Simply awesome. .. abhishek.. I m a keyboard player... wud love to jam wid u sum time.. with my instrument as piano. ..

Factory Floor
"How You Say"

Factory Floor Tour Dates
4/7: Vancouver, BC @ Fortune Sound Club
4/8: Seattle, WA @ Barboza
4/9: Portland, OR @ Doug Fir Lounge
4/13: Indio, CA @ Coachella
4/16: San Francisco, CA @ The Independent
4/17: Los Angeles, CA @ Echo
4/20: Indio, CA @ Coachella
4/22: Montreal, QC @ Le Belmont
4/23: Brooklyn, NY @ Music Hall of Williamsburg
4/24: Washington, DC @ U Street Music Hall
4/26: Asheville, NC @ Moogfest
7/18-7/20: Chicago, IL @ Pitchfork Music Festival

Factory Floor - How You Say

Kabir Bhajan - Ghoonghat Ke Pat Khol

Vasantrao Deshpande - Sanware Aijaiyo - A Golden Voice Saware Aijaiyo - Part 1

Concert by Begum Parveen Sultana in the Divine Presence on 23rd November 2002

Guru Kripanjana Payo
In this bhajan Saint Kabir says "First and foremost seek the grace of the Guru to realize God within you and all around you"

Aditya Prakash - Vocals
Sheela Bringi - Harp
Salar Nader - Tabla
Malini Taneja - Karthal
Ramin Sakurai - Recording Engineer
Mixed by Ramin Sakurai at PrismTone

Kabir Bhajan

We love when music tells a story. We love it more when music completes a story. Two anguished hearts caught in the woes of love attempt to translate their hurt in their art. Their creativity transports them to a plane where they connect again. A plane forged by music, dance and a common intensity of emotion. An original rearrangement of Mehdi Hassan and Ahmad Faraz’s ghazal “Ranjish Hi Sahi” frames and feeds the story.

Re-arranged by The Revisit Project

Abhijit Sood-drums
Ashish Zachariah - keyboards
Abhay Sharma - saxophone
Nishant Nagar - bass
Varun Rajasekharan-percussions
Mahavir - Tabla

We would like to thank Yashita Yashpal Sharma , one of the best singers from the music industry for taking out time and lending her voice for this one .

We would also like thank Sanchita Sharma , an absolutely fabulous dancer from delhi for her brilliant work as the choreographer and actor in the video . 


Video shot by Sagar chawla . Edited and post production by Sagar chawla , Sixth ocean production .

Recorded, mixed and mastered by Mukul Jain at Ferris Wheel studios

Watch the video on YouTube : https://www.youtube.com/watch?v=vj5aB57Dvf0


The Revisit Project :
The musical endeavours of this band focus on interpreting some of the best tunes of all time in an innovative and contemporary manner. As a tribute to the music legends, TRP’s renditions retain the essence and nostalgia of the original compositions but by imparting their own musical element, they attempt to produce absolutely refreshing rearrangements . Majorly creating instrumental pieces, the band displays an interesting fusion of sounds. From the jazzy saxophone to the melodious beats of a ghatam held together by strong keys, bass and drums, it all fuses harmoniously. Join them on their journey to recreate magical melodies . 

facebook page :

https://www.facebook.com/trpdelhi/info

Email id : therevisitproject@gmail.com

For bookings contact :
Abhay - 9871057409

Ranjish Hi Sahi | Revisited | Feat. Yashita Sharma

In a radical departure from the norm of pursuing wealth and success, in this song the poet Kabir celebrates the joy of poverty, and the beauty of simplicity. Kabir claims that this joy is far greater than the joys afforded by material comfort or luxury. This audio is from a live performance at Lamakaan in Hyderabad. With Venkataraman Ramachandran on the kanjira.

