“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - The Dream (feat. Low) [Clip]

Pre-order "Sings": http://marleycarroll.bandcamp.com/album/sings

Pre-order "Sings"

Layer Rush (Pre-Order Bonus Track)

DOMENIQUE DUMONT - COMME CA

Met her in the clubbb she said she fell in love ❤️‍🔥

Club Luv NoHart x $toney

ELLE S'EN VA (prod. PRINCESS)

Today is my late wife's birthday.  Her last birthday with us was in 2020.  So, if this track feels a bit more personal than most of the other Interbay tracks...that's because it is.

Sad, with some heartfelt but hard to say truths might not be your idea of birthday wishes, but I'm not sure how else to honor a day that will never be as happy as it had been before.  

I knew that I'd wanted to do a song specifically for today, but when I started the project, I assumed it would be a soft, piano-forward ballad.  The fact that it starts with music box and dark strings sent me on another path altogether.  You get to about 2/3rds of the way through the song, and suddenly you're in a mystery thriller and who knows what might be lurking behind every shadow.  Who can say if you're in danger or if you're just scaring yourself.

It was not my intention to bring everyone down with this track.  However, it certainly was my intention to express myself within the context of the music that I make.  And, as you know, some Interbay tracks end up being a path to more insights and expressions than others.

I think the track itself says anything else I would want to say about it, so let's post a smaller description than normal, today.  (My gift to you, I suppose. ;) )

I would appreciate you giving "Birthday Wishes" a listen.  I know it might be hard to "like" a song that is a bit darker and depressing than you'd typically find here, but if you think it was well done, give it a like for that.  Obviously, you reposting it, sharing it, adding it to a playlist, and/or commenting on it..all that or any of that would be welcome.  

And follow this page for more Interbay, every single day a new track drops.  

"Birthday Wishes" *SoundCloud Exclusive*

Heres my remix for the amazing https://soundcloud.com/motsamusic

Buy Here: lnk.to/MOTSAremixed

MOTSA: @motsamusic
facebook.com/motsamusic
Artwork by Mimu Merz | Original photograph by Andreas Peter WalL

(P)+(C) Petricolour 2017: @ptrclr
facebook.com/petricolour

Buy it!

MOTSA - Colours feat. David Österle (Fybe One Remix)

Don't forget me
In the silent grey
Don't forget me 
Or I fade away

Don't forget me

Buy on Bandcamp

A1. Don't Forget Me

Discover @hartmakesmusic's catchy trip-hop blend of nostalgic vintage Parisian samples with an upbeat brassy melody "L'amour".

Read the premier feature at https://www.stereofox.com/hart-lamour/

If you enjoyed this, feel free to support with a [Repost] ↻ and a [Heart] ❤︎

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Hart - L'amour

losing u.

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losing u

<a title="Request license for this Track." href="http://www.tracksandfields.com/track/request_license?track_name=Me+And+My+Drummer+-+La+Boum+Fatale%27s+Euphobia+Remix&amp;user_name=Sinnbus+Music&amp;from_sc=1">Request license for this Track.</a>La Boum Fatale did it again. Here's a stunning remix of Me And My Drummer's "Phobia".
Amen.

Taken form Me And My Drummer's single EP "Don't Be So Hot"
www.meandmydrummer.com
www.facebook.com/laboumfatale


Me And My Drummer - La Boum Fatale's Euphobia Remix

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A1. Don't Forget Me

Sunrom

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CLWDWLKR

that one kiddo

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