You know it is there. In the relations, in the absence, or the excess. A sensuous, intuitive kind of logic. You know the wrong too. At least for you, the not straightforward romantic (#TNSR). Ho.

#TNSR (The Not Straightforward Romantic)--- SynTalk Album

SynTalk thinks about the ontological (mind independent) aspects of Beauty and aesthetics in areas such as mathematics, arts, poetry, literature, music, sculpture, and photography, while constantly pondering whether Beauty is important. The historicity and present status of Beauty is discussed in contexts of intuition, justice, goodness, religion, and boredom. In a sense the conversation follows the opposite of phenomenological / epistemological conception of ‘beauty lies in the eyes of the beholder’. The concepts are derived off / from Advaita, Zen / Buddhism, Pythagoras, Plato, Aristotle, Longinus, Ockham, Descartes, Kant, Gauss, Goethe, Schiller, Jane Austen, Weber, Coomaraswamy, Raja Rao, Tagore, Walter Benjamin, Einstein, Sri Aurobindo, Derrida, Cartier-Bresson, Nisargadatta, Warhol, and Eliot, among others. We also discuss if there are mathematical analogies to Beauty. How does the human spirit embody itself in art (say, ‘scraptures’)? What is the role of aesthetic training? When & why does boredom set in? What is an aesthetic emotion? What is the role of ‘surprise’? The SynTalkrs are: Yaron Barzilay (philosophy, New Acropolis, Mumbai), Arzan Khambatta (sculpture, Mumbai), Prof. Makarand Paranjape (literature, JNU, New Delhi), & Prof. Dipendra Prasad (mathematics, TIFR, Mumbai)

#TOOB (The Ontology Of Beauty) --- SynTalk

SynTalk thinks about the deep historical and ongoing interrelationships between (the all pervasive & incessantly productive) images, and concepts & words. We make the widely sweeping journey from ancient rock art to the Coca-Cola logo to images on monitors in hospitals, to possible futures (say) a 1000 years out. The concepts are derived off / from ‘Lingo Dev’, Aristotle, Hippodamus of Miletus, Freud, Saussure, Peirce, Derrida, Foucault, Le Corbusier, McLuhan, Debord, & Baudrillard, among others. Can concepts or conceptual entities come to be without language? What are the links between rock art, and speech, script, words, entoptic phenomena, induced phosphene images, catenary curves, ‘scene of experience’, & language? Do 100,000+ years old rock arts provide a promising clue to how meaning gradually emerged from the pre-conceptual pre-representational ‘cauldron’? Are letters and pictures interchangeable, and have they always been so? How images come from very ancient times and how they thrust forward from without and from within? Do we dream in images? Is there any logo which is non iconic? How the core pursuit of advertising is to give form to an abstraction. How does advertising tackle different media, & how an advertisement in the print necessarily needs to be ‘processed in the mind’? How do you create the concept of ‘Friday dressing’? How Jarawas (from Andamans) have come to use words from English or Hindi. Does extinction of languages lead to death of concepts, & the attendant phenomena of amnesia and aphasia? We discuss Egyptian, Mesopotamian, Phoenician, Greek, & Chinese scripts. How icons (& further images, diagrams & metaphors), index & symbols are different from each other? How is a notion different from a concept? Is there conflict and cooperation always at play between images (of say, Batman, Hanuman, Manga, or Anime), & are images conquering the world? Where do specters and ghosts come from? Is there an incessant mass-ification of images (via ‘procession of the simulacra’) ongoing and ahead of us, & are images the long term future of language? Are images & meanings going to be increasingly crowd sourced in the future? Is a technology-driven ‘master narrative’ taking over the visual arts, cities, & forests, and is the ‘visual landscape’ shrinking? The SynTalkrs are: Dr. K. K. Chakravarty (art, public administration, Lalit Kala Akademi, Delhi), Santosh Desai (advertising, strategy, Futurebrands, ex-McCann-Erickson, Delhi), & Prof. Franson D. Manjali (semiotics, interdisciplinary, JNU, Delhi).

