2019 Spring / Summer

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Zilk Road album: Track 01


Artists in the tags have not participated in doing these tunes (unless stated otherwise above), I listed them because they have given inspiration, influence or because there is some common elements.

Zilk Road

Arabian Magic

Chapping on the door to wake me, YOU CUNT. 
I have been waiting here all night. 
You could've picked me up. 
Oh, she had more "strings" to her did she? She can fuck off, am telling you.
I don't wanna hear about her ways. 
You know you love it this way, get a grip and hold my neck. 
Make it dirty baby. Make me throb. 
Like when we first met. 

Read more at: http://www.theransomnote.co.uk/music/premieres-exclusive-streams/premiere-cabaret-nocturne-blind-trust/

MORE INFO

PREMIERE: Cabaret Nocturne - Blind Trust

Taken from the Hypnagogia EP (split 12" with Dopplereffekt) on Leisure System from 2014

Hypnagogia EP

Buy on Bandcamp

Ganzfeld

Here at Dekmantel we are a big fan of Berlin based Brit Objekt. Evidence: you will see him play our festival in Amsterdam as well as Lente Kabinet, and then Dekmantel Selectors in Croatia. And right now, the man known for his unrivalled technical nous is in a fine run of form. His recent, self-released EP is another testament to his ability to skew house, techno and breaks into his own imaginative forms. Following on from releases on Hessle Audio, Bleep and an album on PAN, it is another boon in his fine discography. 

And he is just as impressive across a 90 plus minute selection for us: it finds him serving up a cavernous world of intricate and hi fidelity sounds that are abstract and unusual. Moving through sparse minimal soundscapes into pummelling but atmospheric drum tracks and on to jungle, dub and experimental worldly rhythms, it is a wildly compelling and singular selection filled with unusual sounds that often leaving you wondering WTF?!

Dekmantel Podcast 116 - Objekt

A Movie That Will Never Be Shown

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Solo Quiero feat. Pedrina

Mindstorm

The town was derelict, not even a murmur could be heard throughout the cobbled streets. Ominous grey clouds loomed overhead casting an eerie shadow over the buildings. The street lamps flickered unnervingly, in brief flashes they illuminated colourful shop fronts and striped parasols. This place had once been full of life, a place where people had come to escape the stresses of every day life. But now everything had changed. Something had been here and it had taken all signs of civilisation with it.

After releasing on Frits Wentink’s Bobby Donny label and Dirt Crew Recordings, Icelandic producer Felix Leifur brings four tracks of hazy deep electronics to BROT01, the first in a trilogy of releases on Reykjavik-based label Lagaffe Tales.

PREMIERE: Felix Leifur - Brot 4 [Lagaffe Tales]

READ > https://inverted-audio.com/premiere-lauer-fanta-korn-tanker

Inaugurated nine years ago with a quartet of VAs, Dresden-based imprint @uncanny-valley-dresden return to the compilation format to celebrate their 50th release. Split over seven EPs, the series kicks off with 'Uncanny Valley 50.1', a four-tracker featuring music from Lauer, James Booth, Sandrow M & Will Dubner and Jules Etienne.

Uncanny Valley 50.1 

Lauer - Fanta Korn Tanker [Uncanny Valley]

Adam invites no other than the very special, very talented DOS for an extremely intimate session of dancefloor killers.

@adam_bfd
@dosmusicaut

Adam Invites: DOS (15/03/19)

The Populists AKA Yan Wagner "Belgian Trip EP" is OUT NOW

"What to say? this is a New Beat masterpiece, simply an instant classic ! Yes there's that track you heard at Dekmantel festival last year played by Identified Patient etc... ;) "

Buy vinyl : https://detritirecords.bigcartel.com/product/the-populists-aka-yan-wagner-belgian-trip
Digital : https://detritirecords.bandcamp.com/album/the-populists-aka-yan-wagner-belgian-trip

LISTEN ON YOUTUBE

PREMIERE : Bagarre - Le Gouffre (Yan Wagner aka The Populists Belgian Trip Club Edit)

From the EP 'Odyssey'
Release date : 12th April 
Pre-order link : lnk.to/CosmonectionOdyssey

This new maxi from the Parisian producer presents an ever more mature sound universe by confirming its attachment to a deep house sound with many Balearic euphoria influences and a more retro-futuristic approach, synthesized with hushed melodies and warm afro rhythms.

