BLAUES RAUSCHEN invited ten artists from the fields of ars acustica, sound art or sound collage to submit 5-minute works on the theme "Forest and Sound".
https://www.blauesrauschen.de/en/forest-sound/

FHADsf_Forest.Human.Analog.Digital. -system flow

Unedited recording of my set at Savoy Theatre in Helsinki, Finland on 17 March 2023.

Setlist:
Against A White Cloud
Black Dust
Clouds 
Post-Crisis Remembrance
To Drown Out The Ocean
Bound Universe
The Purpose Of Peace
On A Shattered Shell Beach

Thanks to Magnús Logi Kristinsson for the photo.

Abul Mogard "Live at Savoy Theatre - Helsinki, 17 March 2023"

As @mmmmalibu, the French DJ and producer Barbara Braccini writes diaristic ambient music with a distinct sense of melancholy. As dj lostboi, she’s more playful, repurposing pop anthems into ethereal epics. 

Alongside a blissful Recognise mix evoking the vibe of “long summer nights”, she chats to Heléna Stanton about these projects, field recordings, the influence of vaporwave, film scores and trance on her sound, and her monthly NTS show, United In Flames

Interview & tracklist: https://djmag.com/features/recognise-malibu-dj-lostboi-united-in-flames-ambient-interview

Recognise: Malibu

Unknown Album

Fratii.cast #141 - Amelia

~ Deep Breakfast 267 by ASIP aka Ryan Griffin, founder of the wonderful A Strangely Isolated Place label https://soundcloud.com/astrangelyisolatedplace ~

Tracklist:
1. swanasa - AHO (A Strangely Isolated Place, Forthcoming)
2. Hiemal - Pays D'en Haut I (Self)
3. Thomas Koner - Nuut (Night) (Force Inc)
4. Markus Guentner & Abul Mogard - While Hunting Nightmares And Dreaming For Peace (A Strangely Isolated Place, Forthcoming)
5. Ayaavaaki & Purl - Einstein-Rosen Bridge (Passage II) (LILA)
6. LF58 - Utopia  (Northern Electronics)
7. Avsluta - It's Always Lonely Being Free (Self)
8. Pete Namlook & Bill Laswell - Angel Tech (Subharmonic)
9. STBL - Carousel Of Light (Self)
10. Mikkel Rev - Lauryl (A Strangely Isolated Place, Forthcoming)
11. James Murray - Grace (Home Normal)
12. Robert Rich - Summer Thunder (Self)
13. OKRAA - Canto Luminoso a la Luna (A Strangely Isolated Place, Forthcoming)

ASIP
Website: https://www.astrangelyisolatedplace.com/
Bandcamp: https://astrangelyisolatedplace.bandcamp.com/
Instagram: https://www.instagram.com/astrangelyisolatedplace
X: https://x.com/asip
Facebook: https://www.facebook.com/astrangelyisolatedplace

Deep Breakfast Series
Instagram: www.instagram.com/deepbreakfastseries/
Facebook: www.facebook.com/DeepBreakfastSeries/

Deep Breakfast 267 ~ ASIP

Single taken from my forthcoming album 'Quiet Pieces', released on 30 May 2025
https://abulmogard.bandcamp.com/album/quiet-pieces

PRE-ORDER ALBUM

Following a dream

Full tracklist: https://bleep.com/bleep-mix-303-abul-mogard

With his latest solo album Quiet Pieces initiating his imprint Soft Echoes, Abul Mogard mixes composers and collaborators that have permeated his discography and inspirations. An impeccable sense of flow and continuity defines these selections, as Mogard says: "I imagined this mix as an atmosphere you could inhabit – a quiet weave of pieces I’m drawn to. It’s a sound collage of old and new music, where tracks meet and overlap gently, carrying you along in a flow while subtly shifting the scenery beneath your feet." From groaning ambience to trilling winds and warm washes of glitching noise comes a frisson of flutes on Stefano Pilia’s ‘CADUX / Plectere’ over an all consuming rumbling bass drone. Mogard highlights vocals in the midsection: the hissing of ‘Anticredos’, Meredith monk’s harmonic conterplay with arrays of pointillist vocal notes, Félicia Atkinson’s spoken word barely rising from its quietude, before brewing a dense buzzing electrical storm of swirling currents and gyres with the final few tracks, the rugged and visceral clockwork of Rafael Anton Irisarri mechanically crumbling as William Basinski’s piano notes eternally intone.

Bleep Mix #303 - Abul Mogard

“Like a Bird”, recorded live at IKLECTIK × Waterloo Festival, St John’s Church, Waterloo, London — 12 July 2025.

