Name: suze ijó [pleased to meet you pt. III - may 29th 2019 ] live recorded at operator radio by suze ijó
Duration: 1 h 3 min 8 s
Description: recording of my radioshow 'pleased to meet you'

This makes my quarantine telework nice and smooth 👌🏽 thank you! 

Bring Down The Walls Show every Last sunday of the month on Universal Rhythms radio with Lakuti + Special Guests from 7pm - 9pm UK Time .
Check Universal Rhythms Radio via 
https://www.universalrhythms.net/
Get updates on the show via - https://www.instagram.com/lakuti_

Bring Down The Walls on Universal Rhythms Radio with Lakuti  28th Feb 2021- Broken Beat Special

https://www.nts.live/shows/underground-music-academy/episodes/lakuti-19th-june-2021

An all day takeover raising funds for Underground Music Academy, educating Detroit's next musical generation.

Lakuti UMA Fundraiser Takeover 190621

This mix is all music from 1984. It is a special live vinyl mix that I recorded on July 19, 2011 as a promotion for the A.D. (After Disco) series of parties here in Chicago.  The mix has been hosted for a few years on the Loves Podcast and I decided to upload it here to my Soundcloud for the first time.  Here’s a few words I wrote to go with the mix:  

1984 is an amazing year in music. At the time, "house" was still a colloquialism for the music played by Frankie Knuckles at the Warehouse. House was not yet a music form in its own right. "Fresh," on Vince Vince Lawrence’s fledgling label Precision, is the only house-qua-house track on the mix. The other tunes are properly considered proto-house -- the music which formed the milieu of dance music which we now describe (rather clumsily) as:

*Electro (e.g., Solo – “Girls, Girls” produced by John Robbie; JellyBean – “The Mexican”); 
*Garage (e.g., Circuit - "Release the Tension" a Timmy Regisford production; Colonel Abrams – “Music Is The Answer”); 
*Italo (e.g., Stop – “Wake Up”; Pancho Ballet – “Dancing Shoes”); 
*Synth and industrial dance (e.g., 52nd Street – “Can’t Afford” produced by New Order’s Stephen Morris; Palais Schaumburg – “The Beat Of Two” produced by Gareth Jones who also produced Depeche/Nitzer Ebb); and 
*Post-disco (e.g., Stephanie Mills – “Medicine Song”).

This music from 1984 is ‘proto’ in the sense that it was establishing the necessary elements of house – e.g., use of certain instruments (drum machines, synths, samplers) – but there are some stark differences.

Although much of the music in 1984 was released on small independents and remained quite underground, there were major successes for dance music at the time and investment in dance music by major labels. There was A&R structure at all record labels and radio play. "Trapped" (1985) by Colonel Abrams sold over 5 million copies worldwide. Earon’s “Land of Hunger” hit the top 40 on the soul singles chart. John “JellyBean” Benitez placed nine songs in the Top Ten of the U.S. Hot Dance Music/Club Play chart.

The democratizing force that would be house music had not been fully realized. It was still expensive to make dance music. For example, most of the tracks on the mix feature vocalists, session players or a full band. Although the epic ensembles of the disco era had long passed in fashion and economic viability, dance records were still recorded in professional studios and engineered by individuals like Bob Blank and Herb Powers. The E-max Sampler hit the market in 1984, but the studio standard were samplers like the Fairlight and Synclavier (which had more than $100,000 price tags), each of which were prohibitively expensive for use by most musician/producers.

By 1984 the relatively inexpensive Roland gear was just finding its way into the hands of Chicago, Detroit and New York’s new roots musicians. A year before, Larry Sherman acquired Musical Product’s pressing plant, the only one in Chicago. Ron Hardy was playing "Penthouse and Pavement" by Heaven 17 and "DumDum" at the Music Box. Dance music was about to fall off the edge, for better and for worse.