#TICAW (The Images Concepts And Words) --- SynTalk

What happened in the 6th century BCE? Can a non-human (robot? dog?) have a soul? Does God’s time move from the past to the future? Is the present, in a sense, always avant-garde? How are bureaucratic orders made to perpetuate in time? How does a common person today understand the yugas? Who has the ‘need’ to think about the future? How are different time periods squeezed into a single register in art? Why do we invoke ramrajya? Do ideal types constrain how far (& ‘how’) one can think of the future? What did women joining the Buddhist sanghas (not) cause? Could science fiction become a historical artefact? Is a ‘genius’ science fiction writer akin to a ‘genius’ scientist? Is religion all about survival? Are religion, art and politics interwoven in the pharaoh? Are the pyramids, megaliths, Stonehenge, & the Chinese burial pits for the immediate afterlife of the dead or the future of those later alive? Are genealogies often invented? Is there a part of us that ‘needs’ to believe? Do we wish that the future were pre-ordained? Do we inhabit multiple temporalities? &, when is the messiah coming (back)? SynTalk thinks about these & more questions using ideas from art history (Dr. Shailka Mishra, Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad), theology (Prof. Ori Z. Soltes, Georgetown University, Washington DC), & ancient history (Dr. Meera Visvanathan, Shiv Nadar University, Greater Noida). Listen in...

#TSOFF (The Susurrus Of Former Futures) --- SynTalk

How ‘deep’ would a 1,000 years be? Is all space place? How do use, identity, value, law, power, or (‘imaginative’) memory hold them together? Do we live in layers? Are all human beings historical? Are all places relational? How do ‘material’ cultures of the past enable excavation sites to be dated? Where do ghosts and Gods live? Do all humans think of a place the same way? Can power structures lead to discursive spaces becoming material ‘reality’? What is the wilderness for you? Do you follow official maps? Do you know the seating configuration of the people you are hearing just now? What was below the Mosque? Is land a fictitious commodity? Is it possible to have an affective relationship with a property without having a legal claim? When is a place abandoned? How does a community disintegrate? Could long standing customary rights co-exist with legal rights? Is Law fiction? Are most relational boundaries always in a state of flux? Do leopards also want to take it easy? & How will we interpret our linkages and places in the future – would all space be propertied, financialized & commodified? SynTalk thinks about these & more questions using ideas from anthropology & film-making (Prof. Ashish Avikunthak, The University of Rhode Island, Kingston), human ecology (Prof. Asmita Kabra, Ambedkar University, New Delhi), & history (Prof. Anindita Mukhopadhyay, University of Hyderabad, Hyderabad). Listen in...

#TPOP (The Production Of Places) --- SynTalk

SynTalk thinks about the disenchantment of the world, & wonders if it is possible for there to be multiple metaphysics for the connection between human beings and nature. Is there always something in excess of what we know & experience? We discuss disenchantment and re-enchantment via contexts of boredom, capitalism, death, art, lullabies, adivasis, rag-picking, '​tuning of a tanpura​'​, pilgrimages, sparrows, ‘a tree growing’​, & more​. The concepts are derived off / from Kant, Marx, Weber, Adorno, Heidegger, Walter Benjamin, Dagar Brothers, & Bhimsen Joshi, among others. Is disenchantment necessarily morally pessimistic? ​How has the desire to create one's own reality and the 'cult of certainty' impacted the possibility of multiple realities & (sometimes) ‘non-epistemic’ routes? Is the disenchanted route almost always a ‘personal’ choice or is it an unequal battle? Is boredom a result of thinking about life in ‘just’ one way? Is one man’s enchantment another man’s bicycle? How disenchantment is an outcome (potentially) of the ascendancy of theory over observation? Is the process of re-enchantment also often compatible with the logic of capitalism, and how it is possible to live a partly liminal life? Can art still say something that truly surprises us? Is it even possible to interrogate the dominant logic of describing the world? Can an enchanted world be substituted, bought, or bracketed by something else? Is the digital world a source of enchantment? Why are we afraid of getting bored? How a ‘2-person system’ is the basic instrument for re-enchantment. Is it possible to imagine a world where every logic is not subservient to the logic of the economy? Is it possible to think of a life which is neither controlled by the State nor entirely vanquished by death? Do we have to take our death less seriously? The SynTalkrs are: Prof. Bishnu Mohapatra (social theory, poetry, Azim Premji University, Bangalore), & Prof. Milind Sohoni (computer science, technology & development, IITB, Mumbai).

