Considering the plight of every woman in india currently in the worst possible scenario I have seen, I dedicate my version of the Indian National Anthem to each and every woman who have gone through a lot and still stand strong.. like my mother.. I would like to thank Karthick Iyer, Allegra Desouza, Kamaldeep Tumkur and Chandra Rajagopal for their time and priceless musicality in shaping this track. Vande Mataram...

Jana Gana Mana- A Salutation To A Mother From A Son

After many requests from friends to post some of my newer tracks on social media, presenting to you the an orchestral arrangement of one of my recent tracks All Rights Reserved. 
Composed, Arranged and Mixed 
Ramprasad Sundar

Of Shadows and Light

Just a track that came from an impromtu Jam session overnight.. Sequenced by Karthick Iyer, Sung by Harish Harz and Ramprasad Sundar, Guitars by Vikram Vivekanand and Lyrics by Dharmesh Devakumar. 

Its a fun song, not intended to hurt anyone. If you still have a problem please eat a vada..

Vada Poche Feat. Karthick Iyer And Harish Harz

These were tracks composed by me and Karthick for a theatre Directed by Deala No Deala Fame Rishi. 

1.Intro to scene 1

2.Raj and ret hot 1-2

Meet Raj. He’s in his late 30’s, he’s not-so-happily married and his life is a case study in monotony.
When Raj strays over to the dark side and meets 3 women, his life will never be the same again. Or will
it? Ramprasad and Karthick Iyer composed the background score for ‘Raj and His Red Hot Lovers’ the
rib-tickling comedy about a man’s attempts to add some spice to his rather bland life.

The duo’s music reflects the mind of our titular protagonist. While the introduction establishes Raj
as a predictable chap, things start to become intriguing at the point of our first scene transition. This
is where Raj has ended his first misadventure. The first half of the score tugs at your heart, putting
tunes to Raj’s non-existent (but obvious) words – “why, why did this happen?” The second half of the
transition shifts symbolize Raj’s moving on to a new challenge – peppy beats and ever-rising confidence-
inducing tunes that peak at a crescendo.

The final scene transition where the second of his lovers expertly evades Raj’s advances is a throwback
to classic Jazz – a sneaky theme that conjures images of Inspector Closeau – that seamlessly transitions
into something more uplifting. This signifies the arrival of the woman behind door number 3, and with
her comes renewed hope.

3.2-3 scene Jazz transit

A original score Composed by AR Rahman, remade for a violin version by Ramprasad and Karthick

Nila kaigirathu

The song begins and ends on the same lines – “En uyir nanbane!” (My friend, who means my life to
me!) Because friends are for life. Because that reassuring smile from a friend melts you heart. Because
nothing resonates better than a friend’s “I’m right here for you”.

Behind the catchy guitar riffs that ebb and flow, behind the flute that wants to make a point (and
succeeds), behind the keyboard background that serves as the backbone – lies a song that dwells on the
nuances in friendship that grow on you over time – the beginning, the golden days, the separation and
the longing, the reunion and the reminiscing.

Ramprasad lends his voice to this ‘ode to friendship’, which was composed and arranged over a period
of three months. Dedicated to Sriram Chandrasekhar (guitarist), Vignesh Venkatraman (pianist), Santosh
Murali (flautist), Dharmesh Devakumar (lyricist) and Siddharth Chandilya – ‘uyir nanbans’ who have
made him understand what unconditional friendship is.