singing vocals
rap vocals
electric guitar
acoustic base
programmed drums
by Sven Sebastian Horner

Lyrics:
The path of destiny
is not hard to see
at all if you keep it real
all you got to do is deal
with all the pain
that you‘re still investing so much energy
to keep inside
and try to hide from you
in order not to feel it consciously
and try to hide from others
in order not to be,
vulnerably,
life is not always easy,
but trust me,
it can definitely be simple,
just sit down with me,
breathe in,
breathe out,
and just be.


[guitar solo]


Life wants you to feel,
life wants you to heal,
together we can live heaven on earth,
you just have to put your hands in the dirt,
and grow your love,
and grow your love,
and grow your love,
and grow your love,


Life wants you to feel,
life wants you to heal,
so that we live heaven on earth,
put your hands in the dirt,

Life wants you to feel,
life wants you to heal,
so that we live heaven on earth,
put your hands in the dirt,

Life wants you to feel,
life wants you to heal,
so that we live heaven on earth,
put your hands in the dirt,

Life wants you to feel,
life wants you to heal,
so that we live heaven on earth,
put your hands in the dirt,

and grow your love

Picture by brenkee
https://pixabay.com/de/users/brenkee-2021352/

So Much Energy (Composition No. 8)

Available on all plattforms: gate.fm/OLyq6xvN1

Walking silently,
through a future that won't last,
screaming inside of me
are the demons of the past,
everything seemed fine,
an illusion of mine
— written by D. (soundcloud.com/itsmedi)

Beat, digital orchestration by D. (@itsmedi)
Electric guitar (hookline and solo), vocals by Sven Sebastian Horner

stream | download

Illusion of Mine w/ D. (Collaboration No. 2)

Available on all plattforms: bitly.ws/pUgx

Translated to English:
How do you want to be
always there for me?
You stumble yourself
when the weight pulls on you.

First we have
to learn to love ourselves.
We do know that.
But how to do it,
that knowledge we miss.

Much rather would I prefer
could we see each other if it fits.
We'll learn this soon.
The door to another is our own heart.

Lyrics in German:
Wie willst Du
immer für mich da sein?
Du schwankst doch selbst,
wenn die Schwere an Dir zieht.

Wir müssen uns erst
selber lieben lernen,
das wissen wir,
aber wie das geht,
das Wissen fehlt.

Viel lieber wär' es mir,
wir könnten uns sehen, wenn es stimmig ist.
Wir lernen das schon.
Die Tür zum ander'n ist unser eigenes Herz.

--

Vocals, lyrics
Electric guitar
Acoustic bass
Drums (computed with Hydrogen)
by Sven Sebastian Horner

Cover artwork by pexels.com/de-de/@mart-production

Unser eigenes Herz (Composition No. 10)

Checkout the music video: odysee.com/@svensebastianhorner:5/composition-nr-11:5

Available on all platforms: gate.fm/6DC9obUIV

Oh, again
loneliness is killing me
I don't know
how to escape from here

my heart, please
don't get cold
stay with me while
love's on hold

tell me
what to do
I'm lonely
give me anything
to ease my suffering

Oh, again
I wish I had a friend
but emptiness
drags me down again

There's so much
I could give
but nobody needs it
nobody cares

tell me
what to do
I'm lonely
give me anything
to ease my suffering

--
Acoustic guitar
Acoustic bass
Electric guitar
Vocals & Lyrics
by Sven Sebastian Horner

Picture by pexels.com/@cottonbro/

music video

Loneliness (Composition No. 11)

It's been a while since I first recorded this piece composed by Johann Sebastian Bach. I have played it many, many times since then and it is still developing. I like to change between playing it fast and slow, as it gives a different quality.

Bach: Prelude No. 1 in C Major – BWV 846 (Interpretation No. 1a)

Meditation in G flat minor on the Dizi flute. The Dizi is a chinese traverse bamboo flute. The counter bass, drums and synth pad were recorded with the SL88 midi keyboard I recently got. It's a great device, as it plays like a real grand piano. Now I'm able to make use of a much broader variety of sounds. Synth pad was generated using Odin 2.

This was more of an experiment, but I really liked the outcome. Hope you enjoy it.

