Joué à 9h30 à l'Indian Rythm après de la House by D'nis Mongeries le samedi 06/07/13

1-South Side Jam - Choobz remix
2- Drunk Arcade - Danny T
3- My Name Is Lupin - Combo
4- JZ In Paris - Deekline
5- Ode To Oi - TJR
6- Melbourne Bounce - Orkestrated
7- Big Booty Bitches - Bombs Away
8- Getting Nasty - 6 Fingers 
9- Super Dope - Whiskey Pete
10- The_DJ_Was_Wrong
11- 212 Feat. Lazy Jay 
12- Cookie Thumper - Die Artwood
13- Party Bass - Bombs Away
14- Ferry Elevator - Zoolanda 
15- Jumanji feat. FERAL is KINKY - J-Tricks
16- Run the Track feat. Coco - Matt Sofo
17- The Jam - Tom Piper
18- Jammin - KRUNK Remix
19- Ridiculous - Big Nab
20- What's Your Name Girl? - Kid Kenobi

Pour convertir le mix en MP3 : 
http://www.softonic.fr/s/convertir-wav-en-mp3-gratuit-francais

Summer Mix 2013  @ Indian Rythm / World People festival

Bass House/Future House/Electro 
Dj set with Traktor time code scratch control

"Back for the Future Bass House"

contact : radikalbass@gmail.com
"Radikal Sound'Boy" a fondé en 2006 le label Radikal Bass, l’incontournable festival "Y'en aura pour tout le monde" en 2008, et sorti les sections "Fourrette Records","Aktiv'Jump" ,"Artikal Step'z" sur son label en 2010. Compositeur acharné depuis ses 14 ans, âge où il débute à la guitare, à la basse, au piano et au chant, il découvre la musique électronique en 1996. Toujours en formation acoustique (métal, rock, reggae) ce n'est qu'en 2000 qu'il commence à se produire en live et au mix avec de nouveaux styles. De la jungle au break, du dubstep aux coups de grosses bass radikal, il enflamme plus d'un dancefloor sous le soleil du Sud de la France. Fort de son expérience musicale et grâce aux multiples influences qu'il partage dans sa musique, on le voit apparaître sur plusieurs scènes alternatives, assurant la première partie de groupes tels que Kaophonik Tribu, Domb, Angstrom, Jazz Steppa, etc. En mode "home studio" depuis 2006, il produit sans fin ses tracks éclectiques pumpin', enivrantes et galopantes aux couleurs de la Fourrette, de la Drum'n'Bass, du Dubstep et du Hiphop. Artiste à suivre de très près!

"Radikal Sound'Boy" is the founder of 2006's label "Radikal Bass", and the creator of the well known festival "Y'en aura pour tout le monde", which started in 2008. He released the "Fourette Records", "Aktiv'Jump" and "Artikal Step'z" sections of his label in 2010. Relentless composer since the age of 14, he started off with guitar, bass, piano and singing, and discovered electronic music in 1996. Still involved in an acoustics formation (metal, rock, reggae), it is only in 2000 that he beggins to play his sound live, filled with new influences, both with machines & turntablism. From Jungle music to Breakbeat, from Dubstep to fat radikal basses, he sets on fire more than one dancefloor under the sunny South France's sky. With proven musical experience and thanks to the many styles he shares within his music, he beggins to appear on many stages, opening the acts of bands such as Kaophonic Tribu, Domb, Angstrom, Jazz Steppa, etc. Since 2006 he turned on the "home studio" mode, and endlessly produces eclectic, intoxicating and jumpy tracks with touches of Fourette, Drum'n'Bass, Dubstep and Hiphop. Artist to watch closely!

"Radikal Beat Makerz" Birthday 2 By Radikal Sound'boy

Anniv PE1 & SOCH 160722 22h start by FOCKOS

Milvich ... Saveurs Nomades

!! AH QUE CUCU !!

