Mozart

Solomon, HWV 67: The Arrival Of The Queen Of Sheba (by George Frideric Handel)

SALES TEXT
Cellist Beatriz Blanco and pianist Federico Bosco follow the success of their first Odradek album with Of Love and War, a sumptuous programme of music by Nadia Boulanger, Richard Strauss, Debussy, Webern, Hindemith and Fauré, featuring mezzo-soprano Solenn’ Lavanant-Linke.

Of Love and War, partly inspired by Eduardo Galeano’s novel Days and Nights of Love and War, draws parallels between the isolation and pent-up passions of wartime and the experiences of the current pandemic. Much of this repertoire was composed around the time of the First World War, but also embraces broader themes of beginnings and endings, night and day, love and loss. 

Nadia Boulanger is celebrated as a teacher of great composers, but was a composer in her own right; her Three Pieces occupy a similar soundworld to that of Debussy, whose Cello Sonata is at the heart of the programme, and Fauré, whose song Les berceaux we hear in an arrangement for cello and piano. There are works by Webern that show us ‘before and after’ his early lessons with Schoenberg: the Zwei Stücke für Cello und Klavier of 1899, written when Webern was only 16, and the Drei Kleine Stücke, Op. 11 and Cello Sonata, both dating from 1914. The album discovers a softer side to Hindemith in his richly Romantic Three Pieces, Op. 8, and the whole recital is framed by glorious songs by Strauss and Debussy, performed by Solenn’ Lavanant-Linke.

15 - NADIA BOULANGER - 3 Pieces For Cello And Piano - I. Modere

Wolfgang Amadeus Mozart, Vol. 1

Piano Concerto No. 23 in A major, K. 488 II. Adagio

Deezer

Passionately  lying  in flowery  meadows. The  mountains are  kissing  the  blue  skies - and from  the  valley  afar,  sounds  of  a traditional folk band  and  festivity  are  blown through  soft  breezes to  us.

Franz Schubert´s  Impromptus  Nr. 4  interpreted  by  Bastian Lee Jones, is one  of  BLJ´s favorite  piano pieces  by  Schubert, which  will  be  published  on his  solo classic  cd  "climaxual intimacies".
EARMErecords  LC 29347, ISRC  DE-QB2-14-00049

©2022 by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones - ©2022 photo source: google search and the copyrightowner
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impromptus Op 90, Nr. 4

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Franz Schubert -  Impromptus Op. 90 No. 4

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Audius

Piano Sonata No.15 in F-Major, K. 533: III. Rondo Allegretto

Twitter

Piano Sonata No.9 in A-Minor, K. 310: II. Andante cantabile con espressione

Spotify

Piano Sonata No.5 in G-Major, K. 283: II. Andante

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Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

The second movement is a lyrical work in 6/8 time, in E flat major, the submediant major of the overall G minor key of the symphony. 

Retailers:

YouTube
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No.40 in G-Minor, K. 550: ‘Great’  II. Andante

Shattered Bastions

Frédéric Chopin - Prelude in E-Minor (op.28 no. 4)

Edvard Grieg - Suite Holberg, Op 40 - Air (Andante Religioso)

Epic Orchestra

Symphony No. 9  Op. 95 "New World Symphony" IV. Allegro Con Fuoco

Album release: June 2017

An intense and fascinating exploration of the myriad facets of the violin over the centuries
Kaleidoscope. That single word encapsulates Elsa Grether’s aim in her new album: to illustrate the full expressive range of her violin by exploring its repertory in all its stylistic diversity. From Bach’s famous Chaconne to Ton-Thât-Tiet’s contemporary idiom in Métal terre eau, by way of Eugène Ysaÿe, Aram Khachaturian, Arthur Honegger and Isaac Albéniz, the violinist’s third release for Fuga Libera offers a cocktail of colours and timbres. She charms her listeners with an invariably elegant sound and firmly sculpted lines as she invites us to explore this multifaceted instrument. A voyage of discovery across time, space and aesthetics that will appeal to the widest audience!

Sortie de l'album : Juin 2017

Un voyage intense et passionnant dévoilant les mille facettes du violon à travers les siècles.
Kaléidoscope. Ce seul terme décrit le propos d’Elsa Grether dans son nouvel album : illustrer l’ensemble de la palette expressive de son violon en explorant toute la diversité stylistique de ce répertoire. De la fameuse Chaconne de Jean-Sébastien Bach au contemporain Métal terre eau de Ton-Thât-Tiet, en passant par des pièces d’Eugène Ysaÿe, Aram Khatchatourian, Arthur Honegger ou encore Isaac Albéniz, la violoniste nous emmène pour son troisième opus chez Fuga Libera dans un cocktail de couleurs et de timbres. Elle charme par un son toujours élégant et aux lignes bien dessinées, et invite à l'exploration de cet instrument aux mille facettes. Une découverte à travers le temps, l’espace et les esthétiques à mettre entre toutes les mains !

Cantos de España, Op. 232: V. Asturias, leyenda in G Major

Wolfgang Amadeus Mozart (1756-1791)
Vesperae Solennes de Confessore, K. 339 (1780)
V. Laudate Dominum

Swarthmore College Chorus
Kyle Leigh Carney, soprano
Joseph Gregorio, conductor

Recorded live May 1, 2016
Lang Concert Hall
Swarthmore College

Mozart - Vesperae Solennes de Confessore, K. 339: V. Laudate Dominum | Swarthmore College Chorus

La Source für Harfe, Op. 44 -Alphonse Hasselmans

The Swarthmore College Chorus is a mixed, town-gown chorus of approximately 70 members.

The Swarthmore College Garnet Singers is a mixed, 24-student subset of the Chorus.

Both groups are directed by Professor Joseph Gregorio.

Mozart - Vesperae Solennes de Confessore, K. 339: V. Laudate Dominum | Swarthmore College Chorus

Swarthmore College Choirs

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