パレイドリア means Pareidolia which is to see something when its not there

takoyaki

Honey Mango - HunRosa Remix.
I collaborated with HunRosa collaborated recently on a different ambient project, and being impressed with his sound and approach. it was a simple choice to ask him to remix a track.
HunRosa has completely transformed the piece into a dark and techy dance floor smasher by chopping up the woodwind, kora loops, Sarathy Korwars tabla, and adding techno beats. HunRosa is also known for providing low end for the cinematic orchestra, and for this remix he’s created a 3D ambisonics mix which is best appreciated on good quality headphones.

In a bloopy mood - Synkro remix
I have been listening to Synkro’s music for years, so was delighted when he approached initially asking to stock the 7” in his Stockport record store SK1 records, and subsequently offering a remix. It was this offer that sparked the idea for a remix release. Here Synkro provides his trademark rolling bass and crisp dubby beats, transforming In a Bloopy Mood into a sound system friendly heavyweight tune.

In a Bloopy Mood Alt - Jason Singh remix
It was many years ago, experimenting with Jason Singh in his studio and on stage in Manchester venues that I was inspired to start investigating the use of electronics combined with the kora. Jason has been such huge influence in me discovering this sound that this remix comes full circle. Jason brings his genius approach to this remix creating fascinating textures, taking the original piece to a new dimension.

In A Bloopy Mood - Synkro Remix

The Sacrifice

チョーキューメイ(초큐메이) - 貴方の恋人になりたい (당신의 연인이 되고 싶어).mp3

Karmic Sprain  / Dorsiflextion

Karmic Sprain

Response to DJ Boneless // Send For Harbours     : - )

2010 Roller

https://leavingrecords.com/high-functioning
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not sure about the LR presence on SoundCloud these days, so please drop a comment or like if you're listening. and buy a god damn tape already! this one is cray.
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tp Dutchkiss is the solo moniker of LA-based producer Spencer Hartling. His debut full-length, high functioning, out now on Leaving Records, is a probing eleven-track collection teetering between jittery beats and experimental songwriting. Imaginatively high-functioning, but also just functioning while high, it turns to an array of unorthodox recording techniques to build melody into the very structures of dance music it straddles. high functioning works it all out, breaking through to a new place of earnestness.

Though technically presenting a first effort, Hartling is no beginner. Owner and operator of Wiggle World recording studio, tape loop experimentalist and co-author of zine Show Invisibles, or How to Make a Tape Loop, his solo live performances are workshops in improv ambient and dubbed out, forward-thinking hardware play. A member of “rock” band Harry the Nightgown, the fledgling experimentalist thrives in collaboration, having lent his chops to ventures with artists like Colloboh, Cherry Glazerr, Ohr and Qu’ran Shaheed.

high functioning itself wasn’t born in isolation. Conceived and recorded not only in Hartling’s home city of Los Angeles, but crucially also on the road across the world, in Lithuania and on the Mediterranean, its protean sounds feel like notes to people far and near – buzzed, maximalist, often touching, especially when less than clear-headed.

And yet, high functioning is also a showcase for Hartling’s unique approach to songwriting. Not quite cocooned in the collection’s jagged soundscapes, the emphasis on harmony at its core emanates outward, shining through melody-carrying bass chord changes and halting arrangements. It is more a form of illumination than of lucidity: high functioning’s compositions may jerk and flutter, as analog gear and glitching drum machines grind and warble into each other, but they reveal a loving care for melody that is irregular to the straighter genres the record inhabits.

Rooted in Hartling’s years of sound-first experimentation, high functioning’s upper-downer, unorthodoxly pop-driven take on dance music is never too intelligent for its own good. As it starts, stops and pivots over and over, it makes way for what much music of similar ilk doesn’t get to express: an almost vulnerable intimacy, “sweet like everything.” Alexa, bump up the warm jets.

tp Dutchkiss - Song For Ugne

Ribbon Worms & Snails

DUSTCELL - 足りない / Missing

Hit by a car

divertimento

パレイドリア by @hashirhythms is featured along with 26 other songs on RISING TIDES vol. 3.
RISING TIDES is SVNSET WAVES' autumn collection of music featuring only music from artists with 500 followers on less on SoundCloud. RISING TIDES is the best way for avid music listeners to discover new artists to support and get behind early on. Each artist on the 27 track compilation was invited to participate by SVNSET WAVES founder and tastemaker, Corbin Cary. So sit back, relax, and discover new music. 
Art by Alec McKeand (alecmckeand.smugmug.com @amongthepine on Instagram)

Download Album

h a s h i - パレイドリア

THE BINARY - EgoもIdも単純に『Simple Ego and Id』

That feeling when 5PM hits

https://www.toneden.io/backleft/post/wait-time

Free Download

Wait Time

ラブカ？ / 柊キライ feat.flower


Composer: Hiiragi Kirai (柊キライ)

Picture Credits: ryuuseee(りゅうせー)

Rabuka - ラブカ？/ 柊キライ ft. flower (Hiiragi Kirai)

Helping listeners float, drift, and dream their way through life since 2013.

SVNSET WAVES is an electronic record label based out of Austin, Texas and run by Corbin Cary.

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Send unreleased submissions to svnsetwaves[at]gmail[dot]com.
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h a s h i - パレイドリア

SVNSET WAVES

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