Raw auditory atmospheric action that assaults your senses and that also inspired the Shadow Broadcast EP, out 14 November on all platforms: linktr.ee/sunsetphase

SOURCE: UNKNOWN

Oli Gumm

This 5321

https://buttechno.bandcamp.com/album/yalta-ukraine
all proceeds go to Ukraine charities and defence needs

Silent E

Meant Like This

The Goblin Has Fallen in Love

Oderbruch

Seelower Höhen

Some kind of up and down yes (asusu remix)

Puddings

Plum Duff

The twenty fourth transmission from RYC comes courtesy of not one, but two artists we greatly admire. Joining forces on a split truly like no other, Japanese maestro Wata Igarashi and Munich’s own multi-faceted genius Polygonia step up with the magnetic ‘Cross Passage’ - a four-track journey at the junction of their respective universes, teleporting us straight to a propulsive, mind-expanding headspace as we’re invited to explore sonic territories still uncharted and harmonics yet unravelled.

The collaborative A-side begins with the dynamic title-track, ‘Cross Passage’, a proactively future-facing number packing the kind of utopian drive that used to define the original techno sound. A highly cinematic narrative boasting Detroit-style vision and epic breath, ‘Cross Passage’ builds bridges between hi-tech elation and organic integration, transcending mere functionality to push back and expand the limits of techno as a deep communication vessel between the individual and the mass. Firing off like a binary script gone astray, ‘Fibre Axis’ takes us on a further bumpy ride across shape-shifting interfaces and blurred-out digital scapes, via abrupt pixel landslides and fractured 3D renderings.

Side-B finds each producer dishing out a slice of his/her own musical idiom. Polygonia strikes first with the pulsating ‘Voltage Blues’ - a mesmeric roller cut from pure eerie synth algebra, boundary-pushing abstraction and surgical but experimental-leaning rhythmic assault. The result is a piece of cutting-edge techno hoodoo, ready to take on clubs with utmost abrasive swagger. Sniping a hail of rainbow-like analogue synth outpour, Wata Igarashi’s solo contribution ’The Tunnel Dreams’ rounds off the journey on a fiercely nonconformist note. Merging a hard-hitting main swing with 8-bit-esque audio pointillism and brooding bass undertones, the Japanese producer cuts a path of antigravitational abandon and relentless rush towards absolving euphoria, which shall leave all in the room levitating somewhere between sheer daze and love-thirsty XTC.

*Clad in the sleekest cover art courtesy of designer Atact, RYCL024 is pressed to red & white marbled vinyl for you, fancy platter collectors and picky audio-visual aesthetes alike.

Written & Produced by Wata Igarashi & Polygonia
Distributed by Clone Distribution Rotterdam
Mastering by Artefacts Mastering Berlin
Artwork & Design by Atact.uk
Cat. no. RYCL024 – All Rights Reserved
℗ & © Reclaim Your City 2025
www.reclaimyourcity.bandcamp.com


Cross Passage

Order

RYCL024 - Wata Igarashi & Polygonia - Cross Passage

Throttle Promoter

Gaskarth/Cyrk Dedication (Tape)

The Deviant Octopus

Polygon Pink Toast

Lefhanded Fuqs

AFLKILL

Sudbury Acid Slurp 2

Rezzett LP

Sexzzy Creep

Worst Ever Contender

Tarang

Zootie

Skungle Mungd

First Blue Sky is due Mid March on 2x12" & Digital formats but for now please enjoy the title track of the album and take care of each other.

Pre-Order magicwire.bandcamp.com/album/first-blue-sky

MAGIC017
@John-Beltran

Placid Angles - First Blue Sky

https://buttechno.bandcamp.com/album/sport

Hand stamped vinyl and sleeve - The 'In Brackets' EP on Mister Saturday Night is now available to purchase from all good record shops

Mister Saturday Night store: http://bit.ly/10Z87JZ
Rubabdub : http://bit.ly/17y7srB
Phonica: http://bit.ly/YLhoJ0
Boomkat: http://bit.ly/14rjazH
Picadilly: http://bit.ly/12d1ndT
Juno: http://bit.ly/12d0P7R
Hardwax: http://bit.ly/18R5UrL
Rush Hour: http://bit.ly/18MTWPQ
Clone: http://bit.ly/16Bhmbx

In Brackets

White Pony

Change (In The House Of Flies) [Tourist Remix]

I get my ideas while walking at sunset with headphones on, and then the rest is history...

SOURCE: UNKNOWN

Sunset Phase