#TREM (The (Re)Enchantment Machine) --- SynTalk

How do the disposable get marked out? Which institutions have cognitive control over you? How do you develop railways in Argentina? Who changes institutions? Is it always from ‘within’? Do institutions help us with the ‘higher order’ decisions? Are military, markets, prisons, families, religions, borders, languages, & villages coercive in the same way? Are prisons (in reality) chaotic? What’s the price of joining an institution? Is there conformity of opinion around you? Do religions evolve? How do you think of the family? Do institutionalization and socialization go hand in hand? ‘When’ do markets need to be regulated? Are cryptocurrencies really a counter-current?  Does our continuous search for meaning gives Religion its power? Do universities live longer than political organizations? What are universities from the perspective of the dropout? Does the world need one anchor currency? Can algorithms be inclusive of local issues? Have institutions, thus far, been spatially bound? What would planetary scale institutions look like in the future? ‘How’ are the marginal voices to be heard? &, are nation states the best institutional form for the modern world? SynTalk thinks about these & more questions using ideas from sociology (Prof. Mahuya Bandyopadhyay, IIT Delhi, New Delhi), economics (Prof. A. Damodaran, IIM Bangalore, Bangalore), & history (Prof. Srinath Raghavan, Ashoka University, Delhi (NCR)). Listen in...

#TOOI (The Order Of Institutions) --- SynTalk

What do you expect to see on windy islands? Can you soar? Are there a finite number of ways of flying? Did we glide before flying? Do birds & insects fly like planes, & vice versa? How are the lift-off forces and moments generated? Was the Wright Flyer I (which made the first sustained manned flight in 1903) actually a very bad design? Do flies fly merely by seeing? Are wings thermo-regulatory devices? Why has flying evolved several times across different species? How many times of its own weight can flying structures take? How should flying carpets be made? Does it matter to the moth what the value of ‘g’ is? How might dragonfly wingspan change with atmospheric oxygen content? Can airplanes fly like sharks swim? Why shiver? How are/would the helicopters that fly on Mars (be) different? How will a balloon inflate on Venus? Are biological flyers far more efficient than the human engineered ones – how? Do birds and insects of the same size fly similarly? How are unmanned and manned systems different? Why don’t we have faster commercial flights (given they are possible)? Can one expect to see new ways and manners of flying? Will we ‘fly’ to Mars at some point? &, is there still a lot of ground to cover? SynTalk thinks about these & more questions using ideas from aeronautical engineering (Prof. Rajkumar Pant, IIT Bombay, Mumbai), & neurobiology & physiology (Prof. Sanjay Sane, NCBS, Bangalore). Listen in...

#TGFF (The Grounds For Flight) --- SynTalk

Are you a lobby strategist? Do you negotiate with yourself? Which taste group do you belong to? What are you allowed to see? Do you pay to publish? Do the algorithms that serve you change with you? How are counterpublics generated? Is society constantly transforming itself? What role does capital play? Does media influence human rationality? Are you able to tell real discourse and propaganda apart? Was there ‘public opinion’ (say) a 1000 years ago? Does public sphere have capitalistic roots? What happens to niche ideas in an information supermarket? Are newspapers opinion ‘takers’? Have most modern societies moved from being axiomatic to algorithmic? Can one have societies without a moral discourse? What happens to our base instincts? Do you have the ability of have your own individual opinion? However, are niche morals undesirable? Do ads serve a symbolic norm-making function as well? ‘How’ do you go after your ‘target’ audience? Is it alright if mass media becomes ‘hyper personal’? Is the public just a sum of the all the individual echo chambers? &, what is the kind of public that we want? SynTalk thinks about these & more questions using ideas from philosophy (Dr. Muzaffar Ali Malla, Islamic University of Science and Technology (IUST), Avantipura (J&K)), social sciences (Prof. Narendar Pani, NIAS, Bangalore), & media studies (Dr. Vibodh Parthasarathi, Jamia Millia Islamia, Delhi). Listen in...

