Minimal

 Oscar Holgado beefs up the beats with a drum led groove, lifting the vocals in the mix and adding layers of swaying synths and spoken male vox shots.

http://thisisprogressive.com/website/reviews-cjay-yoram-radioschaduw.html

http://fluxbpmonthemove.blogspot.nl/2013/08/review-c-jay-yoram-radioschaduw-out-on.html

C-Jay & Yoram - RadioSchaduw (Oscar Holgado Remix) [Baroque Records]

Guy j - Seven

Guy J - Seven

Solee Remix of Egostereo & Cid Inc. 
Tokai
Style:  Prog-House,... 
Release: Jun 06 2011 
Label: Mcgroove Records 
Cat:  [MCG024]

Egostereo & Cid Inc. - TOKAI (Solee Remix) Low res.

Street date December the 8th on a strictly limited picture disc (300 copies)!

Marc Romboy- "Iceland" (Laurent Garnier´s Babou´s Bigger Than Ever Remix) (Snippet)

Beatport : btprt.dj/1FR0OfK
Itunes : itunes.apple.com/de/album/bapteme…ngle/id979031808
Vinyl : www.kompakt.fm/releases/bapt_me

Visit Agoria here:
Facebook.com/AgoriaOfficial
Youtube.com/AgoriaMusic
Soundcloud.com/Agoria

Agoria - Baptême EP

KOM325

One of the most accomplished and revered producers in electronic music today makes his solo debut on Kompakt: French mastermind AGORIA joins our release fold after a foretaste with his stellar 2013 remix of Michael Mayer's "Good Times" (KOMPAKT 272), presenting us with his new mesmerizing floor epic BAPTÊME. 

"I'm very happy that BAPTÊME will finally be released", says the producer, hinting at the track's long and winding path to completion: "it's a very special tune for me, representing a lot of changes in my personal life these last two years. It signals my 'second life', if you will". Meaning "baptism" in French, the cut's title is indeed a perfect fit for its particularly festive spirit, exuding both solemnity and sheer pleasure, hallmarks of AGORIA's unique brand of emotional and versatile techno. Bouncy, minimalist percussion is joined by an extensive, dub-styled sub-bass and floating shards of atmospheric synths, quickly escalating into a high definition mover fitted with gorgeous swabs of piano and a keen sense for emotional space.  

On the flipside, the original track gets a fascinating rework from DJ Tennis and The Rapture's Luke Jenner, whose LUCKY BLUE EYES VERSION adds more wiggle room to the proceedings, bolstering its loosened grip with enticing new vocals. In yet another step forward, AGORIA himself revisits the remix, sharpening its blurry edges and successfully putting the vocals to work in a prime time environment: "my friend Patrice Bardot - the chief editor of Tsugi Magazine - even said that this one sounds like The Doors for the 21st century", he adds - and indeed, it's next level dreaming for those who need a little bit more from their floor than just another knock on the head.

Release date: April 6th 2015

Tracklisting:

A - Original
B - Lucky Blue Eyes Version / Agoria Retouch

Get it !

Agoria - Baptême

This sensationally crafted four track EP perfectly cap- tures the dark melodic techno sound that Francys has grown so accustomed to. An ambient and atmospheric undertone accompanies and surrounds each production on the EP, which is perfectly captured by the opening track ‘Different Shapes’. This production is a perfect opener displaying Francys diverse and unique sound that is often trademarked and recognizable by the synth melodies that layer each production.

Combining crisp closed percussion and haunting de- layed synth keys; ‘Nibiru’ offers a more minimal techno sound to the EP, with the distorted snare and powerful kick drum layered under the track. The baseline remains ambient leaving Francys synth arrangement to draw in the listener and drive the production forward.

‘Arcenciel’ captivates the listener with a fusion of darkened piano riffs and chilling melodies. This track is a stand out production from the EP, a steady dramatic progression over eight minutes resulting in the track gradually fading out accompanied by an echoed synth.

Francys - Different Shapes

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

GusGus - Airwaves (Géraldine Kwik Remix)

Among all the untold trends that rise and fall in house and techno, Kompakt just keeps on keeping on; always varied, but held together around an unending flow of incredibly pure, incredibly powerful, elemental dancefloor forces. It's also a constantly collaborative venture, its core artists constantly combining and recombining to keep the basic template fresh, and here we're very happy to see two of the label owners Michael Mayer and Reinhard Voigt (younger brother of the mighty Wolfgang) on a split release. Mayer's track is, surprise surprise, an absolutely classic Kompakt banger.

