increiblemente bueno, echo con perfeccion y ritmos increibles CONGRATULATION

Que pedazo de sesión Imposible perdérsela Mucha suerte Merino Besos 

Como diria Sevi...ESPECTACULAR, grande Merino!!

Ese Merino. Como molaaaa se merece una ola 🎶🎵🎹🎶

Rebekah at CLR Night, Cocorico 5:7:14

Estos son los seleccionados para luchar por abrir sesión el próximo 30 de mayo en FABRIK. 
El que sume más like, reposts y escuchas será el encargado de hacer delicias de nuestros oídos en la satélite de FABRIK.

Oscar Merino @ Surface Warm Up

Synchronicity

The Monad releases by Stroboscopic Artefacts are one of the most successful serial adventures in modern techno, utilizing an ethic of mysterious unfoldings to elicit new expressions from both veteran and relatively new producers. The latest installment in this growing archive issues from the mind of Mike Jefford's Positive Centre. His is a project whose name is steeped in the same type of intriguing ambiguity as the Monad series: a 'positive centre' could refer to the dense nucleus of an atom or to some hermetic and purposeful organization, though all interpretations point to some thing or phenomena defined by intensity and essentialism.

The same can easily be said about the musical contents of this new EP release. On "Great Excavator," Positive Centre lays out its intentions quickly and unequivocally, with a continually layering and hypnotically captivating arabesque of percussive sounds and accents. With only traces of a melody line or bassline, the opener engages the listener with its tactile aggressiveness, and encourages involuntary muscular twitches as if the stimuli were delivered through carefully placed electrodes. Unlike such an experimental procedure, though, this track's stealthy variance in syncopation offers a unique narrative quality rarely achieved by other tracks of its kind.

This is just an initiation for an exploration that allows the listener to sink into deeper, more inaccessible levels of consciousness. The follow-up "Disappearing Trick" lowers the temperature and corresponding tension, but not so much as to totally nullify the kinetic energy and aforementioned feeling of direct stimulus unleashed by its predecessor. It motors rhythmically through a thick nocturnal fog, infused with an attitude of strict discipline and calmness, and eventually terminates in a gorgeous cascade of bass notes leaving endless trails of 'space cathedral' reverberation behind them.

The third stage of the journey, "Figure is the Form", strips away more layers sonic complexity while drawing the listener in towards a mystery that becomes more elusive even as it seems to offer more hints as to its true nature. Combining a languid dub tempo with a ritualistic sensibililty, our host takes us further away from the dancefloor and into Stygian waters, but always with a sense of curiosity rather than one of impending doom. The end of the journey is marked by "Signal Structure," a captivating wash of synths that offers a slowly unspooling sense of melancholy along with its preternatual glow.

All told, Monad XIX is a release rich with 'emergences' from an artist who is himself emerging onto the electronic music scene, and who holds out the promise of revelatory journeys into the depths (both sonic and psychic) for all those who want to come along.


Positive Centre 'Monad XIX' [SAM019]

Surface fue la sesión techno - ubicada en la zona 2 de la sala Groove 2003/2004 - en la que Pelacha fué residente principal y encargada de la programación. Otros residentes de la mítica sesión fueron clásicos de la escena local como Makoki, Nuke o Sergey. Pasaron también grandes artistas internacionales, nombres como Surgeon, James Ruskin o Ben Sims y un largo etc de djs nacionales tales como Elesbaan, Pepo, Iñaqui Villasante y Nacho Decoder (Van -Vas) del colectivo Zapatilla Sound System.

Este 2015, Surface retoma su actividad y lo hace con poderío, buscando una manera de entender el techno desde el presente sin olvidar nuestras raíces – la esencia – y con una potente proyección de futuro.  Y es que estamos viviendo un momento increíble, parece que todos tenemos un gran concepto de la música electrónica que está por delante y sentimos el espíritu, como pide a gritos vivirlo.

Nos vamos a las capitales vecinas a empaparnos de este “encanto electrónico” pero ¿y Madrid? ¡Nuestra ciudad! ¿Estamos preparados?

Desde Surface te invitamos a OCUPAR EL ESPACIO, a protagonizar este momento, SE TU CREADOR DE NUEVAS EXPERIENCIAS, para poder transmitir al resto la modernidad. El futuro ESTA EN TI, está en NUESTRO MUNDO, haz de Madrid un lugar a imitar, a seguir, a vivir…

A nivel internacional contamos en cabina con todo un clásico del techno americano y por ende del techno mundial como es Kenny Larkin, indudable figura. Le acompañará Rebekah nacida en Birmingham - ciudad que da nombre al techno mas demoledor y además residente en Berlin - cuna del techno europeo, un cocktail perfecto para la noche, una auténtica techno woman que rompe esquemas, implacable e impecable .

Como nacionales y representantes de nuestra cultura electrónica dos féminas, Pelacha exponente esencial sin duda de este proyecto y Dalida Kibir una mujer con un dicurso musical excelente propio para nuestro cartel.

Oscar Merino @ Surface Warm Up

Surface

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