🥵👋🤘🫶🎶🤘👀👁️🤘🔥

Holy ur vocals are amazing 😭🔥,this is my fist time listening to ur music this sound amazing 🔥✊🏼!!!

New Rock Discoveries

This song belongs in a movie. It’s about a young sailor who meets a girl from a world far from his. This was the relationship that formed me artistically. It is meeting the right person at the right time to get you to where you are today.

I Need to Know If You're Happy Now

I Need to Know If You're Happy Now By Dave Hanrahan 🌎 Music

An early track for Halloween 

Creepy Pasta - a short horror story posted online

Creepy Pasta

Lyrics 

We had so much to say 
Now I can barely recognise your face (x2)

Remember when I was sixteen?
Your face gave me nose bleeds

Remember when we were sixteen? Your face gave me nose bleeds

I was so excited I met someone who actually knows me 

Your in my favourite city but I see you no where 
I think every girl is you. Because they all have your hair.  Oh I think your near me but I see you no where 

Oh! Yeah! I forgot we don’t talk no more!
Oh! Yeah! I forgot we’re not something at all!
Oh! Yeah! I forgot your not the same one.. anymore

Anymore

"Downhill" is a rock/pop anthem rooted in the frustration and heartbreak of watching a once-stable connection unravel. Inspired (surprisingly) by a fallout with my ex-landlord, the song explores shifting dynamics, emotional confusion, and the sting of unmet expectations. While it sounds like a breakup song—and is framed like one—it was actually born from a non-romantic fallout, which is part of my songwriting signature: turning everyday conflicts into grand anthems.

Produced by Jay Ives, Downhill blends gritty rock instrumentation with a polished pop structure and a soaring, catchy hook. Its dynamic build mirrors the inner turmoil of navigating miscommunication and power shifts in any kind of relationship—romantic, professional, or otherwise. It’s for anyone who’s ever felt blindsided by someone they once trusted.

Lyrics:

VERSE 1

We met the first time
And you were all smiles
I had great plans for us
Could be good friends, and then some
I wasn't looking for nobody new
But I was starting to 
warm up to you

PRECHORUS
Then you started mind-twisting
And you like to play the victim
The lies started out white, then turned gray
Now they're so dark, I can't find my way

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

VERSE 2
I thought I got you
One moment you're so good
But then the very next
you're acting so sketch
You went back on everything you said
Went from rosy pink to seeing red

PRECHORUS
You have such a good facade
I wanna know who the architect was
Once so nice, not so much twice
I won't stay around for thrice 

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

BRIDGE
We both got our lasts
You got the word 
and I had had the straw

Every word flashes past
The lessons learnt
The storms I saw     
         
CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

OUTRO(x2)
I feel, I feel, I feel, I
Feel us go downhill
I build, I build, I build, I
So you could break it down again

Downhill

Love me Blender

"Hinter uns das Land" / "Behind Us The Land" - Music from Book 5: (Part 1) A New Beginning

Book 5 of "Hinter uns das Land" / "Behind Us The Land" opens a new chapter: The horrors of war lie behind the protagonists, but the scars run deep. This music collection accompanies the Feyerabend family in the post-war era, a time of rebuilding, hope, and slow healing.

The music of Book 5 is an eclectic mix of styles and eras, reflecting the complexity of starting anew. German Schlager hits of the 1950s and nostalgic chansons evoke memories of the past and a rediscovered joy of life. Acoustic sounds, folk, and jazz symbolize the search for security and a new normal. Brit Pop, Swing, and Rock'n'Roll represent the dawn of a new era, while Indie Pop, Chamber Pop, and even a wedding march musically underscore the hope and the gradual blossoming of new dreams. But the shadows of the past are still present, captured in melancholic ballads, a sad piano piece, psychedelic folk, spiritual hip-hop, and powerful post-rock. Even punk rock finds its place, expressing the regained freedom and zest for life.

This music is a sonic tapestry of the post-war era, a tribute to the will to survive, the importance of family, and the strength of the human spirit. It captures the ambivalence of this epoch: The burden of memory and the simultaneous spirit of optimism, the grief for what was lost and the hope for a new beginning.

Music: A musical journey through time from the 50s to the present day with elements of German Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock, and more.

Discover the musical soul of "Hinter uns das Land" / "Behind Us The Land"!

Follow us for more music from "Hinter uns das Land"!

