAVURN - JK

capo lee x reek0 - prada on tuesday (nemesis bootleg)

Im doing it like its 4ever The tags recommended by soundcloud are #World and #Gospel hahahahjaha
2024-01-04

Babyxsosa * Where You Went Wrong

I could die right now

sereno (para acordeon)

From 'Silent Dispatch', out February 14th on OST.

@henryaleksis 💠
@o-s-t-music 🧿

BUYING: https://o-s-t.bandcamp.com/album/silent-dispatch

INTERVIEW READ: https://madjestickasual.substack.com/p/bambinodj-an-interview

It's not a thang. Nothing so much as it, nothing so much as not a thang. A thang is what it'd be on opposite day; I checked, it's not opposite day therefore it stands to reason that it isn't a thang. Listening to bambinodj's 'Missin' You', from 'Silent Dispatch', out on OST. Reposting. Sharing. Buying. Representing. Standing for it at all cost. Reading the interview conducted by Madjestic Kasual. It's all just nary a thang.

buying

bambinodj - Missin' You [MK PREMIERE]

troca bien raspada.wav

Wires burn beneath the skin,
Let the voltage pull me in.
Every spark becomes a sign,
Pulses racing through my mind.


Midnight circuit, lights ignite,
Flashing fire across the night.
Every shadow comes alive,
Through the current, we survive.


Neon floods, electric streams,
Coding life inside our dreams.
Overload but never fall,
Voltage rises through it all.


Plug me into what I crave,
Through the dark, the lights will wave.
Circuit burning, never still,
Midnight keeps on feeding will.

Midnight circuit, lights ignite,
Flashing fire across the night.

Chillman-Midnight Circuit

FOR MIXPAK WINTER MIXTAPE 2016
Thank you at The Large

HOOD CELEBRITYY - TAKEOVER (KD VS. I)

Cut and sewed up edit from the @pdamusiq 'PDA COMPILATION VOLUME 1 - AND THE BEAT GOES ON' 

All profits from the compilation will be donated to A.Q.E.M (Association of Queer Ethnic Minorities). A.Q.E.M is a support system that seeks to unlock potential and drive social cohesion among Queer ethnic minorities in UK, with the goal to provide a space for knowledge exchange, cultural expression and wellbeing

https://pleasedontask.bandcamp.com/album/pda-compilation-volume-1-and-the-beat-goes-on

Artwork by Suutoo

TRU COLORS (Spread Your Wings Edit)

Available on bandcamp, including a mastered version of African Sickos ft. Citizen Boy
https://nazar.bandcamp.com/album/territorial-ep

Territorial (EP) came from a urgent need to showcase unfiltered talent coming from me and my black peers connected the continent.The primary purpose is to generate raw, unrestricted energy. The clubs are still on hiatus but not our drive to bend, push, cross and distorted genres and sub-genres of music that share same genetic material. 

At the end of day, we all are "omalã vo feka" (which means sons of this land, Africa in Umbundu). 

Tracklist
01. Clan
02. 2 African Sickos Ft. Citizen Boy
03. Omalã Vo Feka Ft. A. K. Adrix
04. 2 African Sickos Ft. Citizen Boy (DJ ADAMM Remix)
05. 2 African Sickos Ft. Citizen Boy (Scratchclart Remix)
06. Clan (Slikback Remix)

Mastered by Bruno Lobato
Cover by Marieke Bosma

Enjoy. 

Nazar
credits

Omalã Vo Feka Ft. A.K.Adrix (Territorial EP Out Now. Bandcamp link in bio)

LABEL

by DJ Plead (@1djplead), T.Morimoto (@tmorimoto) and Jon Watts (@jonwattss)

sumactrac @ gmail.com

LAVURN - COMBAT LANGUAGE

SUMAC

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