Fourth Album of Sunka.
Made in Colombia in 2022, released in Vinyl in Galletas Calientes.
Featuring Raspapulaman, la Bembera, Jacob DMC, Kartel Pacifico, Zam el Caribean, Kontent Thug, Andres Felipe Molina.
Hope you enjoy.

Sendero

Mi Tierra - SUNKA Feat Raspapulaman (Sendero 2022)

Over the past ten years, Terrakota has forged its own pan-African and trans-Atlantic rootsworldkota sound. On its sixth studio album “Oxalá”, the band embraces its Portuguese roots while diving more deeply into their rock influences. A message of hope for humanity.

“Oxalá” is a Portuguese word, of Arabic origin, venerated in Brazil. It comes from the Arabic expression “inch'allah”, an expression often used in Portuguese (“se Deus quiser”). In Portugal, Oxalá stands for the desire for something to happen. Followers of the Afro-Brazilian religion candomblé know Oxalá or Obatalá as the first orixá (Nigerian yoruba god), creator of the world, men, animals and plants.

“Oxalá”, one word, one expression but a lot of meaning, a place where many cultures collide and intermingle. A word that comes from the Arabs, who were based in Portugal for centuries and left their marks, before it was introduced in Lusophone countries via the trans-atlantic slave trade. These darkest pages of human history somehow intrigue Terrakota, following the ancient trade routes, but turned upside-down, from the New World back to Africa, drinking from the fantastic musical diversity that has been spread around the world through slavery.

For Terrakota, Oxalá, that desire for something to happen, can be understood as a political statement, a desire for humans to go back to a lifestyle in harmony with the nature that surrounds us, for a world without borders where cultural encounters are the norm, a No Man's Land where no man can claim the land is theirs. The critical status of the human societies and the planet serve as a base for a conscious message to which the band will not renounce.

Portuguese roots
Terrakota's first albums were inspired by travels to Burkina Faso, Senegal, Mali, Guinea, while also incorporating influences from Latin America. The fourth album is clearly marked by their trip to India. This one is inspired by an internal travel, giving light to Portuguese songs built on top of their Afro-explosive melting pot: Afro-Brazilian rhythms, soukouss, reggae, afrobeat, gnawa, influences from India & beyond.
Africa remains the main source, the starting point from where the band looks for the perfect alchemy to get to their trademark modern roots sound, where all borders, distances and barriers are wiped out.

The band has again invited guests to make the music even richer, special people with whom the band has a privileged relationship: traditional Alentejo singer Vitorino, Indian singer Mahesh Vinayakram, French rapper Florian Doucet, beatmaker & producer Beat Laden, Kumpania Algazarra's horn section, and backing vocals by the Lisbon-based Selma Uamusse (Mozambique) & Anastácia Carvalho (Angola), without forgetting a brilliant text by the Angolan rapper Luaty Ikonoklasta.

After parting ways with vocalist Romi and two sabbaticals, Terrakota has added fresh blood with the young and talented singer/multi-instrumentalist Gonçalo Sarmento, the gracious performer/dancer Diana Rego, as well as new drummer Márcio Pinto and percussionist Paulo das Cavernas. These new elements and the extra years of travelling for the veterans have brought Terrakota to an even more mature sound, concising lyrics and the guts to do some songwriting in addition to their explosive Afro-world sound.
The Portuguese globetrotters have reached new highs and are ready to take Europe by storm and get back to the international festivals to make the audience dance to their positive vibes and energizing live performance!

www.terrakota.org

Oxalá

Gira Giro

A live cumbia re-dub of Nickodemus rmx of F.I.'s "No Soy Del Valle"... 

Soundsystem/Sonidero style... with added percussions (guiro, cowbells, quijada, cajitas), cumbiaton feel beat, lazers and sirens... all of them played live! 


Flowering Inferno vs Nickodemus - No Soy Del Valle RMX (Rafael Aragon CUMBIA REDUB)

free download
sample : sofia viola - me han robado el mar

Mi Tierra - SUNKA Feat Raspapulaman (Sendero 2022)

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