hier jetzt ein Para Break @svenwittekind :-)

Rebekah (CLR)
Clarke, Derrick Carter, Richie Hawtin and Billy Nasty in her teens at the legendary Que Club in Birmingham.She is currently playing at some of the most happening clubs and festivals world-wide, such as Berghain, Tresor, Fabric, Atomic Jam, Studio 80, Cocoon Club, Cocorico, Guendalina, Forsage, About Blank, Tomorrowland, Awakenings and Exit. Her residency for the Eclectricity events in Birmingham has seen her play for Cocoon parties alongside Sven Väth, Dubfire, Loco Dice, Marco Carola and Luciano. Rebekah has also become a regular feature at Global Gathering warming up in the Circo Loco, Cocoon and M-nus arenas consecutively, the latter being one of the standout sets of 2010 for the whole of the festivals.


In spite of her busy tour schedule Rebekah also manages to make time to develop and manifest her personal vision of modern techno. Finding her own creative flair within the studio she is currently working with concepts, sounds, feelings, energy, art and anything else that inspires her on a deep level. She is a prolific producer and has remixes and singles on renowned labels like Cult Figures, Naked Lunch, Coincidence, 8 Sided Dice and Stolen Moments.


In a world where promo reactions count for nothing, Rebekah´s recent tracks have been road tested by none other than Richie Hawtin himself. Flirting with Death has been found in his sets in the past year, along with her remix of Matador´s Blond Slackers on Stolen Moments, which has been played out by Chris Liebing, Adam Beyer, Perc, Dustin Zahn, Tommy Four Seven, Alan Fitzpatrick and Sandwell District. It has been banged out at countless clubs, festivals and podcasts, has made it to the Beatport charts and has been cited as her biggest production to date.


In June 2012 Chris Liebing invited Rebekah to record a mix for the infamous CLR Podcast series, cementing her position as a highly promising artist within the techno world. After recently joining the CLR artist booking agency, she will soon release one of her tracks on a forthcoming Various Artists EP on CLR as an introduction to the label.


Apart from gaining the respect of many of her most credible techno peers, also established brands have recognized her efforts and have approached her for sponsorship deals. Consequently Rebekah has joined the Akai Pro artist family where she has developed her live set using Akai’s APC40 and she proudly holds a sponsorship by DC Clothing.


The future definitely is bright and the diary packed for this little lady of techno. Anyone that has seen her play out live knows first hand that there are no gimmicks or clichés about this Producer/DJ, just unadulterated raw talent and a passion for the music she plays.

Rebekah - Hell Beat Podcast #063

Magnetica

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

Recording 14-10-25, 11.44.19 am

"Broken Horn” by Orion is taken from the "Broken Horn" EP on Absence of Facts.

Absence of Facts label head Orion returns to his home imprint, delivering a three-track statement with the 'Broken Horn' EP. This release is a testament to the Finnish artist's nuanced, hypnotic techno, meticulously sculpted for discerning dancefloors.

🎧More 👉 https://tinyurl.com/27c6navk

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Premiere: Orion - Broken Horn [Absence of Facts]

Niereich  - Philadelphia Experiment (Out 17.5 Finder Records)

Lost & Found

Escape

Surge

Still Alive

False

Release Tag: 13.10.2020
Artist: Hexaflip
Remixer: Spec X
Track: Ihr schaut zu

Nicht öffentlich erhältlich
DJ Promo auf Anfrage

False

SVEN WITTEKIND

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