Serial is a new podcast from the creators of This American Life, hosted by Sarah Koenig. Serial will follow one story - a true story - over the course of a whole season. We'll follow the plot and characters wherever they take us and we won’t know what happens at the end of the story until we get there, not long before you get there with us. Each week we'll bring you the latest chapter, so it's important to listen in order, starting with Episode 1.

The Last Podcast On The Left covers all the horrors our world has to offer both imagined and real, from demons and slashers to cults and serial killers, The Last Podcast is guaranteed to satisfy your blood lust. 

For over two decades, Atmosphere has maintained a course of rigorous output, releasing over two dozen studio albums, EP’s and collaborative side projects in as many years. In that time, the venerated duo have built a legacy out of bringing honesty, humility and vulnerability to the forefront of their music, continually challenging themselves to evolve without straying too far from their roots. Slug has proven masterful at storytelling and writing compelling narratives, leaving a trail of his own influence while paying homage to the rappers and songwriters that helped shape him. Ant has skillfully molded the soundtracks with inspiration from soul, funk, rock, reggae, and the wizardry of hip-hop’s pioneering DJ’s and producers, creating his own trademark sounds while providing the pulse for songs about life, love, stress and setbacks. At its essence, Atmosphere has been a musical shepherd, and with each new album comes a new journey as they guide generations of listeners through this thing called life.

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

management: jordan@devardmgmt.com

booking:
NA/SA: hunter.williams@caa.com
ROW: roman.trystram@caa.com

Swiss musical mastermind Christian Beat Hirt has been a constant force in the music industry since the 90s. A globally renowned producer and label owner, he launched his Me & My Toothbrush alias in 2013. Dedicating this project to disco and new funk, he fused together organic guitar sounds with analog synths, resulting in a fresh & clean musical blend (giving listeners that real toothbrush feel!) Achieving several Beatport No. 1 tracks, including ‘Get Down, JB!’, ‘Hands Off’, ‘Push The Tempo’, ‘Be Alright’ and ‘Funking Around’, some of his addictive cuts are approaching the 10 million stream mark and have made their way into influential playlists and sets around the globe.

A musician in the truest sense of the word, Christian Beat Hirt boasts over three thousand published compositions and productions, including his GRAMMY-nominated remix with EDX for Charlie Puth’s ‘How Long’ in 2019. Co-producing with the likes of Nora En Pure, EDX and many more, Chris has also been involved in over 500 official remixes for the likes of Camilla Cabello, Tiësto, Tove Lo, Beyoncé, Charlie XCX, David Guetta, to name a few. Mixing and mastering some of the biggest artists in pop and dance music, he has played an essential role in the development of dance culture, and continues to contribute to the scene with his own productions, his Enormous Tunes imprint, and its prolific sub-labels.

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