#TOOP (The Oxygen Of Publicity) --- SynTalk

SynTalk thinks about the (sometimes?) subterranean world of things, and wonders how the world might look from the standpoint of the Thing. We also tentatively wonder if things indeed have a social life, and if the composite affair of thingness is highly linked to the notion of permanence. The concepts are derived off / from Akka Mahadevi, Rumi, Marx, Coomaraswamy, Heidegger, Adorno, Thomsen, Derrida, Jane Bennett, Maturana, Varela, Bruno Latour, & Bill Brown, among others. What (if any) is the difference between an object and a thing, and can one think of it using the framework of phase transition (& change of property)? Is materiality the primary level of reality? What is it like to be a thing from the past (when one looks at an archaeological artifact)? How a thing cannot avoid being involved in history, & there being a ‘historical ontology’ of things. Can we even posit ‘thinghood’ to something that existed before we existed? Does a water bottle have a meaning in itself? What does it mean to be a solid? Is the pyramid (today) an object or a thing? Is the distinction between a thing and ‘the elemental’ more interesting? Does the object always need a subject (with language & semantics)? Is the integrity or singularity of a thing always porous? Is it highly likely that the self organizing tendency of matter serves a social function? Does this provide a clue that things may in fact have a social life? How (& why) did inanimate (inorganic) matter create human beings, and whether we are likely to be recreated (sooner) by things left behind were we to go extinct? Does every thing get to be objectified? The links between rubber, ~23% beta bronze, atoms, CD ROMs, stainless steel, crystals, Challenger disaster, birds, robots, lotus leaves, & nano materials. ‘Why we should weld but the welding should not be seen’? In what sense is a poem a thing? ‘I died as a mineral and became a plant…’. The SynTalkrs are: Prof. Pushan Ayyub (material sciences, TIFR, Mumbai), Prof. Stathis Gourgouris (philosophy, literature, Columbia University, New York), & Prof. Sharada Srinivasan (archaeology, dance, NIAS, IISc, Bangalore).

#TROT (The Realm Of Things) --- SynTalk

Do you have neanderthal DNA? Is your body your identity? What makes the knowledge of death possible when no one alive has experienced it first hand? How does dying feel? What are your schemas for understanding death? Is death the default, & it is life that happens occasionally? Does a cell know when it ought to die? When is an organism dead? When can we not dream? Can (certain) tissues and organs regenerate? What are the biochemical reactions a response to? What does oxygen do? Does the concept of death make control over others possible? Can we reverse death itself? What is the 'location' of a person? Do all cells come from other living cells? Or, can cells be created artificially from scratch? Is the body inferior to atman? Intrinsically, is everything conscious? Why do we see matter around if it's all one consciousness? Is Higg's boson dead? Do the cells need to divide to avoid death? Is dying like falling in deep sleep, & do we therefore die everyday? How does structure and order reproduce? What did you inherit from your mother at birth? Can dead mammoths be resurrected? &, will we have the power to create varied artificial life in the future with genome writing? SynTalk thinks about these & more questions using ideas from philosophy of science (Prof. G. Nagarjuna, IISER, Pune), theology (Swami Narasimhananda, Ramakrishna Mission Sevashrama, Kozhikode), & genomic sciences (Prof. Binay Panda, JNU, New Delhi).

#TDAG (The Dead And Gone) --- SynTalk

SynTalk thinks about different facets of music, including its ever changing relationship with ‘place’ and time. We explore how blocks of noise, sound, consonants, melody, & ‘intention’ come together to create music. How does music exploit the spatial dimension? How does the envelope of quality (timbre) emerge? The concepts are derived off / from Panini, Kant, Bakhtin, Chomsky, Kumar Gandharva, Bismillah Khan, Alladiya Khan, Aminuddin Dagar, & Ashok Ranade, among others. Are sounds (& music) merely vibrations? Are the underlying chronotopes of (say) Dhrupad, Khayal, or Thumri different in ‘a certain way’ (a la Epic and the Novel)? Do musical gharanas (styles) named after places have anything to do with them? Is it possible to tacitly learn music (including the ragas) from the environment? Does music have an internal grammar? How music is both instinctive and cultural. What is the role of imitation? Does music live in our experience, and what / where then is music for animals & plants? The varying priorities accorded to melody and lyrics in folk & classical music. Does folk music always have a performative function? Why are instruments closer to human voice (created by God himself(?)) considered superior (like sarangi over violin?)? Why instrumental music has rarely had a solo repertoire? Are we an instrument ourselves. Why (if at all) is art music special, & how is its aesthetic different from other genres? Why / how do different stringed instruments sound different? Is human voice also a medium (instrument)? The links between beating, mongoose, bowing, crows, plucking, peacocks, blowing, music, bird song, heavy metal, & Bhendi Bazaar. How / why is the place uprooted (say Sufi music from Tunisia) and brought to a performance space? Is music first for the musician? Is it possible to easily distinguish electronic sounds from the natural? Is there a certain quality (timbre) to EDM as well? The irony of tuning the tanpura electronically (shruti box). The SynTalkrs are: Prof. Milind Malshe (literature, aesthetics, IITB, Mumbai), Dr. Suvarnalata Rao (musicology, NCPA, Mumbai), & Dr. Subroto Mihir Roy (music (Dhrupad), Pune).