The original album version appears on Quiet Pieces, released 30 May 2025 via Soft Echoes.

Photo by Colin Hickie.

BUY ALBUM

Like a Bird (Live at IKLECTIK × Waterloo Festival, St John’s Church, London, 12 July 2025)

After decades of chasing, accumulating, and then sharing new music with you, I think I've hit some saturation point. I think I'm done spinning in the vortex of the "new", being pulled in all directions, catching up on all the "fresh" and "innovative" tracks. I'm not saying that I will stop covering new music. No. But I think I'll focus the virtual lens of my listening on a very narrow point, investing my time and attention over more extended periods. I think I will turn inwards... towards music and the artists that genuinely make me feel. This is the case with Rafael Anton Irisarri's A Fragile Geography, an album from 2015, which captured my attention then as it does now, triggering memories, triggering thoughts, and emotion. A decade ago, during a move between coasts, Rafael lost his possessions - stolen with the moving truck - along with all his audio archives, forcing him to rebuild his studio and sound from the ground up. The pain of this loss is reflected in almost every single track on the album. This music is slightly dark and melancholic. It's visceral, and it gets under your skin. And there it stays with you for ages. Becoming part of you, becoming part of your existence.

On September 19th, the album will be reissued, beautifully remastered by Stephan Mathieu at his Schwebung studio, along with a limited edition cassette of remixes by the most renowned artists, handpicked by Rafael. "This record has always been about letting go of one life and rebuilding another", says Irisarri, "It feels fitting to return to it now - ten years later, in a different country, a different world." These reworks are worthy of your precious awareness as well. I know that there are more than a few in the pipeline (at least six), which will be revealed one at a time. As of this writing, there is already a gorgeous rework by the one and only William Basinski, with his version of "Secretly Wishing For Rain" with Gary Thomas Wright, which incorporates field recordings of Reseda rain and birds captured by Basinski himself. You can check out a digital stream of that track here. *BUT!* Today, I am premiering for you a second rework by Abul Mogard! This piece bears not only the original elements of "Persistence" but, of course, Guido's extremely personal touch that breathes new life into this sound.

Head over to headphonecommute.com to read more about this release, including a quote from Abul Mogard on the rework.

TRACK PREMIERE : Rafael Anton Irisarri - Persistence (Abul Mogard rework)

Full tracklist: https://bleep.com/bleep-mix-310-rafael-anton-irisarri

Tracking a personal and pivotal moment in his life, Rafael Anton Irisarri’s fateful album A Fragile Geography has shifted meanings from grief to resilience in the ten years since it was released. Irisarri’s mix for Bleep taps back into those initial feelings changed by time, highlighting glistening blankets of sound, gauzy chord sweeps, and romantic bittersweet swells amidst the swathes of blasting, folding harmonic noise. Ryuichi Sakamoto’s dreamily puffing organ chords waltz towards the swaying pendulum of piano on Bohren & Der Club Of Gore’s ‘Maximum Black’, revealing a jazz backing of noir drum shuffles. Mabe Fratti’s voice is soft and billowy like a cloud of perfume on her rework of ‘Hiatus’, dispersed by the privately reflective noise of Ethel Cain’s ‘Onanist’, both airily cushioning and sharply confronting.

“I made this mix for Bleep to celebrate the tenth anniversary and reissue of my album "A Fragile Geography". I structured the mix to mirror how grief moves through us. It's a haze of fragmented memories and emotions, drifting like smoke through dimly lit rooms with memory stained walls. Each song feels like a whispered thought, a fogged-up mirror, or a letter never sent. Some tracks feel soft and distant, while others hit a little harder. Grief doesn’t scream here; it sighs, loops, and lingers. Tape hiss, faint piano, distant voices, and time dissolved strings shape the sound. I wanted this mix to feel like memory itself: flickering, fading, and returning. Remember, forget, and remember all over again.” - Rafael Anton Irisarri

Bleep Mix #310 - Rafael Anton Irisarri

Previously unreleased adaptation of the Twin Peaks classic.
Credits:
Martyn Heyne - Piano
Rafael Anton Irisarri - Guitar, Rhodes, Synths & Cymbals
Benoit Pioulard - Vocals,  Bass, Field Recordings
Valerie Trebeljahr (Lali Puna) - "Now it's dark" phone message
Mastered at www.blackknollstudio.com
Many thanks to Martyn Heyne for uncovering this one too!

FHADsf_Forest.Human.Analog.Digital. -system flow

swanasa

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