---

"Hinter uns das Land" - Musik zu Buch 5 (Part 1): Aufbruch in eine neue Zeit

Buch 5 von "Hinter uns das Land" schlägt ein neues Kapitel auf: Die Schrecken des Krieges liegen hinter den Protagonisten, doch die Narben sind tief. Diese Musiksammlung begleitet die Familie Feyerabend in der Nachkriegszeit, einer Zeit des Wiederaufbaus, der Hoffnung und des langsamen Heilens.

Die Musik zu Buch 5 ist eine eklektische Mischung aus Stilen und Epochen, die die Vielschichtigkeit des Neubeginns widerspiegelt. Schlager der 50er Jahre und nostalgische Chansons erinnern an die Vergangenheit und die wiedergefundene Lebensfreude. Akustische Klänge, Folk und Jazz symbolisieren die Suche nach Geborgenheit und einer neuen Normalität. Brit Pop, Swing, und Rock'n'Roll stehen für den Aufbruch in eine neue Zeit, während Indie Pop, Chamber Pop und sogar ein Hochzeitsmarsch die Hoffnung und das langsame Erblühen neuer Träume musikalisch untermalen. Aber auch die Schatten der Vergangenheit sind noch präsent, eingefangen in melancholischen Balladen, einem traurigen Klavierstück, psychedelischem Folk, spirituellem Hip-Hop, und kraftvollem Post-Rock. Sogar Punkrock findet seinen Platz, um die wiedergewonnene Freiheit und Lebensfreude auszudrücken.

Diese Musik ist ein Klanggemälde der Nachkriegszeit, eine Hommage an den Überlebenswillen, den familiären Zusammenhalt und die Kraft der menschlichen Seele. Sie fängt die Ambivalenz dieser Epoche ein: Die Last der Erinnerung und die gleichzeitige Aufbruchstimmung, die Trauer um das Verlorene und die Hoffnung auf einen Neuanfang.

Musik: Eine musikalische Zeitreise von den 50er Jahren bis in die Gegenwart mit Elementen von Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock und mehr.

Entdecke die musikalische Seele von "Hinter uns das Land"!

Folge mir für mehr Musik zu "Hinter uns das Land"!

Through The Flood and Fear (From the Original Novel Soundtrack)

'Gustos', una canción que se adentra en el mundo lleno de matices de las preferencias y elecciones personales.El concepto de 'gusto' aquí no solo se refiere a lo que nos gusta comer o vestir, sino también a cómo nuestras elecciones, por pequeñas que sean, pueden afectar nuestro bienestar.

GUSTOS

Track's lyrics were written by Badtripp Inc and the music came to be by try and retry for hours the Suno AI. A song about the horrors that changes soldiers: "They don't come back right"

Soldier, universal

Hush 


Verse 1: 

I know it’s been a long time  

I can the hear the rain is falling on your side  

Don’t be afraid. I know I’m too far away. 



Chorus: 

Hush now, don’t you cry.   

Daddies gonna sing you a lullaby tonight 

Hush now, don’t you cry. 

Daddies gonna sing you a lullaby 

 

Verse 2: 

It’ll be alright.  I just called to say goodnight 

Imagine kisses on your cheek, me holding on to you until you’re asleep 

 

Chorus: 

Hush now, don’t you cry.   

Daddies gonna sing you a lullaby tonight 

Hush now, don’t you cry. 

Daddies gonna sing you a lullaby 

 
Bridge 1 

I can feel your pain. I can see it in your eyes. I wish I could take it away every time we say goodbye. 

Bridge 2 

But I’m a thousand miles away.   

I only see you in my dreams. 

And everything has changed.   

And we’re wishing things could have stayed the same 

But I’m a thousand miles away 

I’m a thousand miles away (Repeated) 

I’m a thousand miles away (I’m sorry – Intertwined/overlapping) (Repeated) 

I’m sorry baby.  (Repeated) 

 

Verse 3: 

Your picture on my desk.  Your voice is changing and I’m missing all the rest of you. 

But I could hardly fine the time 

I’m a mess, I’m lost, self-indulgent, and I'm blind 


 
Chorus: 

Hush now, don’t you cry.   

Daddies gonna sing you a lullaby 

Hush now, don’t you cry. 

