A Sagittairun's Telepathic Heights on SWU.FM

For this BFTN show we have invited the ever forward thinking Roger Reuter aka Roger 23 to our regular set topic:
 „New ways of storytelling for future couches & clubfloors“.

Bulldozers from the n s y d e w/ guest set by Roger23 (Ilian Tape) [04.12.2023]

The latest episode of Newtype Rhythms features an experiential guest mix from Bristolian baron https://soundcloud.com/yokelbristol. For more info on Yokel, as well as tracklist for this episode - check out Inverted Audio: https://inverted-audio.com/yokel-newtype-rhythms/

https://soundcloud.com/sheepshead-music

IG Page

Newtype Rhythms #192 - Special Guest: Yokel

Cody Hammer Live at SPKRBOX 4202024

SWU FM PODCAST

A Sagittariun - 28 May 2024

14th episode of CLUB DUB RADIO
broadcasted live from Newtown Radio, Brooklyn, NY.
6.2.24

0:00 - 1:00 ~ @apokmusic
1:00 - end ~ @buusto

Club Dub Radio #14: Apok & buusto (06.02.24)

SWU FM Podcast

87.7FM Archives Facta - 29 July 2024

A Sagittariun - 24 June 2025

A Sagittariun - 22 July 2025

A Sagittariun - 26 August 2025

A Sagittariun - 21 October 2025

Third Eye

LOMIIEL - HAY LUPITA (B44X HARD EDIT)

A faster, heavier UKG flip of Sem Jacobs’ “Pass Me The Wine” — sitting at 136BPM with a big Reese bass, club-ready drums and that late-night bounce.

Really love the original big ups to Sem Jacobs!

Free download for DJs + radio support. Tag me in your mixes, I love seeing where these tracks end up.

Big love — UKAUS 

Seb Jacobs - Pass Me The Wine (UKAUS REMIX) [Illegal Dubs 008]

A Sagittariun - 18 November 2025

Interview + Download: http://truantsblog.com/2018/truancy-volume-212-martyn/

Soundcloud: @3024world 

Back in 2011 we caught up with Martyn as he prepared to release his sophomore album Ghost People on Brainfeeder - conversing away on the obstacle of second album syndrome, his first foray into performing his music live and his early collaborations. Seven years later and an album on Ninja Tune in between, his fourth LP titled Void lands on Berlin's flagship label Ostgut Ton on the 22nd of June. Questioning everything he has done musically in the past, and everything he still wants to do, the album has been described as being written as a means of catharsis, recently being released from the hospital after some unexpected health issues. Turning to Max Roach's 1979 ensemble percussion album M’Boom, however, was the spark in reassessing the elements that drove him to make music in first place.

In his own words: "That was the first record I listened to in my studio after coming out of the hospital. It's a project where Roach works with a slew of top notch percussionists and drummers and rotates them for every composition. Playing this record was such a surreal experience, the first music I consciously listened to after my recovery. I could hear so much space in the music, something I had never noticed before; almost like a 3D experience, with the most striking aspect being the emptiness between the players."

In the space of eight months Martyn would write his fourth album, creating an almost semi-descendant of his first LP Great Lengths sound-wise, yet forging new paths forward in genre. At nine tracks, with no collaborations or vocalists, the music is described as being stripped down its essentials, as Martyn looks to recontextualize his music with elements of Nyabinghi, drum ‘n‘ bass, and gqom. His Truancy Volume, which he calls an 'inspiration mixtape' to compliment Voids, is a collection of music, new and old that he's listened to over the past year. With Digital Mystikz alongside Shed and Objekt alongside Appleblim, Martyn roams through an almost biographical tale of selections, with his love for jazz shining through with the inclusion of London jazz collective Sons Of Kemet. We also caught up with Martyn for the second time on Truants to talk about Voids, how his ideas form, playing live at Panorama Bar and how radio has become more accessible than ever.

http://truantsblog.com

Truancy Volume 212: Martyn

Download + Interview + Tracklist:  http://truantsblog.com/2018/truancy-volume-215-mosca/ ‎

Soundcloud: @deejaymosca

"I'm still getting to grips with what I want from my music" Mosca told Attack Magazine back in 2014. By then he'd already released a number of records on Fat City, Numbers, Night Slugs, 3024, Rinse, Hypercolour, Ann Amiee and his own label Not So Much. A discography many would look on from the outside and declare him a veteran producer, Mosca's versatility as an artist has been described by himself as "always just being a case of balance". Reaching into a massive pool of influences that range from dub reggae, afro house, latin music, soul, jazz, techno and house his path as a London-based producer seems understandable.

We caught up with Mosca to discuss his recent releases on LavaLava and Livity Sound, the rule of knowing what not to make, the impact of radio, info on forthcoming music and how his label Not So Much looks set to live again this year. His Truancy Volume, a four-deck mix that he's described as an experiment of sorts, plays on structure by matching a series of locked grooves with years on years of collected loops, most he's either made, edited or cut up himself. (The tracklist requires a bit of a scroll through for a mix just under an hour.) It's a fast-paced mix with energy, that's both multi-tempo and multi-genre, pairing the likes of Childish Gambino with DJ Lilocox, Max ​L​e Daron with Skee Mask and Wbeeza with Batu for a celebratory mix rife with hot transitions.

Truancy Volume 215: Mosca

Live from Bristol
103.7FM + Rinse.fm 
https://rinse.fm/channels/swu/

Tune into the Telepathic Heights show on SWU.FM
First Tuesday of each month, 23:00hrs (GMT) >> https://www.swu.fm

For bookings, please contact elasticdreamsmusic@gmail.com
For label enquires/production contact elasticdreamsmusic@gmail.com

A Sagittariun - 28 May 2024

SWU.FM

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