five years in the making

turn on : tune in : fuck off

No Resolution [prod. The Crowned Crow]

IDKA

Goddamn I'm Thizzin.

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Instrumental produced by The Crowned Crow
Arranged by Lazlo Steele and Dylan Murray
Guitar by River Nason
Trombone by Kyle James Larson
Mixed and Mastered by Lazlo Steele and Dylan Murray at the Dugout Recording House in Olympia, WA

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GDIT [prod. The Crowned Crow]

10/31 - Project #1031 on http://reallifeclickmusic.com/
Produced by Eddie Venom (Co-Pro. Page Turner)

Ang P sets up for his 3rd release of the year, his 2nd with Eddie Venom.

LINKS: 
Twitter.com/AngTheFuture
Instagram.com/AngTheFuture
Facebook.com/AngPMusic
YouTube.com/RealLifeClickTV

Project #1031

Ang P - Daddy's Soul Donut (Prod. Eddie Venom)

Jezebel (prod. by Cameron)

Well that felt good.
Potentially Finished. Needs improved mixing.
feedback is appreciated!

Sick Spirit Dog

An Excerpt from "Masked Racism: Reflections on the Prison Industrial Complex" by Angela Davis published in Colorlines Special Edition: Prison Industrial Complex
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Imprisonment has become the response of first resort to far too many of the social problems that burden people who are ensconced in poverty. These problems often are veiled by being conveniently grouped together under the category “crime” and by the automatic attribution of criminal behavior to people of color. Homelessness, unemployment, drug addiction, mental illness, and illiteracy are only a few of the problems that disappear from public view when the human beings contending with them are relegated to cages.

Prisons thus perform a feat of magic. Or rather the people who continually vote in new prison bonds and tacitly assent to a proliferating network of prisons and jails have been tricked into believing in the magic of imprisonment. But prisons do not disappear problems, they disappear human beings. And the practice of disappearing vast numbers of people from poor, immigrant, and racially marginalized communities has literally become big business.

The seeming effortlessness of magic always conceals an enormous amount of behind-the-scenes work. When prisons disappear human beings in order to convey the illusion of solving social problems, penal infrastructures must be created to accommodate a rapidly swelling population of caged people. Goods and services must be provided to keep imprisoned populations alive. Sometimes these populations must be kept busy and at other times -- particularly in repressive super-maximum prisons and in INS detention centers -- they must be deprived of virtually all meaningful activity. Vast numbers of handcuffed and shackled people are moved across state borders as they are transferred from one state or federal prison to another.

All this work, which used to be the primary province of government, is now also performed by private corporations, whose links to government in the field of what is euphemistically called “corrections” resonate dangerously with the military industrial complex. The dividends that accrue from investment in the punishment industry, like those that accrue from investment in weapons production, only amount to social destruction. Taking into account the structural similarities and profitability of business-government linkages in the realms of military production and public punishment, the expanding penal system can now be characterized as a “prison industrial complex.”

The Color of Imprisonment

Almost two million people are currently locked up in the immense network of U.S. prisons and jails. More than 70 percent of the imprisoned population are people of color. It is rarely acknowledged that the fastest growing group of prisoners are black women and that Native American prisoners are the largest group per capita. Approximately five million people -- including those on probation and parole -- are directly under the surveillance of the criminal justice system.

Three decades ago, the imprisoned population was approximately one-eighth its current size. While women still constitute a relatively small percentage of people behind bars, today the number of incarcerated women in California alone is almost twice what the nationwide women’s prison population was in 1970. According to Elliott Currie, “[t]he prison has become a looming presence in our society to an extent unparalleled in our history -- or that of any other industrial democracy. Short of major wars, mass incarceration has been the most thoroughly implemented government social program of our time.”

...

(Full article can be found at: http://www.colorlines.com/articles/masked-racism-reflections-prison-industrial-complex)

Guantanameros

Here is a New Bodiez Record For you guy's that have been waiting! Zach Harms made the beat, shout out to him, and DL Murray for making this track sound clean! Hope Ya'll enjoy this one! Catch these fuckboys "LACKIN" #BodieBoyz Share, Comment, Like, Follow, ROCK With The TEAM!! Come see us live on Jan. 12th, 2017! Much love to all that been rockin with us. Stay tuned, more cutt's on the way! #AstralBodiezxDL
ZACH HARMS' SOUNCLOUD: https://soundcloud.com/zacheryharms
DL MURRAY's SOUNDCLOUD https://soundcloud.com/dl-murray

LACKIN' - WalteR x iLL-USiON x CANBiNO x DL Murray [Prod. by Zach Harms]

Hole In The Head - DL Murray ft Astral Bodiez [prod. DL Murray]

The Prelude to Vibes And Dreams

DOWNLOAD "BRIBES AND SCHEMES" @ http://VibesAndDreams.com
https://goo.gl/dEzvVC
(Free for a limited time only!

Download

Suspended (ft. WalteR, DL Murray) (Prod. Page Turner)

Post-Lit Death Arousal. Dandruff Music. Dad Rap.

All Inquiries: outfieldrecords@gmail.com

GDIT [prod. The Crowned Crow]

Syncopated Knock

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