1984 Track List:

1. Citispeak Featuring Jeanne Harris – I Don't Need Your Handouts (Inst.) – Partytime Records 
2. Pancho Ballet – Dancing Shoes (Instrumental) – Best Record 
3. Jellybean – The Mexican (Funhouse Mix) – EMI America 
4. Nuance Featuring Vikki Love - Take A Chance (Dubapella) - 4th & Broadway  
4. Samson & Delilah – I Can Feel Your Love Slippin' Away (Long Mix & Inst) – Saturn Records 
5. Hugh Masekela – Don't Go Lose It, Baby (Stretch Mix) – Jive Afrika 
6. Colonel Abrams – Music Is The Answer (Dub Version) – Streetwise 
7. The Earons – Land Of Hunger (Extended Version) – Island Records 
8. Wet – That's The Game (Instrumental) – Bellaphon 
9. Circuit – Release The Tension (Dub) – 4th & Broadway 
10. Stephanie Mills – The Medicine Song (Dub Version) – Casablanca Records 
11. Anne Clark – Our Darkness (Remix) – Ink Records 
12. Solo – Girls, Girls (Ah-Ah-Hi) - Next Plateau Records Inc. 
13. 52nd Street – Can't Afford – Profile (on license from Factory) 
14. The Bridge – Love Dance (Industrial Mix) - Second Vision 
15. Stop – Wake Up – Damabi International 
16. Fresh – Dum Dum – Precision 
17. Palais Schaumburg – The Beat Of Two (Extended Version) – Mercury


1984 After Disco (A.D.)

420 Mix Vol. 6

PP#37 BY NICE GIRL B2B EDEN BURNS

Phonica Mix Series

Phonica Mix Series 109: Hidden Spheres

"In-House" avec Kléo est une nouvelle émission axée sur le groove , qui gravite autour de la House , mais pas seulement, touchant à toutes ses influences passant par la Disco, le Funk et le Jazz !

In-House avec Kléo - 30 Juillet 2023

MOODSETTER w/ DR YEZ - Wednesday 27th September

recording of my radioshow 'pleased to meet you'

suze ijó [pleased to meet you pt. III - may 29th 2019 ] live recorded at operator radio

French born but Amsterdam based for almost 20 years, Kléo draws on her work as a visual artist when she's painting colourful musical landscapes in the DJ booth. She also takes the same approach when programming soul, jazz and boogie at Café Belgique. It is a homely space that suits her heartfelt sounds, while her Red Light Radio show has become synonymous with music that is just as sensitive. After appearances at both Lentekabinet and Dekmantel Festival before now, she finally brings her bright and beautiful approach to our mix series.

Over the course of two hours she delves deep into lots of cuddly strains of house music from deep and jazzy to romantic, melodic and late night. Her tender touch draws you in close and keeps you there with lots of warm chords, pillowy pads and plenty of love struck grooves. This is one perfectly suited to long winter nights and snuggling up with close friends.

Dekmantel Podcast

Dekmantel Podcast 258 - Kléo

Radio 80000 x Blitz Take Over — Lakuti [19.12.20]

Immersed in music from a young age, Suze Ijó's path inevitably led her into the world of song and dance. The Rotterdam native found herself drawn to dancing and collecting records; a passion that notched up a level after she became a First Floor member.

A communal hub that used to exist in her home city, the space was designed for music lovers to come together to play, listen and talk, as well as collaborate on private events that are influenced by David Mancuso's infamous Loft parties.

That Loft manifesto feeds into the sounds in her own DJ sets too, whether in the booth or on the waves. From infectious Chicago house to uplifting 80s cuts and warm, soulful grooves; the mood transports you back to the heydays where dance floors were becoming spaces for freedom, self-expression and connection. It's music to bring people together, music to get you moving, and music to lose yourself in.



book me worldwide @minor_am
book me North America ryan@liaisonartists.com
curating the podcast series for @weareunitedidentities
promo's: suze.ijooo@gmail.com

suze ijó [pleased to meet you pt. III - may 29th 2019 ] live recorded at operator radio

suze ijó

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