#TPOM (The Place Of Music) --- SynTalk

How do you look at women? Do Goddesses follow Gods? Is the ultimate Reality an ‘It’? What’s the relationship between matter and energy? Are dualities necessarily conflictual? Is Eve inferior to Adam? Where do the Cosmos and the Body intersect? How did the sacred geography of the subcontinent evolve? Do Goddesses have an influence on the lives of men (& kings) & women? Where/how did patriarchy exist? How did Ramabai become Pandita Ramabai? What did the colonial encounter do to the archetypes of Goddesses? How did the early literary women appropriate the Goddesses? Is (only) education responsible for empowerment? Is Vishnu’s primal inner energy essentially female? Who is capable of hedonistic bloodlust? What invoked the wrath of Nanda Devi? Are male and female in a union like speech and meaning? What is evil? Or, dirty? Did women have a voice in pre-Colonial ‘India’? What are your models for feminism? How do courtesans become poet saints and Goddesses? How did the tribal women of India ‘transform a priest’? What might indigenous feminism look like? &, what is the future of the several goddesses & the little (folk) traditions? SynTalk thinks about these & more questions using ideas from cultural studies (Prof. Sachidananda Mohanty, IIAS, Shimla), Dr. M.D. Muthukumaraswamy (folklore studies, Chennai) & Sanskrit studies (Dr. Bihani Sarkar, Lancaster University, Lancaster). Listen in...

#TGIP (The Goddesses In Particular) --- SynTalk

SynTalk thinks about narratives & stories, while constantly wondering whether it is the stories that ‘make us up’ and give us our self-hood. We delve into the worlds of literature, film making, video games, philosophy, cognitive sciences, and linguistics to explore why & how we tell & understand stories. The concepts are derived off / from Aristotle, Coleridge, Diderot, Georges Polti, Hitchcock, Labov, E M Forster, Lumière brothers, de Beauvoir, Augusto Boal, Chomsky, Salim-Javed, David Lodge, & Dennett, among others. How identity, time, memory, & emotions are knotted together by fiction. Is story telling like a flight simulator, with most of the rewards but none of the risk? How narratives however, are not synonymous with fiction and, cover both fact & fiction. Do we remember narratively, & create causal links (with mnemonic durability) between the past, present and the possible futures? The difference of a story from a (film) script, & the importance of the dramatic centre? Is narrative experience a (playful) exploration of the space of possibilities – i.e., is all fiction a game? How incompleteness is also a valid possibility in narratives. Why are morals so critical in any satisfying story? How important is it to have a sense of the ending, & how can one return the narrative time to the present? And, in the face of the crisis of our death, is our life more like episodic TV serials, rather than a Greek tragedy? Is lying or cheating a related ability to telling stories? Are stories (video games) more about tying (dying) and untying (undying)? Are there cultures without stories? How there are real physiological reactions and a willing suspension of disbelief on seeing (say) a film in a dark theatre. How can a screenwriter be moved to tears by her own story? Why can’t there be stories without characters or emotions? Are there only a finite number of plots or narratives? What do you see when you look into the mirror in a first-person shooter game? Is there a serial killer inside you? The links between ‘queen died’, 36, spect-actor, chaos, Gilgamesh, Spiderman, Flower, Lagaan, Alzheimer’s, Max Payne, jumping over the chair, alienation, Psycho Mantis, & cheat codes. How are we able to create stories, but are not able to count the number of words in our head? Is social reality the most fictionalized, & is monologue always secondary to collaborative dialogue in story telling? Why aren’t video games laugh-out-aloud funny, & does it have anything to do with the fact that you can’t tickle yourself? Is the future of fiction likely to involve a range of affects & small scale emotions? Can the story strike back at the player (or the reader)? The SynTalkrs are: Dr. Souvik Mukherjee (game studies, literature, Presidency University, Kolkata), Prof. Rukmini Bhaya Nair (linguistics, narrative theory, IIT Delhi, New Delhi), & Anjum Rajabali (screenwriting, Mumbai).

