Raw Techno

Argentinian DJ and producer Flug returns to Radio Slaves' Rekids Special Projects with 'Move Around' EP. 

Featured: https://www.klubikon.com/2021/11/18/premiere-flug-black-out 

'Move Around' EP will be available after the 19th of November https://lnk.to/RSPX34 

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Move Around

Featured

PREMIERE: Flug - Black Out

Track 10:30

D-Saw - Track 10:30

K-Force

https://talismann.bandcamp.com/

A1 GERMANY,  
A2 RUSSIA, 
B1 GREAT BRITAIN,
B2 AMERICA

bandcamp

TALISMANN - GREAT BRITAIN

digital techo groove
more soon..
thanks for listening :)
-
connect more:
www.maur.art
www.instagram.com/maur.music

virtual machine

virtual machine (instance 1)

Dj Beatmatch - For The Dj's

A decade in the making - INFERNO 10 is a transmission from London's queer underground.

Born from the dancefloor, forged in sweat, ritual, rage and ecstasy, this compilation marks ten years of INFERNO - London’s longest-running queer art-rave. Across industrial, techno, trance, electro-pop, and drill, each track is a portal into our ecosystem of sound and survival.

A celebration of queer futurism, community and the flames that refuses to burn out.

smother & DJ Shahmaran - blood trail

https://polegroup.bandcamp.com/album/prime-ep-pgaine01

Various Artists - Prime EP
PoleGroup  PGAINE01

Vinyl 
A1 - Ribé – Atop
A2 - Oisel – Erosione
B1 - Refracted – The Drums
B2 - Ruptur3 – 28064212
 
As you may probably know, we have a sister digital label called Aine, where we release mainly the work of new talents of the scene. Now it’s time to step forward and give them physical exposure, of course on wax.

For this purpose we have selected four tracks from Aine’s back catalogue to start this   mini compilation series. The chosen are Ribé, Oisel, Refracted and Ruptur3. Three spanish producers and an italian one.

First cut Atop relies on heavy subbbass action and modular workout, continuous synth lines, micro drones and a circular arrangement make this one a proper mover.

Erosione follows, heavily Jeff Mills influenced, Fm bell like sequences, multiple percussive layers and rolling bass frequencies to move any intelligent dancefloor out there.

The Drums, is not a drum track paradoxically, based on synthetic lines, textures and drones it’s the ideal warm up cut, mental, slow and deep.

28064212 is a shuffled exercise, based on a triplet rhythm, robot like cadencies and groove, like an industrial soundtrack of a decadent future.

A compilation that shows the power of newcomers and opens a promising future for our scene.

Ruptur3 - 28064212_02 - VA - Prime EP - PGAINE01

53 degrees north part one
SK11007
22nd Feb.

A2 - Setaoc Mass - Leave No Trace [PREMIERE]

Distane/Isolate

Mistress Recordings welcomes Anthony Rother, one of electronic music’s most prolific producers, who drops two records on April 15, 2019. For more than 25 years, the legendary producer from Offenbach, Germany aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

ARTIST - Anthony Rother
RELEASE - Mistress 12
DATE - April 15, 2019

MISTRESS 12 features completely new electro techno endeavors by Rother, including "Technic Electric" from DVS1's Fabric 96 mix, and also comes with two digital bonus tracks: "Metro Tech006" and the 10-minute original version of "Heaven To Heaven", available here: www.dvs1mistress.bandcamp.com

More Info: www.facebook.com/Mistressrecordings

If you purchased the vinyl, just send a photo of yourself holding the record and you'll also get the download codes of entire release!

Contact: 
sebastian@hushsound.com

B2. Anthony Rother - Technic Electric (SNIPPET)

There will always be a bass drum making people dance, but it will rarely sound the same. Techno and House are in continuous flux. There will always be people celebrating. And each year new kids join the scene, hungry for pleasure, for beauty, for ecstasy – for life. Over the last few years, Ibiza has established itself as one of the centres of advanced electronic music. A key figure in Ibiza's electronic awakening is Sven Väth. He and the Mediterranean island have come a long way. As a youth, he experienced the flamboyant nightlife on the island, having been introduced to dimensions of pleasure that were not imaginable in his hometown of Frankfurt. In 1999, Väth decided to return some of the energy and inspiration he had received from the rocky island with the unique atmosphere. Focusing on quality music, Väth established a new type of party experience by summoning a tribe of passionate musicians and activists, and in 2012, Cocoon's Ibiza adventure was created for the 13th time. Being the master of ceremony, Väth invites a unique mix of long-time companions and upcoming talent. As a DJ, he is scanning through the unmanageable amount of new music with somnambulistic security, having excavated aural treasures and shaping the ideal environment to release their full potential. 

The 13th Season opens with Thomas Hoffding's auspicious voice, subtly arranged by Terranova and reworked by Adam Port. Young producer wAFF's grooves are more stable and demanding, the erotic female vocal luring us even deeper into the Cocoon, establishing the emotional density of classic New York House. Nobody manages to unleash the forces of the bass so wholeheartedly like Berlin's WK7, pushing the set into a more technoid direction. The turmoil that will take place on the dancefloor is anticipated by Margot's meandering acid track. The Tuff City Kids are pushing even further with striking, demanding chords. Octave One's unique, soulful grooves highlight the unrestrained force of the synthesizers. Ben Sims' slick groove is subduing the excitement, with enigmatic bleeps hovering over the dancefloor like an acoustic sculpture. Sam Paganini is moving even further in this direction, startling the dancers with sound from another galaxy. The obvious thing to do is now to push the crowd over the edge with a huge breakdown. But this is not what Väth does. By merging tracks from Sawlin, P.A.S. and Exercise One, he composes a powerful sequence: highly climactic and absolutely collected at the same time, it reaches beyond the vocabulary of peak time Techno. Dissolving into a tribal groove by Silent Servant and poetic sounds of Ray Kajioka, the first set is coming to its end. 

The second CD starts off at an entirely different note. A sweet House sound is established by Makam. It's innocent, yet full of suggestion. The crowd is captured by the allure and grace of Dixon's edit of Romanthony's classical anthem, “The Wanderer”, and with &ME's vexing alien sounds, the ideal counterpoint is created. Julien Bracht is challenging the dancers with broken beats and seducing them with a longing vocal at the same time. The simplicity of Alejandro Mosso's mesmerizing melody finally disarms the crowd. Lawrence's intangible electronic sounds are pouring down on the dancers like rain in the midst of summer. Romanian Cocoon Hero Rhadoo is applying the brakes to the dancefloor's movement and controversially creates an irresistible motion. Unlike very few artists, Frankfurt's Roman Flügel manages to challenge the language of dance music. He merges the history and the future of House music in the most humorous way possible. Moving away from that playful sound, British electronic music maverick Four Tet strikes a rather demanding note. The heavy, bassy chords of Four Tet's turn into Uner's multi-layered diaphanous House sound, bursting with sun and light. Gathaspar is unifying the diverging energies with a pervasive soundscape. And Soy Mustafa and John Tejada have the final word: the dancefloor is taken away by their otherworldly serenity. In the end, the music is only a part of the adventure. Sven Väth creates a unique relationship with his crowd, leading us through experience like no one else.


Planetary Assault Systems – Black Tea

Battle / 86

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

D-Saw - Track 10:30

Superstition Records

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