Love it boyz. U should do film soundtracks. x

Perfect beat man so well edited respect man. Honestly.

Perfect balance man! Gets kinda sinister here I love it

Proper experimentation. That is what music is about. This is another world shit man!

damn this thing still blows my fucking head off

Audio by Formen (Album Version)
Artwork by Iliph Arthoss

Intermodulation

Total Harmonic Distortion

Bandcamp

Roadmaps on the palms
Braided, fold over
Where the shore meets the ebbing sea
Forever touching, forever adrift

Whispers of the history fade
Where the sea drapes waning waves
Only to retrace echoing trails
Abiding in ceaseless rims

Rooted in the fertile soil of hauntology, Amulet of Tears presents: 'Before We Melt into the Sea' - chimerical shreds of memoir.  Foraying intervals coiled in visceral resonance, which appear as abyssal, ancestral echoes of elusive moments, where the past unfolds in attendance, like a vapor that forbids to fade.  

Phantoms colliding to forge ahead for what’s to come or to drag us back into the shades of what we once were - enshadowed by imprints of past, present, and future, overlapped upon one another.

Before We Melt into the Sea

Fortunes Brine - Fanned by Palms of Satin and Chain

collabo with tysk raider for a dedicated series.

tysk raider logo stamped and numbering stamp numbered (x/85)
light gray vinyl with printed insert, designed by tysk raider
housed in a pvc bag, limited edition of 85 copies

digital version available here:
https://tyskraider.bandcamp.com/album/tysk003

2024 all music, artwork & logo by tysk raider

bandcamp

tysk003 by tysk raider - 12'' snippets

https://soundcloud.com/u-r-s for https://soundcloud.com/ethosrecords

https://www.retreatradio.net/oratio

For U-R-S, sound is not merely an expression of what has already been mastered or performed. Instead, it’s a living archive, a musical encyclopedia in constant evolution. Much like a library of unread books, her studio is filled with instruments, recordings, and fragments of compositions that might never be fully realized but are essential in her potential. These sounds are not just records of past achievements but seeds for future experiments—a reservoir of possibilities waiting to be explored.
Every note played, every texture created, adds to a vast network of interconnected ideas. On U-R-S approach, the incomplete sketches, dissonant layers, and raw recordings are not failures or incomplete works; they are tools, ideas in waiting, elements of a larger and ongoing process. In this way, her mixes are not a finished product but an evolving workshop—a space where sound is continuously transformed, recontextualized, and enriched.
Artefact : 
Just as Umberto Eco’s library is a repository of future projects, U-R-S’s archive of sound is not a reflection of what has been definitively achieved but a workshop brimming with future explorations. Her music, like Eco’s library, embodies the ever-unfolding pursuit of knowledge, creativity, and discovery.

Oratio #2 w/ U-R-S (28/08/24)

syntakt -> marantz pmd430 (sony metal sr 90 (1996)), no dolby/dbx

happy pre-halloween

108 hop fuck

pnmof [alt mix]

├[HS4]┤║ Shadow Satyr ║

Fly Between Chopsticks

Produced by: @orcasilent
Mastered by: Steve Braam 
Artwork by: Steve Braam 
Label by: @deephist
Release Date: November 15, 2025

support

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄 | Orca Silent- Right Hand Path [Deephist]

4 remixes from Synth Sense' Tomrorow's World LP, by Synkro, Sam KDC, Indigo & ASC. Out on limited edition white vinyl, October 1st. 

A1 - Lost In Time (Synkro Remix)
A2 - Yesterday's Future (Sam KDC Remix)
AA1 - Tomorrow's World (Indigo Remix)
AA2 - Sea Of Storms (ASC Remix)

Release/catalogue number: AUXCD004V 
Release date: Oct 1, 2012

AUXCD004V - Synth Sense - Tomorrow's World Remixes (Preview Mix)

Hardwell ft. Amba Shepherd - Apollo (Dash Berlin 4AM Remix ASOT600 Preview)

CLICK TO VOTE FOR DASH

Proving that amazing electronic dance music can come from absolutely anywhere in the world, if you travel 1,210 kilometres east from Australia into the heart of the southwest Pacific Ocean to a place called Nouméa on a group of islands collectively known as New Caledonia, you will find a certain Oniris, creator of some of the most sublime melodic techno that you will hear this year.

Up until now, this mysterious and exceptional young producer has been picking up praise and support from some of the world’s most savvy and innovative forward-thinking artists & DJs. When Laurent Garnier is waxing lyrical about your talents on his radio show, and your tracks are highlights in the sets of such illustrious people as John Digweed, Agoria, Psycatron, Marc Romboy and Ian O'Donovan, there is most definitely something very special going on! 

As Ian O’Donovan says: “I’ve been playing these tracks for a while now and they are amazing! They are dynamite on the floor and beautifully melodic! A fantastic introduction to an artist I'm sure you'll be hearing plenty more of!”

Remember the name and remember where YOU heard him first.


BEDDIGI33 Oniris - Leaving Earth

From the feature in Magnetic Magazine
http://www.magneticmag.com/2013/04/sounds-spaces-001-max-cooper-the-british-museum/

Sounds & Spaces 001
Max Cooper - Synesthetes Museum
A mix based on the British Museum
 
Featuring a mix of 12th century Tibetan monks song, one of the first ever recordings of music, made by Thomas Edison on a wax cylinder in 1888, poetic spoken word, 9th century Gregorian Chant, A call to the lama from afar, some unreleased exclusives, 9/8 techno, traditional Chinese music mixed with rude glitch, and a binaural museum.
______________________________________



The brief for this mix was to make something inspired by an architectural space. When I was doing my Post-Doc at UCL I used to go the British Museum to relax, and work in the beautiful library there, so I chose the space for the mix. I wanted to capture the ambient atmosphere in the central courtyard, so I did some binaural recording to include in the mix. I also wanted to make the mix something of an exploration through history and ideas in line with the contents of the museum, so I brought in lots of disparate music spanning the centuries and continents. I also mixed it in a way to be like a journey though the museum, turning corners and regularly coming across something totally different and unexpected, with each track being like a different exhibit. Hence the name of the mix, in that, each piece of music almost has a visual content.

For the full track list + more information see the feature:
http://www.magneticmag.com/2013/04/sounds-spaces-001-max-cooper-the-british-museum/

For more Max Cooper mixes/free downloads:
https://soundcloud.com/max-cooper/sets/max-cooper-free-downloads

And music videos here:
http://www.youtube.com/user/maxbcooper

And for up to date info on all the goings on, you can join the mailing list on my site if you like:
http://maxcooper.net/

DOWNLOAD

Max Cooper - Synesthetes Museum (free download)

Fallbeil LIVE - 27/09

“As cliche as it sounds, we have never wanted to fit into any pigeon hole or stereotype. We would like to think that our production and arrangements don't conform to any genre, but rather exploit experimentation. Being signed exclusive to Auxiliary gives us the focus to produce music that we love.

The ethos of Auxiliary is about pushing boundaries and moving into new territory, which we strongly support and have always believed in. We hope that our music only strengthens what we and Auxiliary stand for.”

AUXCD004V - Synth Sense - Tomorrow's World Remixes (Preview Mix)

Synth Sense

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roni_scheiß

Jason Clarke - Music (Clarky)

Jason Clarke - Music (Clarky)

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