Gannein hosts La Biche in "Gannein Curates" on Line Out Radio !

La Biche is a French techno DJ based in Switzerland, inspired by the liberating energy of techno and her diverse musical influences. Her powerful, minimalist sets blend bouncy rhythms, deep percussions, tribal sonorities, and hypnotic sounds to create an intense and immersive dancefloor experience.

Active on both the Swiss and international techno scenes, she is deeply connected to underground culture. La Biche has performed at iconic Swiss venues like Le Zoo in Geneva, as well as at secret local raves. Influenced by the Berlin scene, she crafts each set as a sonic journey, channeling the raw, trance-inducing power of techno to transform the dancefloor into a space of freedom and celebration.

https://soundcloud.com/la_biche/
https://www.instagram.com/labiche_music/

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Gannein Curates on Line Out: “I am delighted to have been invited by the Line Out team to lead some curation work for the radio. I chose to expand the distribution of the music I believe in and to make it available on the radio. Allow artists who inspire me and share my values ​​to shine in France while remaining consistent with the radio's artistic project."

@gannein
www.instagram.com/gannein.techno/
gannein.bandcamp.com/
www.facebook.com/Gannein

La Biche - "Gannein Curates" #21 on Line Out Radio - May 2025

For the 12th episode of our new podcast series, we invited “DDK” She delivers a mix that combines hypnotic grooves and driving rhythms. She brings a performance that conveys both intimate atmosphere and club energy. Their style combines elements to create a unique sound. This set is a must for lovers of organic and powerful techno.

Enjoy the set!

Follow #DDK here
@user-217122220
www.instagram.com/ddkrylosova/

PODCAST SERIES 12 - DDK

The Berlin-based DJ and producer Bidoben’s sound merges the spiritual with the physical. Drawing on a lifelong relationship with music, beginning with instruments in his youth and evolving into textured electronic production; his work channels rhythm, emotion, and tension in equal measure.

With releases on Clergy, Truncate, and most recently Sublunar, Bidoben’s output leans into the hypnotic side of techno: deep, percussive and full of layered detail. His brand new EP “Torment” showcases this perfectly, moving from high-impact floor tools to more introspective sonic sketches, all rooted in a desire to evoke something beyond the surface.

Inspired by nature, film and the metaphysical, Bidoben brings a cinematic, almost meditative quality to the booth; crafting sets that are immersive, driving, and emotionally resonant.

For #258, he delivers a journey that blends precision with pulse. Techno designed to move both the body and the mind. 

Artwork by @ankhsious

Vault Sessions #258 - Bidoben

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

GLASKIN is a DJ/producer duo from Munich, made up of brothers Jonathan and Ferdinand Bockelmann. Known for their forward-thinking take on techno, they’ve built a reputation for immersive, bass-driven sets and hold a residency at the renowned Blitz Club.

Tune in for #260

Artwork by @ankhsious

Vault Sessions #260 - GLASKIN

Hailing from Paris, Sicion has gained a following for his captivating live sets, blending complex rhythmic structures with abstract textures and deep, psychedelic atmospheres.

A distinct voice in the French scene, his sound leans into intensity without losing nuance.

Tune in for #261

Artwork by @ankhsious

Vault Sessions #261 - Sicion

Rill @ export X RSO Berlin (Live Recording)

Harami (aka Aryan Batti) is a Stockholm-based queer DJ, producer, and founder of the music collective İBNE. Drawing inspiration from their Kurdish roots, the queer community, and the dancefloor itself, Harami’s sets are a patchwork of percussive hipworking techno, 90s rave energy, and hypnotic textures—always with a cheeky, haram twist. The motto? “As long as it’s moving my hips and tickling my brain.”
More than just a selector, Harami has played a big role in shaping and maintaining Stockholm’s queer techno scene over and underground—creating safer spaces, centering marginalized voices, and building community through sound. Since 2019, they’ve brought their booty-shaking sound to clubs and raves across Stockholm and beyond, including Berlin, Copenhagen and Vienna.
Following their debut tracks Children of the Sun (Shivers Label) and Souk Mayhem (ASHR) in late 2023, Harami is now working on new stuff to be released soon.

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RA: https://ra.co/dj/harami 
IG: https://www.instagram.com/harami_ibne/ 
SC: https://soundcloud.com/haramii

STRECK PODCAST 053 - Harami

“Vulnus Occultum” is more than an EP: it’s the result of a genuine encounter between artists, a bridge of community and connection through techno.

Artists: @facundorondinella
Remixes: @melmakdj1998 @nyxrodriguez @haber-arg @mash010 @lautaro-xavier

BUY HERE

Facundo Rondinella - Vulnus (Lautaro Xavier Remix)

Virtual View (Free Download)

MDE I

Contact:
contact@synthlabrecords.de
Demos:
demos@synthlabrecords.de

PODCAST SERIES 12 - DDK

Synthlab Records

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