The bongos à la Mancini's soundtrack blend wonderfully with the calm duet phrases and th eglitches, this one is awesome.

This is special! Really delicate and very beautiful.

I really like how restrained you have it. Whimsical!

Really beautiful. A perfect combination of sounds.

Lovely song! Feels calm and introspective to me. I liked your description and story. Rabbit neighbors are great.

It sounds both stately and cute at the same time. Restraint is wonderful!

Amniotic

space

“You said a moment ago that everybody you look at seems to be a rabbit,” says the doctor to his patient in a cartoon by James Thurber. “Now just what do you mean by that, Mrs. Sprague?” Meanwhile, Mrs. Sprague recoils in horror at the vision of her therapist’s enlarged, leporine head. 

There is a rabbit who lives in the underbrush just behind Suss Müsik headquarters. We’ve named her/him Clover. Clover has grown to be fairly large and tends to regard humans with more curiosity than fear. Still, Clover can still easily escape from predators when compelled. Perhaps Mrs. Sprague could take a leaf from Clover’s book.

The rabbit is viewed in Chinese tradition as a calm, gentle yet crafty animal, whose energy emphasizes balance and intelligence. The phrase jiǎo tù sān kū (狡兔三窟) loosely translates as “a cunning rabbit has three burrows and more than one means of escape." With the arrival of the Lunar New Year, this is the approach Suss Müsik took with this week’s Junto.

The piece begins with a gentle piano arpeggio, broken into three fragments that randomly shift cadences like a tone poem. A fake fretless bass moves things along until a DIY synth glitches things up. Brief stabs of percussion interrupt the calm, gentle atmosphere, yet the overall feeling is one of balance and crafty intelligence (or whatever the Suss Müsik equivalent would be).

The piece is titled Jiǎo Tù Sān Kū. The image is based on an etching owned by The Welcome Collection, the use of which is covered under Public Domain Mark (PDM) terms and conditions: https://creativecommons.org/publicdomain/mark/1.0

More on this 578th weekly Disquiet Junto project, Rabbit Spirit Ally (The Assignment: Make music for Lunar New Year), at: https://disquiet.com/0578/

Associated public-domain cover image by Johann Daniel Meyer (1748).

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0578-rabbit-spirit-ally/

Jiǎo Tù Sān Kū [Disquiet0578]

An electronic composition, original sounds created in Pure Data.

Gentle (naviarhaiku475)

This track was created for the Naviar Haiku group.
494
this time NLS - night live session
https://www.naviarrecords.com/2023/06/21/naviarhaiku494-on-the-canal-bank/

NLS - 2023 - 06 - 22  On The Canal Bank  ( Naviarhaiku 494 )

Rainy Season 雨の季節

I had started out with the assignment yesterday… today, I re-read the instructions and found that I might have been on a wrong track. Is it 0-40-60-0 of overall volume? Or the ratio of sound to silence in the overall piece? 

Not being totally sure about this, I started to carve out bits and pieces from the track. I removed most of the underlying drone, dimmed it down to 40 percent maximum, cut off reverb tails, removed some notes, trying to get the „guitar“ part in front.  

* * *
Disquiet Junto Project 0607: Silence Wave 

The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.

There’s just one step to this project:

Compose a piece of music in which the relative amount of sound to silence starts at zero (that is, no sound), rises to approximately 40 percent (that is, 60 percent silent) and returns to zero again. Keep the pace fairly steady.

Background: This project builds on the two previous ones. You needn’t have done them; do give them some consideration. In the first of the two, each participant composed a piece of music with as much silence as notes. In the second, each composed a piece of music with three times as much silence as sound. Jason Richardson proposed the first project in what has since become a sequence. As that project unfolded, Klaus-Dieter Hilf (aka RabMusicLab) commented that maybe the instruction should have read “sound” in place of “notes.” Since the first project went well, a subsequent project increased the amount of silence, and implemented Hilf’s proposal. This project takes it a step further still.

(...)

More on this 607th weekly Disquiet Junto project, Silence Wave (The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music), at: https://disquiet.com/0607/

Thanks this week to Jason Richardson and Klaus-Dieter Hilf.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0607-silence-wave/

Carved Out [disquiet0607]

This was my contribution for Disquiet Junto Project 0611: Music That Listens To Itself.

Here’s a copy of my post on the Disquiet Junto 0611 discussion thread:

Here's my attempt to create music that listens to itself by using delay, reverb, granular and tape effects. As the piece progresses and additional tracks were added, the mix levels of the effects were increased. Tried not to go overboard but might have done that anyway. Some tones toward the end started to feedback on itself, so had to dial things down a bit. 

Tracks were created in Ableton Live using Ableton's Wavetable synth, Max for Live Tombola, Sonic Beds Vol.1 by Jogging House, and Slate+Ash Choreographs/Landforms. Ambient noise tracks were added using Audio Thing Noise and FIELD by ELPHNT. Effects used: SoundGhost Drift, Cableguys Shaper 3, Baby Audio Transit, Inorganic Audio Liquid, Arturia Coldfire, Audio Damage Other Desert Cities, Sugar Bytes Graindad, Strymon BigSky, ValhallaRoom and Phonolyth Cascade.  Image by Vedanti via Pexels.

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/
Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357 2
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Lesser Facets Glowing [disquiet0611]

Disquiet Junto Project 0617: Haunt Scape
The Assignment: Halloween is coming up. Do your thing.

In the haunting shadows of a disquiet Halloween, I craved a genuine fright, so I summoned an 8-track version of Bitwig with a cruel code from the sinister pages of "ComputerMusic" magazine (August 2023). Since that blood-curdling Superbooth 23 affair, the eerie Cthulhu call of this DAW has haunted my dreams, yet the terrifying thought of the time needed for mastering IT always kept me at bay. Now, having dared to dance with this phantom... it's eerily … but okay. Alas, this 8-track version, drained by nocturnal vampires, has had many of its limbs horrifically amputated. Thus, even armed with my trusty modular hatchet, it's hard to gauge if braving this ghostly realm is worth it. Be that as it may, a few nocturnal samples, mummified synths, and a disemboweled Lyra8 impro might not raise the dead from the graves, but together they gave me some creeps. (A little bit.)


Track cover made with Dall-e 3.


More on this 617th weekly Disquiet Junto project, Haunt Scape (The Assignment: Halloween is coming up. Do your thing), at: https://disquiet.com/0617/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape/

The Synths Have Eyes [disquiet0617]

Kazanie księdza Piotra Celejewskiego w Świątyni Opatrzności Bożej.
www.centrumopatrznosci.pl
Gry edukacyjne, wyjątkowe edycje Biblii, numizmaty, dewocjonalia, książki
Każdy produkt jest cegiełką w dziele budowy Świątyni Opatrzności Bożej.
Wejdź: www.sklep.centrumopatrznosci.pl
Różaniec świętych – nie jesteś sam. Dołącz do jedynej takiej modlitwy w Polsce! www.centrumopatrznosci.pl/rozaniec/

14 stycznia 2024 godzina 9.00 ksiądz Piotr Celejewski

The Sun Ain't gonna shine

Post-classical ambient minimalism for crepuscular airports.

Jiǎo Tù Sān Kū [Disquiet0578]

Suss Müsik

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Jimmy Lem

⭕️Ernesto Schmied⭕️

August Miles

RabMusicLab

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