no booker only 2099 [kenny battle 2. place]

the members of voyage set sail and start their adventure.

ivy & envy { rosé }

FULL VIDEO: https://www.youtube.com/watch?v=jPvBKqjLzyo
available on bandcamp: https://withmaia.bandcamp.com/track/beat-em-up

family ties remix

kbdbb (2nd place)

moonriver

KB Night Battle

wocket in my pocket

Kenny Beat Battle Submission, May 28th, 2022

ADTHAPLUGG Yap Switch Upppp

Producer(s): Kaiso x zoéga
Beat: Lit
Link: https://www.youtube.com/watch?v=q45NYCKt_Cw

Original Song: https://www.youtube.com/watch?v=IKDlNxuR9kM

Usimamane - Nix [lazszn reimagined]

COWARDS DON’T GET LEGENDS isn’t a song you listen to.
It’s a song that stands in front of you and refuses to flinch.

It opens without music as a moral line in the sand—quiet, steady, unmistakable. No theatrics. No rage for sale. Just truth spoken slowly enough to land. From there, the track unfolds like a controlled burn: restrained anger, grief held upright, and a voice that refuses to confuse cruelty with courage.

This isn’t about spectacle. It’s about responsibility.

The verses dismantle the false mythology of violence piece by piece—calling out the lie that harm equals power, that notoriety equals meaning. Every line is deliberate. Every accusation is clean. The song never glorifies, never names, never indulges. It denies what denial hurts most: legacy.

The hook hits like a verdict. Not loud—final.
No symbols. No myths. No songs.
Just the truth that cowardice doesn’t echo forward—it collapses inward.

What makes this song hurt isn’t anger.
It’s clarity.

By the time the bridge arrives, the track has stripped away excuses and left only the human cost: children who never grew up, teachers who never came home, futures interrupted mid-sentence. The music doesn’t swell to manipulate emotion. It holds space and lets the weight speak for itself.

The final verse widens the lens—city to city, country to country—showing how the cycle repeats not because it’s inevitable, but because we keep mistaking spectacle for solutions. And then, quietly but firmly, the song turns its attention to the listener—not to accuse, but to intervene.

The outro doesn’t condemn.
It reaches.

This song exists for the victims, for the families, for the names that should never have been footnotes. And for anyone standing in that dangerous moment where pain feels loud and isolation feels permanent, it offers something rare and necessary:

Permission to stop.
Permission to ask for help.
Permission to choose life without applause.

COWARDS DON’T GET LEGENDS doesn’t try to be timeless.
It insists on being right.

And when it ends, the silence afterward doesn’t feel empty.
It feels like respect.

COWARDS DON’T GET LEGENDS

just trying to get a little bit better every day :)

family ties remix

switch maia

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