Words and a translation at: https://cityoffeeling.blogspot.com/2018/02/mann-laago-yaar-fakiri-mein.html

Mann Laago Yaar Fakiri Mein | Kabir

Kesariya Balam is a folk song from Desert area of India, Rajasthan. It is one of the most popular Rajasthani folk music narrations. This is a welcome song in Rajasthani tradition, mostly sung on the occasion of welcome ceremony of loved ones or the guest. But Imran & Lorenzo recreate the melody to give it a feeling of longing, where a person longing for his/her beloved and asking him/her to come back to the land they belongs to be together. We releasing this song on this day of Valentines Day and asking all the lovers to be together forever. 
 
Imran Khan - Vocals/Sitar 
Lorenzo Mantovani - Acoustic Guitar

Kesariya Balam

08 Shankar Mahadevan [Raag Darbari]

Live concert in St.Pierre de Cuissine, Toulouse; France in 2011....

ABHISEK LAHIRI - Sarod recital

Rag: Yaman (Teental, 16 beats)

Tabla accompaniment: Parimal Chakrabarty

Abhisek Lahiri (Sarod) Live in France- rag: Yaman (teental)

The story of Kalbeliyas is an example of how the changes in society and culture influence traditional musicians and their lifestyle. From a region of Barmer in Rajasthan origins a nomad tribe of Gypsies called Kalbeliyas, which were traditionally known as snake charmers. They used to remove serpents from houses and trade snake venom. Women used to accompany men on their way of trade from house to house, as they begged for alms while dancing and singing. They used to give public shows as well, which included various snake tricks. Indian Wildlife Protection Act of 1972 brought a ban on snake performances so Kalbeliyas had to transform their shows – girls replaced snakes.
Mohini Devi group – representative of nowadays Kalbeliyas is an ensemble of about seven musicians who did not receive any formal education, but were instead learning music from an early age from their guru Kalunath Kalbeliya. They have gained international recognition and many of the dancers lived, performed and even taught this style abroad. In India Kalbeliyas are invited mostly for weddings, cultural programs and festivals. Mohini Devi group is also proficient at many other dances like Bhavai, Chari, Ghummar, Terah Taali and add on elements of fire shows and acrobatics in their performance.
Spheres of Kalbeliyas act are divided: men plays instruments and women dance. The main instrument is Been – an Indian woodwind instrument originally used to hypnotize snakes. It’s both plaintive and seductive tones are accompanied by beats of Dhap and Dafli, creating very energetic and compelling rhythms. Dancers wear traditional black ankle-length skirt and top. Both are richly embellished with colorful strips and complemented with beautiful jewelry made from tiny pearls and silver hangings. Outfit completes a dupatta – a long loose flowing stole pinned to dancers’ heads. Kalbeliya dancers spinning fast, swaying their hips, swirling tassels and shawl can mesmerize viewer for long hours

Mohini Devi Kalbeliya -Rupiya

Kabir Ji Bhairon Di War (Ai Dhan Mere Har Kay Naon) by Najm Hosain Syed
Composition: Najm Hosain Syed
Tabla: Riaz Ahmed

Kabir Ji Bhairon Di War (Ai Dhan Mere Har Kay Naon) by Najm Hosain Syed

Achyutam Keshavam by Vikaram Hazara

Paas rahtaa hai duur rahtaa hai
Koi dil main zaruur rahtaa hai

Near and far, somebody lives
somebody do lives in my heart.

Jab se dekhaa hai unkii ankhon ko
halkaa halkaa suruur rahtaa hai

From the time I have seen her eyes
I remain mildly intoxicated.

Aise rehte hain vo mere dil main
Jaise zulmat main nuur rahtaa hai

My beloved lives in my heart, like
light lives in darkness.

ab Adam kaa vo haal hai har waqt
mast rahtaa hai chuur rahtaa hai

Adam is of such a disposition that at every step
he remains intoxicated and ecstatic.

ye jo halkaa halkaa suruur hai
ye terii nazar kaa qusuur hai
ke sharaab piina sikha diyaa

This mild intoxication
is because of your eyes,
that taught me drinking.


Abhisek Lahiri (Sarod) Live in France- rag: Yaman (teental)

sursangam

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Aniket Joshi

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