nation is coming up and we already can't wait to groove with you.. <3 london PaMa

hey sven, what´s the name of this amazing track?

Für die Ewigwachgebliebenen zum Feierabendbier, für die Frühaufsteher als Seelenfutter zum Wochenbeginn: Montagssorbet mit Laut & Luise. Alles erlaubt, was gut tut und Gedanken kreisen lässt, nur der Name ist Programm: cremig, fluffig und ganz schön weich.

Das ist einfach nicht das Leben, das wir kannten. Muss man einfach sagen. Das kannst auch keim erzählen. Aber irgendwie hat's auch was schönes, weil's so ruhig ist. Montagssorbet mit @IsabeauFort.

(Intro: by Isabeau's besties | Photo: Julia Moebus)

#129: Isabeau Fort - Montagssorbet mit Laut & Luise

OBERST & BUCHNER on:
- Instagram: www.instagram.com/oberst_und_buchner
- Facebook: www.facebook.com/OberstBuchner
- SoundCloud: @buchneroberst

HOW I MET THE BASS on:
- Instagram: www.instagram.com/howimetthebass
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to OBERST & BUCHNER:

Q: Let's get into the mood for your mix. Why did you choose these tracks and how did they connect you with the bass once?

A: The mix shows our transition from rock to electronic music. It consists of tracks from Indie, ambient rock, progressive- and postrock, as well as different genres of electronica. It resonates influences that guided us from our band era 2005-2009 to electronic music. At this time we also tried to incorporate synths and synthetic drums to our post-rock projects clearly influenced by acts like Radiohead, the Notwist or John Frusciante to name a few. Maybe one realises our shift from rock to electronic music with acts like modeselektor, console or pantha du prince, who became relevant for us because they didn’t change aesthetics in terms of atmosphere of our former musical taste and outcome. Without forgetting the routes in the epic sound walls of 2010s postrock and indie hymns - from where we derive as musicians - we still try to incorporate those elements into our music. 

Q: Reflecting the past 2+ years of pandemic: What did you do in this time and how did you handle lockdown and creativity in one?

A: On the one hand, the pandemic finally gave us the time to do music again, and realize a very big project like our second album „marble arch“. Since we normally both have day jobs beside the Oberst & Buchner project and the Heimlich Musik label, we finally had the freedom to get up in the morning and jam the whole day. We were not on the road at weekends so weekends where dedicated to producing music. In the first three weeks of lockdown we finished 10 remixes and an EP. Things that would have taken us a year normally. On the other hand it was hard to gain creativity for club music when clubs where closed and the most important part of clubbing, which is „being in a club“ was missing. 

Q: Talking about future projects: What's on the way, what's coming next?

A: Up next we release a remix for Dina Summer (Kalipo & Local Suicide) on Iptamenos Records. Currently we are working on an EP with vocalists Tobias Koett and Toby Whyle, And preparing remixes for Tosca on K7! an the band Nihils.

Oberst & Buchner - HOW I MET THE BASS #224

Acapulco Sessions Part 01 ///Mixed By The Sorry Entertainer

Hello everybody, 
I hope you had a very nice Fusion this year.
Here is my Fusion-Set.
Please enjoy!
Yours 
Acid Pauli

Fusion 2016

Wenn Ich nicht hier bin...

Dear Listeners, 
It’s been overwhelming how many of you have written and asked for this year’s Fusion set.  One person even counted the weight of the tears he had shed every time he came here, and found the set was not online yet. So why did it take so long? 
 
It was a very intense four hour set at the Palapa, and it was a very intense week before that. To go back and revisit those moments required quite a bit of strength, which I didn’t have until now. Obviously the intensity of revisiting those moments at the Palapa had a lot to do with the death of our dear friend Bas Engels. 
You might think that I'm loco for saying this, but I know Bas was there with us, celebrating life and death, guiding me through the set and even creating some magic, when my computer froze and I had to restart it, while improvising on a drum machine. Normally the recording would be lost then, but this time it was just there as if nothing had happened. Without him you wouldn’t be able to listen to this now. 
I want to thank Bas for the special magic he created on so many occasions.  Also I want to thank Eule and his team for their foresight and faith to pull me slightly out of my comfort zone, and into this perfect Sunday morning setting. And, of course, I also want to thank all of you, because 
music sounds better with you.
 
Peace

Fusion 2018

Stille einfügen

einhundertvierzehn

Thanks to all my friends in the first rows, thanks to all the dancers who supported me in spite of the huge heat and thank you 'Fusion Festival' - I'll never forget that moment.

love,
Ben

Fusion Festival

Video

Bonjour Ben | Tanzwüste, Fusion Festival 2019

🌞 Hazy Pockets - Garbicz Festival 2019 - Seebühne 🌞

🍾💘🍾 Crémant für Alle! This is the recording of that first afternoon hot-flash-magic-hypnotic-boogie down by the water at the illustrious Seebühne at Garbicz Festival 2019. Gracious thanks go to the hardworking festival staff, Birdmilk Collective, and Joe & Eike for the fog machine insistence. 🍾💘🍾

Pic by DUNCOGRAPHIC

Hazy Pockets - Garbicz 2019 | Seebühne |

Mira 2019 KaterBlau

The Sorry Entertainer's Drop&Roll DjSet///rec.@Mira's Bday 2019 KaterBlau

Mitschnitt 01I01I20

@leonleinad
@animalpzg

Booking Contact: booking@ostend.club

einhundertvierzehn

svendohse

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