For pre-order, head over here: http://www.kompakt.fm/releases/time_is_running

Michael Mayer "The Stickler" - Boiler Room Debuts

Grab it here:

Marc Romboy - "Hypernova" (Stephan Bodzin Remix) (SC Edit)

http://www.kompakt.fm/releases/total_15

https://pro.beatport.com/track/gimme-some-hunter-game-mix/6950799

https://itunes.apple.com/it/album/gimme-some-hunter-game-mix/id1025585885?i=1025586072


Weval - Gimme Some (Hunter/Game Remix)

Pional - Just Passing Through (Original Mix)

PARANOIA, my new album!

Take a listen and if you like it, feel free to buy the CD incl. bonus DVD with fantastic videos of all tracks.
Also available 2x12" Vinyl and digital versions on Beatport, iTunes and other Downloadshops. 
All of course in full length.

The edits here are just for your pleasure and to get an impression;)

Release: 2.11.2011
Label: Ideal Audio

Oliver Huntemann -  Magnet (Paranoia)

Oliver Huntemann -  Tranquilizer (Paranoia)

Tresor Records marks its 250th release with a very special project indeed. Continuing to forge ahead whilst remaining ever mindful of its legacy, Tresor proudly presents Infiniti - The Remixes: a trilogy of classic cuts and new reworks from one of its original Detroit linchpins Juan Atkins.

Dubbed as his “pure techno” project, Atkins produced two full-length albums under the Infiniti moniker—The Infiniti Collection, released by Tresor in 1996, and Skynet two years later. 16 years on and they are as relevant today as they were pioneering then, brought further up-to-date here with a series of fresh takes from some of techno’s pioneering and esteemed figures: Thomas Fehlmann, TV Victor, Function, Redshape, Sleeparchive and the re-release of dubtechno vanguard Moritz Von Oswald's remix of "Think Quick", originally released in '94 on Metroplex.

Part One - The Orb’s Thomas Fehlmann picked two tracks, one in each album, to form a very special combo-mix. The shimmering “Walking On Water” and "Raindrops" come together in a beautiful old-school sounding version. Tresor Records ambient stalwart TV Victor plies his vision to present a hypnotic take on the gently elevating “Thought Process”. 

Part Two picks up the pace, heading further down the timeline with “Flash Food”—originally released in 1995 as part of one of the label’s famous annual compilations, re-edited by Sandwell District’s Function. Skynet’s punchy classic on the flip, “Skyway” rounds off the EP with a killer old-school remix by techno’s masked crusader Redshape.

Part Three concludes with a remix package of The Infiniti Collection’s brooding slow-burner “Think Quick”, backed with an offering from one of Berlin’s revered electronic practitioners Sleeparchive and the re-release of Moritz Von Oswald's remix, initially released on Metroplex in 1994 - a rarity. 
--
More info on: www.tresorberlin.com

TRESOR 250A - B2. Infiniti - Thought Process (TV Victor Edit)

Here is my remix 4 Max, out on Traum, April the 2nd 2012! Very very very happy with mix-down and mastering this time! Usually 100%, this time 120%;-)

Max Cooper - "Raw" (Marc Romboy´s Sub Attack - SC Edit)

FB: https://www.facebook.com/ryandavissound/

Ryan Davis has been recording music since 2006.
He has produced for Manual Music, Bedrock, Proton, Areal, Archipel, BackHome, Wunderbar and many other labels. Recently he has released two EPs with Traum.   One can say without doubt, Ryan is a real artist and a tastemaker.
Ryan has released on many labels worldwide, not always on big labels… though that never was of prior importance to him, but it was his quality that has earned him an international audience and standing.
  Ryan always went the way which seemed natural to him and has released innovative melodic techno worldwide. But it has been also a battle with established DJ structures which led to the founding of his own label Back Home where he was able to feature new talents that shared his interest in the genre of melodic soulful music.
  His release in 2007 on Klang Gymnastik  the "Transformer EP" then directly put him on the map with a strong selling vinyl and lead to the "Zyrial Soundfood EP" in 2009 on the Dutch label Manual which can be considered his break through.
The track from the EP "Spicyal Sound" was played and supported by Miss Kittin and The Hacker, Boyz Noise. Ivan Smagghe licensed the track for his "Live At Robert Johnson Volume 3" compilation and Depeche Mode’s Martin Gore played "Spicyal Sound" before all of their gigs during their "Sound Of The Universe" tour. All this lead to gigs in Paris, Brussels, Amsterdam, London and Barcelona and to a very international standing.
  In 2010 another huge track evolved with "Zodiac". The track was charted and played by Dominik Eulberg as well as by Ellen Allien at Time Warp which consolidated his reputation as a brilliant composer.
  Remixes by Max Cooper for him as well as him remixing Max Cooper’s track "Enveloped" for Traum actually put him in contact with our label.
Two EP releases followed on Traum and it was the „Routes of Life EP“ (Traum V133) that created an even bigger following and lead to the idea of finally recording this album.
The album consists out of 11 never released tracks that highlight his talent to keep away from preset formulas and turn toward musical compositions.

Minimal

Sunset Cindy