Moog Sound Samples.

A votre bon coeur Messieurs dames :)

https://irenedemilo.bandcamp.com/album/c-cile-a-la-rougeole

IreneDeMilo - ModeInGliany - Les Graminées-

Easter -  Alien Babies

PYE CORNER AUDIO/NOT WAVING Intercepts split LP

Release date: 28.07.14


'Perfect Secrecy Forever' taken from 'Intercepts', a split album between Pye Corner Audio and Not Waving. 

Taking inspiration from the world of espionage, most specifically spy rings, both artists provide four tracks each, creating a thrilling musical call and response between these kindred producers.

Some of the world’s greatest espionage stories involve Spy Rings. From the Rosenbergs to the Cambridge Five and the Duquesne case, these are stories that haunt the annals of the covert world and remain shrouded in mystery and fascination to this day.

Clandestine spirits permeate these eight tracks of dreamlike industrial techno, impressionist synth burbles, fragmented post-modern ambient and cosmic sci-fi adventure.

First edition 500 battle-ship grey vinyl. 

PCA tracks composed by Martin Jenkins. 
Recorded and produced  by The Head Technician at Black Mill with assistance from Martin Jenkins.

NW tracks written, produced and recorded by Alessio Natalizia in London 2013-2014. 

PYE CORNER AUDIO (20:50)
1 Perfect Secrecy Forever 05:30
2 Twisted Wire Pair 05:33
3 Shared Secret Key 04:19
4 One Time Pad 05:28

NOT WAVING (20:02)
1 Protect The Revolution 08:26 
2 Two-Way Mirror 02:58
3 Enemies Of The People 04:28 
4 Like Shooting A Fish In A Barrel 04:10 

BUY SPECIAL EDITION!

Pye Corner Audio - Perfect Secrecy Forever

https://tonnrecordings.bandcamp.com/track/new-thing-crystalline-stricture?fbclid=IwAR2eZZ61UZKzJKN93s7Gg9vMPtEruuOS9Gzuorc4wmBQ_D5HFwKKD7Wsxo0

New Thing

Displaced

Sound manipulation and produce by KRUR.
Vocals and lyrics by Alma Morta.

The Bottom   -   re-issued

Lena Platonos - Shadow Of Blood

Rising Lovers (Premaster)

heng

MOTHER IS BASS

* Patch performed live * No overdubs *

Utilizing a trio of Mother-32 semi-modular synthesizers, hardware-techno producer Max Ravitz (aka Patricia) constructs a pure, simple, yet driving electronic cadence anchored by an organic analog pulse.  In this patch, all three Mother-32 synthesizers exist as a closed ecosystem, each running independent patterns from their respective 32 step sequencers and communicating via control voltage through each unit's corresponding 1/8" patch bay. 

Primitive Industry | Max Ravitz AKA Patricia

* Patch performed live * No overdubs *

Integrating a pair of Mother-32 semi-modular synthesizers with her eurorack case, electronic musician Bana Haffar programs an evolving analog soundscape that contrasts heavyweight power against delicate precision, showcasing the broad emotional range that can be expressed using the simple yet well-chosen circuits of the Mother-32.  

The pair of Mother-32 eurorack compatible synthesizers generate the sonics for this piece with additional modulation and control opportunities made possible by each unit's 32-point patch bay, bridging the electronic connection to the external modules.  For this patch, a Make Noise Rene sequences the Mothers' analog voices while a 4ms QCD supplies the Master Clock signal.  External reverb and an MF-104M analog delay contribute depth and space to the patch.

Liquid Light Solid Motion | Bana Haffar

New mix featuring a showdown between French and Italo Disco!

1st half is French only, and second half Italian only, with a hybrid at the end! Only 7inch and mixed on two turntables.

Enjoy!

LA FRANCE
01/ Jerome Keller - American Dream [Chlorophylle] (1984)
02/ Vivien Savage - La P'tite Lady! (Un Petit Chat Sauvage) [Columbia] (1984)
03/ Niagara - Quand La Ville Dort (Nouvelle Version) [Polydor] (1987)
04/ Jean-Michel Navarre - J'ai Pas Sommeil [Ariola] (1986)
05/ Caroline Loeb - Paresseuse Dub (C'est La Ouate) [Barclay] (1986)

ITALIA
06/ Eros Ramazzoti - Terra Promessa [DDD] (1984)
07/ Alexander Robotnick - Ce N'Est Q'Un Début (Over Weight Version) [Fuzz Dance](1984)
08/ Sophie - Broken Tale (Instrumental) [Jonathan] (1986)
09/ Italian Boys – Forever Lovers [Flarenasch] (1987)
10/ Pepe - Shadilay [Ricordi] (1986)

LA FRANCE ET ITALIA
11/ Yoann - Touche Moi (Touche Du Bois) [RCA] (1986)
--- French cover of Italian record 'Hold On Tight' by Den Harrow --- 

France vs. Italy 7inch Disco Partytime Mix

Taken from their self-titled debut album 'Exploded View', Out Now!
 New band from Berlin & Mexico City fronted by Anika.

To download "Lost Illusions", "Orlando" & "No More Parties in the Attic" instantly: https://explodedview.bandcamp.com/
Order the LP/CD: hyperurl.co/EVAMZ

Facebook: www.facebook.com/explodedviewband/
Instagram: www.instagram.com/explodedviewband/
Twitter: twitter.com/ExplodedViewBnd
Tumblr: explodedviewband.tumblr.com/

TOUR DATES: bit.ly/1R1m34M


Exploded View - Lost Illusions

'Destroyer' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
http://upsettherhythm.bigcartel.com/

Artist:  The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number:  UTR102
Release Date:  Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child. 

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions. 

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Destroyer

https://soundcloud.com/reymour
https://soundcloud.com/nighttravelonablanketshow
https://soundcloud.com/knekelhuis
Buy Release: https://knekelhuis.bandcamp.com/album/reymour-leviosa
YouTube Stream: https://youtu.be/7ZwyJUWAm3w

Reymour packed their bags in the pre-Alps of Switzerland and left to start a new life in Bruxelles. This debut album finds originates in this transition, again in a bilingual environment, by now a Knekelhuis theme. Leviosa documents the emergence of a kind of dance built from chansons, synthpop and cute minimal wave. Luc Bersier’s wide musical spectrum reaches great heights while staying small. He creates the musical bedrock on which Reymour’s cabinet of musical curiosities rests, allowing us to drift away on the unctuous fumes of Lou’s vocals. On these tracks she covers a wide array of feelings, of doubt, sexual orientation, play and melancholia. And it all comes together in the reflection of life. Close friend and family guy Low Bat contributes vocals and gameplay on 2 of the album’s tracks.

Tracklist: 

1. Le flot de ces Mots
2. De ma Tour
3. Je te tiens, Tu me tiens
4. Au Rythme de l'Ennui
5. Six Pouces
6. Holly Mother
7. Dans l'oregon (feat. Low Bat)
8. Boris&Marcel
9. Valse pour un Con
10. Daya (feat. Low Bat)
11. Holly Ama

Reymour - Leviosa

Daya (feat. Low Bat)

PREMIERE: Reymour - Daya (feat. Low Bat)[Knekelhuis]

Like the youngs of the past and the future we thought to be inmortals... but we will be!

Rising Lovers (Premaster)

Synths Versus Me

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