nth S Warm loop—fits a music browsing mood- mute-fuse

Deep house, melodic techno, 2025 house, dancing music.
created by more productions

other's

Bass-heavy mix of my playful French House track mixing languages and desire over distorted bass-lines. Two girls, one cupcake—"Un gâteau pour nous deux." Layered vocal harmonies drive the sweet competition: "La gourmandise makes us do bad things." Four-on-the-floor beats fuel this sugary rush of late-night indulgence and frosting wars.

🧁 #frenchhouse #housemusic #electronicmusic #synth #dancemusic #french #fun #suno #sunoai

Join me on Suno and make your own favorite songs: suno.com/invite/@the_french_dj

Deux filles dans la cuisine
It's late night you see
One cupcake c'est tout
What a tragedy
Who gets it tonight

This sugary rush
It’s coursing through us

Cupcake à trois
Cupcake à trois
Un gâteau pour nous deux
Cupcake à trois
Oh oh oh

Elle dit je suis sage
Mais je sais qu'elle ment
I want that frosting
Every single bit
C'est une compétition

Cupcake à trois
Cupcake à trois
Un gâteau pour nous deux
Cupcake à trois
Oh oh oh

La gourmandise
It makes us do bad things
The sugar high
The sweetness stings
Who will win tonight

Cupcake à Trois (Bassy Mix)

Vibrant Ghost Vibe #113

dusk

This is the extended club version of a track I made a few years ago.

Chill To House Music - Extended Club Version

“November Window” is a melancholic deep house track that moves on a quiet, steady pulse: warm sub bass, soft pads, and crisp, unhurried percussion. The vocal is close and understated, letting small details carry the feeling.

Lyrically it lives in late autumn light: fog on glass, letters written in breath, rooms that remember more than we say. Keys in a bowl, coats in the hallway, the kettle answering while daylight slips away. Promises are traced and fade, numbers are dialed and left unanswered, hope narrows with the evening.

The arrangement blooms slowly and leaves space for the hush. Music for early sunsets and dim rooms, where the beat holds you steady and the window keeps what you cannot.

November Window

Empty Glasses

Lie To Me

Faroese folk meets minimal trance in a live-processed set of acoustic instruments sculpted into sequencer precision. 
A hypnotic, algorithm-ready groove made for DJs, with tribal energy and spatial ear-candy.

Faroese Acoustic Trance

Horizon

Desert Symphony (Navayi) – نوایی Radio Edit (Rock-Infused Version)
A revitalized pulse of heritage—tightened, electrified, yet unwavering in its soul.

The Radio Edit of Desert Symphony (Navayi) reshapes the original’s immersive atmosphere into a more direct, high-energy form designed for broadcast. While preserving the spiritual character and melodic identity of نوایی, this version adds a vivid layer of rock-driven power that intensifies the emotional arc without compromising its roots.

Crisp electric guitars cut through the mix with bright, rhythmic strikes, echoing the call-and-response of the traditional Baglama. Subtle overdriven textures swell beneath the synths, adding grit and warmth, while live-style drum accents lock tightly with the Deep House pulse—creating a dynamic hybrid between rock momentum and electronic flow.

The vocals of نوایی glide gracefully over this compact arrangement, framed by tightened transitions and a punchier structure optimized for radio play. Every element—from the glowing atmospheric pads to the Dubstep-inspired lifts—has been refined to keep the essence intact while amplifying its immediacy.

This Rock-Infused Radio Edit honors the past, amplifies the present, and channels the same desert-born emotion through a sharper, more electrified lens—still unmistakably Navayi, yet newly alive for the airwaves.

Desert Symphony (Radio Edit)

Introducing "Synth S": A Journey from Classical Keys to Electronic Innovation

Since first touching the piano keys in 1988, "Synth S" has been on a relentless journey of musical exploration. Beginning with a classical foundation, He soon became captivated by the emerging world of electronic music, embracing iconic synthesizers of the late '80s such as the Yamaha DX7, Roland D-50 and Jupiter-8, and Korg M1. His innovative approach to sound design and composition quickly set him apart, blending intricate melodies with cutting-edge textures that pushed the boundaries of electronic music.

Never content with standing still, "Synth S" expanded his artistry further by picking up the guitar in 2001, adding a new dimension to his sonic repertoire. This fusion of electronic synthesis and expressive guitar work has defined his signature style—one that bridges eras, genres, and musical technologies with a visionary spirit.

From analog warmth to digital precision, "Synth S" continues to break new ground, proving that true artistry knows no limits.



Desert Symphony (Radio Edit)

Synth S

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