#TSOF (The Scope Of Fiction) --- SynTalk

How many meals do you have time for? Why do sweets make you happy? Does fruit sugar (fructose) need insulin? Why does sugar spike? Are oranges and grapes differently sweet? Has sugar always been a transnational commodity? How did Europe get sugar? How did the first sweet shops come up? How did we end up milking animals? Is time the fourth factor in nutrition? Are apples autochthonously sweet? Do sweet making techniques travel easily? What travels first – people or food? What does grinding do to grains? Where do you get your samosas and croissants? Does your tea have blood in it? Is your diet carbohydrate heavy? Might you crave ‘more’ food if you consume less sweets? What has the relatively recent non-seasonal abundance done to human bodies? Have our metabolic systems evolved to fight abundance as well as scarcity? Do all blood pressure patients need to restrict salt? How important is the sensation of sweetness? What exactly do sugar-free sweets do? What is monk fruit’s future? Is greater industrialization of our food systems inevitable? &, would sweets continue to embody the spirit of indulgence (& excess) in the future? SynTalk thinks about these & more questions using ideas from endocrinology (Dr. Hemraj B. Chandalia, Jaslok Hospital, Mumbai), culinary anthropology (Dr. Kurush F. Dalal, Gyaan Factory, Mumbai) & sociology (Dr. Ishita Dey, South Asian University (SAU), New Delhi). Listen in...

#TEST (The Entangled Sweet Tooth) --- SynTalk

Are you a born criminal? Is genocide ever justified? Is meritocracy a ‘garbage’ concept? What are the entitlements that you have by virtue of being a human being? Do rights exist because the State exists, & vice versa? Are rights sometimes anti norms? Do nomadic and sedentary societies think differently of rights? Are rights always a product of struggle? Are you 42 and a communist? Are all rights inter-related? Can the right to dignity be limited? What gets transmitted across generations? Are the normative social structures of the past in our prefrontal cortex today? Does reservation come under the framework of equality? What are a prisoner’s rights? Does it suit us to have certain sections of people stigmatised? Must social, political & economic rights go hand in hand? Can societies be changed without economic incentives? Is West Africa still scarred by slave trade? Can historical recompensation be done forever? Do you have a present bias? When are gender points a good idea? What makes rights effective - is this scale dependent? Why is Geneva Convention not always enforceable? Which rights are non-derogable? &, what are the rights of the next generation today? SynTalk thinks about these & more questions using ideas from economics (Prof. Sujoy Chakravarty, JNU, New Delhi), history (Prof. Ajay Dandekar, Shiv Nadar University, Delhi-NCR) & law (Prof. Arvind Narrain, NLSIU, Bangalore). Listen in...

#TEOR (The Effects Of Rights) --- SynTalk

Are our brains log-normal? Why is breathing rhythmic? Why is there a hum in the universe? Do our hearts beat chaotically? Are the (stock) markets random and ‘unbounded’? What is a market? How is Mercury perturbed? What has sleep-wake cycles? Must you go up and down with the sun? What causes whirlpools in a smooth flowing river? Where do rhythms reside? Is there an equivalent of homeostasis in the markets? What is your sigh rate just now? Are you depressed? Could you move fast, vocalize, eat and breathe at the same time? Why do we hyperventilate when we are anxious? Is there phase lock-in between (say) moving and (quantized) breathing? What role do feedback loops or self organization play in regulating complex systems? Do risks become more systemic in a complex & connected world? Why are flight transportation systems more easily perturbed than bio-physical systems? In general, are emergent systems less easily perturbed? How is degeneracy different from redundancy? How do certain monks (?) go without breathing for a few hours? Do order and disorder lie on the same continuum? &, must we always build bottom-up? SynTalk thinks about these & more questions using ideas from neuroscience (Dr. Sufyan Ashhad, NCBS, Bangalore), econophysics (Prof. Anirban Chakraborti, JNU, New Delhi) & philosophy (Rev. Fr. Dr. Mathew Chandrankunnel, JIS University, Kolkata). Listen in...

#TRAP (The Rhythms And Perturbations) --- SynTalk

f(q) = Is soil a definitive sign of life? (#TCAFG)

SynTalk is a freewheeling interdisciplinary talk show with a philosophical approach to understanding the world from a long term perspective.

#TSOF (The Scope Of Fiction) --- SynTalk

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