Artist : @soundcloud.com/cosmonection
www.facebook.com/Cosmonection/
www.instagram.com/cosmonection/

Label : @soundcloud.com/pontneuf
www.facebook.com/pontneufrecords/
www.instagram.com/pontneufrecords/

Premiere : Cosmonection - Midnight (Feat. Gystere)[Pont Neuf Records]

Recorded live at the Bleep × store in Dalston 3rd February 2019.

https://bleep.com/bleep--warp-records--plaid--3rd-february-2019

The Warp Records Bleep × takeover marked the last event at our pop-up shop in Dalston. Mira Calix, Plaid and Special Request all delivered sets that were energetic, playful and ultimately; incredibly fun. This mix from Plaid starts from the off at 100% and stays there till the end. From the first kickdrum to the final squelch, this is a constant roller bursting with heart palpitating energy.  60 minutes of pure vibrancy with a breakbeat or two thrown in for good measure - fitting for a final big blow out!

No frills or faff about this set, just banger after glorious banger from Warp kingpins.

@warp-records

Bleep × Warp Records - Plaid - 3rd February 2019

Yo👊 We’re on air with a very special mix from London-based producer @kanyalang 🔥 Expect nothing but the truthiest of Truth in this absolute fire selection of geezered up lesson in future experimental club music😇🙏 Enjoy💕

kanyalang!

@cursesforever

What a year it has been for Curses, in October of last year he released his debut album on Dischi Autunno, and has since released on Wrong Era and Tusk Wax. 

Alongside releasing a growing number of powerful productions, Curses is also playing week in week out as both a DJ and as a live act, weaving between darker disco, EBM and post punk influenced tracks. 

His distinctly dark sound can be heard throughout this mix. With his own productions scattered throughout, we are given a look into what you can expect from a party with Curses. 

Tracklist 
1. Curses - Surrender (EGeist_SPepeRemix)
2. Marcello Giordani -Improvvisamente (In the Night)
3. BOTTIN - Roger Bacon
4. Leonor- Zor (Original Mix)
5. Mugwump - At The Front- Rawakari voiceKoder 
6. Dirt Track - Khabiar (Mufti Remix)
7. Theus Mago - Ella (Curses Smoking Lights Dub)
8. ANDREAS RUND - IGNORANT (ORIGINAL MIX) 
9. Nine Inch Nails - Sanctified (Instrumental)
10. Pletnev - My Word Against Yours (Sascha Funke Remix)
11. Vox Low - Now We're Ready To Spend (1981 91 Vox Low Remix)
12. Curses - RUNDFUNK
13. Csk_Flashback (Original_Mix)
14. Forty Fings Dynamo - Citic Acid
15. Iñigo Vontier - Justus
16. Age Is A Box - One by One (Curses Remix Dub)
17. Clan of Xymox - Scum
18. ALBERT ONE - Secrets (Bonus Beats)
19. BOY HARSHER - Fate 
20. Jason Peters - Finding Space (Sunmantra Remix)
21. Roe Deers -  Tibiditibidah
22. Belinda Hoover - I Like That In You (dub version)
23. Tulioxi - Corsica In Agosto (Original Mix)
24. Dog.ma - WARRIORS
25. Concret & TYU - Black, Blue, Yellow, Green (Original Mix)
26. Undo - Espacio Sideral (Curses XTC 4EVER N EVER MIX)

People & Places 013: Curses

Bandcamp

Kirfiklere (JackWasFaster Edit)

To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of “kaizen” a workmanlike, incremental improvement.

Leopoldo Rosa's debut for Acid Test is the producer's first album in  eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro. 

He applies all these patient lessons on “Bucket Of Eggs”, the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.  

About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert—"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.

On initial contact, Lerosa's “Bucket Of Eggs” feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination.

Distributed by Wordandsound

2019 Spring / Summer

Synsei