Wooo very awesome 🔥 keep it blazing [via https://sc.repostexchange.com]

FREE DOWNLOAD:
➠ https://krugrecords.bandcamp.com/track/kate-ryan-desenchant-e-claus-schurke-edit
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Kate Ryan – Desenchantée (Claus Schurke Edit)

SKFD007
KRUG Records
13.08.25
_______________________________________
Please follow Claus Schurke for this awesome work:

@clausschurke

Mit den Worten von Claus Schurke:
Der neue Edit von Désenchantée lässt Kate Ryans altbekannte Worte durch die sommerlichen Nächte hallen. Zwischen Diskokugeln und Sektgläsern spürt man die Leichtigkeit, als könne der Bass für einen Moment die eigenen und die weltlichen Krisen übertönen. Doch hinter den rollenden Bässen flackert das Bewusstsein, dass da draußen die Welt brennt - Resignation und Hedonismus auf einen Streich❤️‍🔥

ෂ ෂ ෂ
________________________________________
please follow & support:

ෂ Claus Schurke
IG: instagram.com/clausschurke
SC: @clausschurke

ෂ Sumpfkrüge│KRUG Records
IG: instagram.com/sumpfkruege
FB: facebook.com/sumpfkruege
SC: @sumpfkruege

__________________________
Mastering by @haunted_water
Artwork by @schief-torkeln
Storytelling by @clausschurke

FREEDOWNLOAD

Kate Ryan – Desenchantée (Claus Schurke Edit) - free download

The track is Electronic. It has an energetic atmosphere that feels like it's being transported to different places with the use of electronic instruments and sounds. The music also incorporates elements from classical music which create a sense of nostalgia for old times while still maintaining its modern sound quality.

The Promise

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Zedjue, Archikilla - Dreams [trndmsk]

Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - V. Finale: allegro moderato

Follow Me

Written: 2019
Duration: ca. 12'
Instrumentation: flute (doubling piccolo), oboe (doubling English horn), clarinet (doubling bass clarinet), and piano (pianist plays from score)
Commissioned by the Exponential Ensemble, with funding from the New York State Council on The Arts (NYSCA)
World Premiere: Exponential Ensemble, Opera America, Marc A. Scorca Hall, New York, NY, October 30, 2019

MOVEMENTS
I. Pascal’s Triangle
II. Noether’s Theorem
III. Einstein’s Daydream
IV. The Hammers of Pythagoras

PROGRAM NOTE
Relative Theory is a four-movement, ca. 12 minute work for flute (doubling piccolo), oboe (doubling English horn), clarinet (doubling bass clarinet), and piano. Each movement is inspired by a mathematician or theoretical physicist. I was inspired by a story that the commissioning ensemble, the Exponential Ensemble, told me about how much they enjoy performing programs for children that relate math to music. In a fun, yet hopefully meaningful way, the movements of my piece are designed to draw parallels between these two distinct, but interrelated worlds.

The title Relative Theory is a play on words: it loosely refers to Albert Einstein’s famous Special Theory of Relativity, but also to musical theories and theoretical principals that are used between each of the movements. All of these movements are inspired by mathematicians or theoretical physicists, and their theorems and theories inspire the music itself.

In Pascal’s Triangle, triads and intervallic content are structured so as to use binomial coefficients in musical ways. In Noether’s Theorem, the music mirrors her theorem, which states that every differentiable symmetry of the action of a physical system has a corresponding conservation law. Einstein’s Daydream, perhaps the most fanciful movement, quotes a few themes from Beethoven, J.S. Bach and Mozart, three composers who’s music Einstein loved to play on his violin. The work ends with a movement entitled The Hammers of Pythagoras, inspired by a legendary, apocryphal but nevertheless playful tale of Pythagoras passing by a blacksmith at work one day, and discovering that musical notes could be translated into mathematical equations.

There are some fascinating programmatic relations that dictate how thematic materials are used in various movements. Albert Einstein thought very highly of Emmy Noether, a mathematician who never achieved the fame she deserved because she was female. In fact, some of her theories inspired Einstein. Therefore, some of the themes in the second movement are used in the third. Einstein and Pythagoras both figure prominently in music history, albeit for different reasons, so themes from each of these movements permeate back and forth.

Relative Theory was commissioned by the Exponential Ensemble, with funding from the New York State Council on The Arts (NYSCA).

LINKS
https://www.exponentialensemble.com/
https://www.robpaterson.com/
https://robertpaterson.com/relative-theory

EXPONENTIAL ENSEMBLE
Anna Urrey, flute
Kemp Jernigan, oboe
Pascal Archer, clarinet
Geoffrey Burleson, guest pianist

Relative Theory - IV. The Hammers Of Pythagoras

Re-release of D3pl0rable featuring SoundCloud artist Haste Hermetic on vocals. Enjoy !

Haste Hermetic:
https://soundcloud.com/hastehermetics

YouTube:
www.youtube.com/watch?v=tKc7czaOWY4

Facebook:
www.facebook.com/Asymmetrik666

Instagram:
www.instagram.com/g_string_plucker

D3pl0rable 2.0 (feat. Haste Hermetics)

About finding that one and only person but losing them tragically

Miles and Miles

Trolls in the Cloud

Tres

So Beastly

Primordial (Thrusting)

Focusing mainly on guitar type beats since its my main instrument, & truthfully tried to name this song something nice, but it sounds like the Grim Reaper's theme song., If you like dark vibes, this one is for you. Hope yall dig it. 
Cannon

https://dubvsmartass.com
cannon@dubvsmartass.com

Grim

Systematic Hands, back to basics, coming at you from Canada. Looking for artists to collab with! Any feedback is much appreciated.

Thank you all for the support you guys are awesome!!!

New release NOW!!! (什么鬼)

Primordial (Thrusting)

Systematic Hands

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