A brief excerpt from Nightingale, in which a loop of F. Scott Fitzgerald reading the first line of John Keats' poem Ode to a Nightingale is looped, layered, and transformed over the course of 14 minutes. Released as part of Joseph Clayton Mills/Carrie Olivia Adams: Enter Ophelia, distracted, her hair down, singing (Suppedaneum no. 25)

Nightingale (excerpt 2)

A brief excerpt from Soliloquy, in which two statements and a question gradually emerge from and disappear into white noise, a humming voice, and breath over the course of 14 minutes. Released as part of Joseph Clayton Mills/Carrie Olivia Adams: Enter Ophelia, distracted, her hair down, singing (Suppedaneum no. 25)

Soliloquy (excerpt)

Nightingale (excerpt 1)

Excerpt from ILHAS by d'incise, performed by Hannes Lingens and Jamie Drouin (Suppedaneum 04). www.suppedaneum.com

ILHAS 2  (excerpt)

Excerpt from Ryoko Akama: acceptance. 3. a proposal - three, for Johnny Chang (Johnny Chang, viola; Catherine Lamb, viola). Suppedaneum 08 (www.suppedaneum.com).

Ryoko Akama: acceptance (excerpt 3)

Excerpt from Ryoko Akama: acceptance. 2. a proposal - two, for lo wie (Performed by lo wie). Suppedaneum 08 (www.suppedaneum.com).

Ryoko Akama: acceptance (excerpt 2)

Excerpt from Ryoko Akama: acceptance. 1. a proposal - one, for Stefan Thut (performed by Stefan Thut). Suppedaneum 08 (www.suppedaneum.com).

Ryoko Akama: acceptance (excerpt 1)

Excerpts from "Endless Overtones in Relational Space" by Morgan Evans-Weiler. Suppedaneum 11 (www.suppedaneum.com).

Endless Overtones in Relational Space (excerpts)

Track 2 from UKIGUSA by d'incise (Suppedaneum no. 13). Available at http://www.suppedaneum.com.

Don't Leave Anything Behind

Track 7 from UKIGUSA by d'incise (Suppedaneum no. 13). Available at www.suppedaneum.com.

You're All So Quiet Tonight

Excerpt from a proposal - six, for Will Montgomery.
Composed by Ryoko Akama; performed by Will Montgomery.

Available on Ryoko Akama/Joseph Clayton Mills/Will Montgomery: inscriptions (Suppedaneum 14; www.suppedaneum.com).

inscriptions (excerpt 1)

Excerpt from a proposal - seven, for Joseph Clayton Mills.
Composed by Ryoko Akama; performed by Joseph Clayton Mills.

Available on Ryoko Akama/Joseph Clayton Mills/Will Montgomery: inscriptions (Suppedaneum 14; www.suppedaneum.com).

inscriptions (excerpt 2)

Excerpt 1 from Triangular Trade by Seth Cooke (Suppedaneum no. 15). Available at www.suppedaneum.com.

Seth Cooke - Triangular Trade (excerpt 1)

Excerpt 2 from Triangular Trade by Seth Cooke (Suppedaneum no. 15). Available at www.suppedaneum.com.

Seth Cooke - Triangular Trade (excerpt 2)

Excerpt from track 2 of Two clarinets and guitar by Taku Sugimoto, Michiko Ogawa, and Samuel Dunscombe.
Suppedaneum no. 19
http://www.suppedaneum.com

Two clarinets and guitar (excerpt)

Excerpt from track 4 of Two clarinets and guitar by Taku Sugimoto, Michiko Ogawa, and Samuel Dunscombe.
Suppedaneum no. 19
http://www.suppedaneum.com

Excerpt from track 2 of Strategies/Tactics by Morgan Evans-Weiler, performed by Tse (Pierre-Yves Martell, treble viol, pitch pipes, and miniature harmonicas; Cyril Bondi, shruti box, harmonica, and pitch pipes; Christoph Schiller, spinet) with special guest Ryoko Akama on piano.
Suppedaneum no. 20
www.suppedaneum.com

Strategies Tactics 2 (excerpt)

Excerpt 2 from Tel Aviv Flora & Fauna by Tom Soloveitzik (Suppedaneum 22)

Tel Aviv Flora & Fauna (excerpt 2)

Excerpt 1 from Tel Aviv Flora & Fauna by Tom Soloveitzik

Tel Aviv Flora & Fauna (excerpt 1)

Sweeping the ground in the presence of the impossible (excerpt)

Track 1 from Sweeping the Ground by Lance Austin Olsen and Dan Godlovitch | Gil Sansón

Suppedaneum 21

Sweeping the ground in the presence of the impossible (excerpt)

Sweeping the ground when in doubt (excerpt)

Track 3 from Sweeping the Ground by Lance Austin Olsen and Dan Godlovitch | Gil Sansón

Suppedaneum 21

Suppedaneum

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