Meditation with Flute (Improvisation No. 42)

Wanna see me play it? Here: https://pixelfed.social/i/web/post/550408846783921254

Soothing Green (Improvisation No. 45)

Watch me play it: https://youtu.be/yEeLBJy4HEM

Trapped In The Flight (Improvisation No. 46)

Official music video: https://youtu.be/ap0uQZz_KG4

Release on all platforms May, 19
Presave: https://gate.fm/3GgNYp7w

Why is this weight
in my chest
still pulling me down
most of the times
that I come one
with my heart

It feels like a curse
cannot escape
this burden it hurts
I've been looking
for remedy
for so many times

Weight (Composition No. 14)

Piano and orchestral elements blend with Industrial sounds shamelessly to create a seriously strange atmosphere, that you could even dance to. Until they take you, too. 

Second collaboration with D. (@itsmedi) 

Beat, Synth Lead, Arrangement by D. (@itsmedi)
Piano, Distorted Acoustic & Synth Bass by Sven Sebastian Horner

Aliens Took Him By Day w/ D. (Collaboration No. 3)

"Der Mensch muß entweder wie ein Kind vor Wut und Unglück und Begeisterung und Liebe heulen und entschlägt sich so seines Gefühls in einem kurzen, nichtigen Wirbel; oder er kann geheimnisvoll an sich halten, ohne dem Zug zur Wirklichkeit, dem Trieb, dem mit jedem Gefühl verwachsenen Begehren ein Zugeständnis zu machen, und dann wächst sein Gefühl über ihm mit den Wipfeln der Bäume, mit den Turmspitzen, mit dem Scheitel des Himmels zusammen. Was aber dazwischen liegt, dieser maßvolle sogenannte Reichtum des Gefühls, lohnt nicht des Aufhebens, das davon gemacht wird!"
Robert Musil, Der Mann ohne Eigenschaften - II. Aus dem Nachlaß

https://www.youtube.com/watch?v=n7AsTgcf8qI

artwork by enriquelopezgarre
https://pixabay.com/de/users/enriquelopezgarre-3764790/

music by dizzip o' vooway
http://facebook.com/DizzVooway

End of the Circle

Pine Fog Rock (Composition No. 3)

"Under any religion, the pre-established impersonal code transcends the right of the individual to explore, experience, and marvel at the mysteries of his own life and death. Religions introduce us not to God but to slavery. They deprive us of our freedom to explore our own souls and to discover the endless and wondrous possibilities presented to us by an infinite universe. And most often the method of religions is fear, not love. They demand blind obedience and often obedience to dreadful dogma."
Gerry Spence

artwork by AbandonedZone
https://facebook.com/ABANDONEDZONE

☯ Fʀᴇᴇ Dᴏᴡɴʟᴏᴀᴅ

Inside the Dead Church (Improvisation No. 28)

free download or stream:
https://www.gate.fm/oFguomQHo

music by Sven Sebastian Horner
https://svensebastianhorner.bandcamp.com

photo by Sandra Limberg
https://sollena-photography.de

Lifting my Heart's Dead Weight (Improvisation No. 34)

Dizi (Chinese Bamboo Flute)
Didgeridoo
Acoustic guitar
Overtone singing
Drum track sampled
by Sven Sebastian Horner

There is also a video on Instagram TV:
https://www.instagram.com/tv/B3iVa2xogwM/?utm_source=ig_web_copy_link

Yearningly Eternity (Composition No. 5)

free download or stream:
https://www.gate.fm/2lz2j3d

Piano | Clarinet | Electric guitar | Voice
by Sven Sebastian Horner

Family Should Help You Heal (Composition No. 6)

Just a hint of flamenco.

Classical guitar, piano and spoken words by Sven Sebastian Horner

para Annita de Sevilla, mi fresca naranja.

Si estuvieras aquí (Improvisation No. 37)

I play a few instruments and sing. I also practice zen, love permaculture, live vegan, consider myself an anarchist and try to be a truly loving father for my daughter.

禅 I make music to explore myself. Each track is an intense creative journey for me. It's meditation and medicine.

禅 I publish on soundclound first. My work will always be free and available on most platforms for your convenience.

禅 I love to collaborate. Don't hesitate to send a DM. I can take care of the production.

禅 I usually publish under a CC-license, which allows you to use it for non-commercial purposes for free. If you need the files or single tracks from it, just contact me.

❯ The Sage is occupied with the unspoken
and acts without effort.
Teaching without verbosity,
producing without possessing,
creating without regard to result,
claiming nothing,
the Sage has nothing to lose. ❮
Tao Tê Ching, Second Chapter

Sven Sebastian Horner

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