Original Music By :
https://soundcloud.com/loufaitduson/sanatorium

Axel Kolb - Sanatorium (Senglar New Shoes Rmx)

Ghosts of Christmas

Beat heavy electro-techno track with a chopped up vocal hook.

RedRum

RedЯum

This is first of the four tracks of a new collaboration with my music friend Pete Swinton. I will be re-working some of his tracks from his excellent Butterfly and Ship album.

https://peteswinton.bandcamp.com/album/butterfly-and-ship
This track is a re-work of his track - 01. OSC Sine 63Hz 0dbFS.

It was mixed in the AUM app on my iPad and used  iPad apps such as Hillman Synth, Euclidian, Nembrini Delay, Grand Finale, Fluss and Bleass Chorus.

Butterfly And Ship (with Pete Swinton)  1. Sinyphasia

Im dunklen Tann

EDA BROWN_MAGICAL SOUP CURRY

A long dry spell ended recently with the storm recorded for this piece. As you can hear toward the end, no one was happier to see the rain than the frogs. I recorded the storm and frogs with a Zoom H1n, all synth on this track comes from the Korg Volca Modular with additional delay and reverb via the Korg NTS-1.

Phantom Oscillator - Drought's End

There are some beats here, just for a change. They are made with some silicone membranes whose normal use would be to cover food bowls. Soma ROAT and Aqusmatiq Dedalus Delay add a little of controlled chaos.

≸ }{ P ͣ }{ 42 °•  ⩨

Performed by the Guildhall New Music Ensemble and conducted by James Weeks on 15th July 2015 in Milton Court Concert Hall. 

Alto Flute - Henry Roberts
Clarinet - Stephen Williams
Acoustic Guitar - Matthew Hurley
Mezzo-Soprano - Claire Bournez
Viola - Elisabeth Flett
Piano - Clare Simmonds


Binding is a response to Machaut's Tant doucement, in which Machaut explores a lover's sweet imprisonment through the navigation of the voice around its registral and pitch boundaries, the enclosure of the voice which articulates the text, by the rest of the ensemble, and the repetitive structure of the rondeau. 

Binding uses these ideas as a starting point, however the image is not one of sweet imprisonment but rather of undesired smothering. The vocalist is trapped by the ensemble, straining to rise to the surface and pushing against the fragile yet secure walls of her prison, while the ensemble veils and constricts her. 

Binding

abgrund, for ensemble (2017) 

Lucerne Festival 
KKL Luzern 23.08.2017

Lucerne Festival Alumni Ensemble:
Raoul Cho flute
Tomonori Takeda clarinet
Vitaliy Kyianytsia piano
Bill Solomon percussion
Marina Kifferstein violin
Rachel Koblyakov violin
Francesco Tosco viola
Simon Thompson cello
Juan Díaz double bass
Conducting:
Mehdi Lougraïda

abgrund, for ensemble

Музыка Для Мытья Посуды

Sylvia Lim is a composer based in the UK. Her works are intimate, exploring a small amount of material in depth. She is interested in the materiality of sound, notions of close listening, perception, rawness and instability.

Binding

Sylvia Lim

Related tracks