Daddies gonna sing you a lullaby tonight

Hush

LoNe WolF - "Modern Maverick"

Album: "Avant-Garde" (2025)



Mixed & Mastered By: LoNe WolF





#TheDive #Amped #newmusic

Modern Maverick

Laughter Is Cruel

Long Fuzzy Train

Lyrics:

[Intro]
(PMO Music)
Yeah, yeah—
Uh, yeah—wooh

[Pre-Chorus]
Mami, tú me elevas
Tienes lo que quiero, no hay manera
Tu cuerpo se convirtió en mi bandera
Baby, solo tú en mi radar (Let's go)

[Chorus]
Un ratito contigo, lento yo me quedo dormido
Antes era bueno, ahora soy tu elegido
Contigo quiero más, nunca me doy por vencido
Ellas piden fiesta, pero tú solo quieres conmigo
Nena, eres mi reina, estás jugando conmigo
Me tienes atrapado, y no sé lo que digo (wooh)

[Post-Chorus]
Vente pa' acá, dale jump
No pierdas tiempo, girl, ven, ponte encima ya (yeah)
Vente pa' acá, dale jump
No pierdas tiempo, girl (yeah)

[Verse 1]
Tú juegas sucio, y eso me gusta
Andas misteriosa, eres mi musa
Nos vamos pa' Miami, tengo la excusa
No perdamos tiempo, girl, no pierdas tiempo, girl
Esto no es amor, pero tiene sentido
Veo en tus ojos, tienes lo que pido
Haces que vuele sin tocar el piso
Juntos vamos lejos, ya lo tengo decidido (yeah)

[Chorus]
Un ratito contigo, lento yo me quedo dormido
Antes era bueno, ahora soy tu elegido
Contigo quiero más, nunca me doy por vencido
Ellas piden fiesta, pero tú solo quieres conmigo
Nena, eres mi reina, estás jugando conmigo
Me tienes atrapado, y no sé lo que digo (wooh)

[Post-Chorus]
Vente pa' acá, dale jump
No pierdas tiempo, girl, ven, ponte encima ya (yeah)
Vente pa' acá, dale jump
No pierdas tiempo, girl (yeah)

[Verse 2 ]
Jij bent mijn baby, ik voel me amazing (yeah)
We chillen overseas, dat is onze destination (wooh)
Jouw body gevaarlijk, ik verlies m'n patience
Blijf bij mij, geen twijfel, jij bent m'n fixation (pow)
Ik wil jou verwennen, ja, de sterren gaan we tellen (yeah)
Je kan alles krijgen, hoef je niks meer uit te leggen (wooh)
Ik lees in je ogen, jij bent meer dan even (yeah)
Deze nacht met jou duurt veel langer dan het leven (brrra)

[Pre-Chorus]
Mami, tú me elevas
Tienes lo que quiero, no hay manera
Tu cuerpo se convirtió en mi bandera
Baby, solo tú en mi radar (Let's go)

[Chorus]
Un ratito contigo, lento yo me quedo dormido
Antes era bueno, ahora soy tu elegido
Contigo quiero más, nunca me doy por vencido
Ellas piden fiesta, pero tú solo quieres conmigo
Nena, eres mi reina, estás jugando conmigo
Me tienes atrapado, y no sé lo que digo (wooh)

[Bridge]
En tu piel me pierdo, eres laberinto
Sé que no es casualidad, nena, esto es instinto
Bésame de nuevo, ya lo necesito
En tus curvas, nena, yo quedé adicto (yeah)

[Outro]
Kiki
Baby, ben je freaky? (yeah)
Wat's de dealy vandaag? (Kiki, yeah)
Kiki
Baby, ben je freaky? (wooh)
Wat's de dealy vandaag? (PMO Music)

Sin Permiso [Prod. PMO Music]

In Memory of Chuck Pfrang

Ron Snyder - Vocals; Lead Guitar; Riff Guitar; Slow Rhythm Guitar; Drum Arranger; Producer  
Joe Storino - Vocals; Fretless Bass Guitar
Joe DeBrizzio - Fast Rhythm Guitar (right side)

You Did It Right (Chuck) - Snyder/Storino/DeBrizzio

The Unwritten Rule

10 DO 5

Syante is a Los Angeles-based multi award-winning and charting singer-songwriter known for her evocative pop-rock anthems. Originally from India, she transitioned from a career in computer science as a software engineer to being an artist. Her sound spans across pop, rock, acoustic, and alternative genres, blending feel-good energy with reflective nostalgia.

I write songs.  I'm not a performer any more than I need to be to have my songs heard once in a while. I hope that better musicians than I encounter my songs and decide to play them.  I just write songs to have them exist in the world. If the world likes them then the world can do with them what it will.  All these recordings are demos.  I've tried to make them as musically interesting as I can but they are all awaiting the skilled hand of someone who knows how to make songs shine.

Downhill

Syante

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