Meditations - Matthew Halsall

Haitian Dances

Lullaby

Strata

Instants (feat. Bill Frisell)

Elements of Nature

Fall

A Plane Over Woods II

Superkilen

Tvillinger

All is Sound

Creation

Daughter of a Temple

Prema Muditha (feat. Shabaka Hutchings)

Expanding To One

Before The Pyramids

The title of this album my attempt at translating the Farsi phrase قارچ‌های غربت to English. It comes from the poem "The Sound of Water's Footsteps" by Iranian poet Sohrab Sepehri. 

A more literal translation of the phrase would be Mushrooms of "Ghurba", an originally Arabic word that has several meanings, including senses of estrangement, alienation, loneliness, being away for home, and longing.

I composed many of these pieces during and after Israel's 12 day war on Iran in the summer of 2025. Being  an Iranian living abroad for 15 years, I had never felt Ghurba the way I felt it this summer, as I realized more and more that Iranian lives matter to exactly no one.
Ghurba and all its meanings overshadow most of the pieces in this album. 

The music heard on this post is the final track, which is an improv piece with the same title as the album.

In the album art, I tried to depict a mycelial network creeping up the piano and my body, and expanding into the ground, maybe a thread or two reaching the other side of the world where home is.

As Sepehri's poem says "Who cares if sometimes the mushrooms of ghurba start to grow?" 

You are right Sohrab, nobody does...

Improv 8 - Lullaby for the Benches

r a i n  g u i t a r

OCTARINE

World Spirituality Classics 1: The Ecstatic Music of Alice Coltrane

Om Shanti

Svaneborg Kardyb are Nikolaj Svaneborg - Wurlitzer, Juno, piano and Jonas Kardyb - drums, percussion a multi award winning duo from Denmark, where they won two “grammys” at the Danish Music Awards Jazz 2019: New artist of the year and Composer of the year. Drawing on Danish folk music and Scandinavian jazz influences, their music is an exquisite and joyful melding of beautiful melodies, delicate minimalism, catchy grooves, subtle electronica vibes, Nordic atmospheres and organic interplay, all underwritten by the sheer joy of playing together. 
 
“We started in the earliest of mornings over the blackest of coffee, sometimes even without talking, just music. Immediately we felt a connection between our personal style of playing and the compositions emerged like out of nowhere. The vibe from these early sessions is still the backbone of our little band”.

Tvillinger

Svaneborg Kardyb

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