Noksidam - Respiratio (Senglar Still Rmx)

all drone tones come from the ecr+ as resonator, big stereo hits and foley sounds from the convolution module as well.

ecr+ several situations

for organ, flute, clarinet, violin, violoncello, 2 percussionists
First performance: 1 April 2017 - Orgelpark, Amsterdam

"Ninety-five" for the Ives Ensemble, Slagwerk Den Haag & Ere Lievonen

Sonata Per Eterna ( by Marta Zapparoli 2018-19 )
This is an extract from “Sonata Per Eterna”.
 It is a text-piece in which the meaning of some combinations of words are connected to selected radio waves and natural radios phenomena which I recorded in different countries over the world in the past recent years. This piece is inspired by my personal romantic idea feed it also by scientific notions about the journey of the soul after death to perpetual motion in the universe......." 
The release will be out in 2020

"Sonata Per Eterna" Extract From Release2020 ( to my father Giuseppe aka GiZap))

Hebra "Hebra" - TapeAny (Hebra)

hyperbeatz vol. 1

hyperbeatz vol.1

ⱴŁηə3

a first play with the fancy synthesis rungdivisions module, a great pairing of a clock divider and a rungler circuit. it's really great to have this rungler circuit opened up and available for any kind of input/clocking. here it's inside a dusg/ssg feedback patch, it receives clock from a dusg eoc and data from a noise source. voices are pinged twinpeak and mmf-1 filter, delay from d0.

gnurvid

This is an audio mix of the 4 elements from my sound installation/sculpture "Il tempo insassato che pur scorre" from 2020.

Background sound is played through the floor monitors, stereo, and they are placed on your left and right as you enter the room. This sound fills up the space like the light and opens it up beyond the walls of the gallery space, implying a reverberant, large, empty room/hall. The sound is composed by layering the multitude of oscillators coming from the EMS Synthi 100, covering each part of the spectra. 
The sound played through the speakers in front (which are covered by the cloth), are scattered sonic artefacts in low and mid registers, that should appear to be almost tangible and "real", as if something is moving beneath the cloth.
Devices hanging on the left and right wall are winding and unwinding the tape. They are sonified from within the box by the ready-made loops that consist of material produced by sampling the working procedures of the reel-to-reel tape recorder.

Durations of the tracks in the installation, differ from the ones in this mix which is made as an audio preview.

Installation was premiered at the gallery Weisser Elephant on January 2020 in Berlin, alongside the works by Alva Noto,  Robert Lippok, Katharina Bevand, Cecile Dupaquier, Anne Gathmann, Harriet Gross and Elliane Radiue, to whom this event was dedicated, celebrating her work in electro-acoustic music and her birthday.

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Il tempo insassato che pur scorre (sound part)

Variation 1

Q - 04 - O3

Cecilia Tyrrell
Signal
07:27

Blurring the boundaries between land and sea, Signal creates a seascape in constant flux with its identity, ever changing, always in motion.  Sonic topography inspired and partly arranged from recordings made at a sound mirror on the South East coast of England (UK). The mirror itself stands dormant as it waits, facing out away from land. Sound markers and siren warnings, still it listens, quietly detecting.

https://theradius.us/episode93

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Episode 93: Cecilia Tyrrell

Composer and sound artist. Professor of Creative Music Technology and Co-head of Electronic Studio - Basel. Ex Head of Radio Belgrade's Electronic Studio
www.svetlanamaras.com
marasoffice@gmail.com
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Maraš has presented her work internationally, at venues, festivals and events such as  Ruhr Triennial, CTM (Berlin), Ars Electronica (Linz), House of Electronic Arts (Basel), Ruhr Triennial, Espace Multimedia Gantner (Bourogne), Musikprotokoll (Graz), Heroines of Sound (Berlin), Onassis Cultural Centre (Athens), Museum of Contemporary Art (Belgrade), Ausland (Berlin), Izlog Suvremenog Zvuka (Zagreb), ICMC (New York), International Rostrum of Composers (Wroclaw), ISEA (Dubai), International Music Institute (Darmstadt), Orpheus Institute (Ghent) and many other places. Her music was used in theatre plays, experimental and documentary films, presented at places like MOMA (New York), Aubagne International Film Festival and Bitef theatre (Belgrade).
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Svetlana Maraš was SHAPE artist for 2020, and co-curator of 4fakultät concert series in Hamburg.

Il tempo insassato che pur scorre (sound part)

Svetlana Maraš

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