Taken from the debut album, These Hidden Hands. 
Out Sept 26th on Hidden Hundred as Double LP & Download.

www.thesehiddenhands.com
www.hiddenhundred.com

Laika (excerpt)

In high school, I discovered Bauhaus, Love & Rockets, and Tones on Tail…
The Album Pop is amazing. I collected all the crazy colored-vinyl 12” records.
Of all their songs, from goofy to darkly magnanimous, I love this one the best. So many cool elements – the bleeps, the low droning synths, the backwards stuff, the bassline, the reverse-reverb vocals… they all add up to a seriously epic masterpiece…
- - -
She said, Time to crush this feeling
Writing very long letters as soon as it rains
Ooh the rain

To dance the night away
He watches topless pin-up faces
A million different jackpots
With a thousand different gazes
Ooh the rain

But it’s time to crush this feeling
As soon as it rains
Ooh the rain

But it’s time to crush this feeling
As soon as it rains
Ooh the rain . . .


Tones On Tail - Rain

Ancient Astronaut vs Powell - SSCS (Powell's 'Lift Off' Mix)

White House

PRE-ORDER: http://www.darkentriesrecords.com/store/dark-entries/psychic-tv-alien-be-in-remix-12-ep/

Dark Entries Editions is venturing into new waters with a remix EP of Psychic TV’s classic Acid House song “Alien Be-In”. Psychic TV was formed by Genesis P-Orridge and Peter Christopherson after the breakup of Throbbing Gristle in 1981. After various line up changes, the band shifted direction to dance oriented songs influenced by the Acid House scene in America. By 1988 experimental electronic musician Fred Giannelli, of Turning Shrines, joined the band and over the next 2 years started to record songs for “Toward The Infinite Beat”. The album was a mix of deep, multilayered tracks full of bright and hypnotic dance numbers, providing the soundtrack to the rave culture that sprung up in the UK in the 90s. 

“Alien Be-In” was written in early 1989 on an E-mu Emax Sampler and an Alesis MMT-8 sequencer.  Vocal samples were taken from a tape Germs drummer Don Bolles sent to Genesis. A didgeridoo rides throughout the song, heavily modulated by a Gristleizer creating a hypnotic effect. Near the end of the song the breakbeat slides out of time yet the band chose to leave this in because it sounded strange and fit the concept of the track. Genesis played a spaced out Echo Violin and the band used 360 degree panning rotation devices. For this reissue Fred Giannelli takes a stab at remixing the mono mix of the original sequence sourced from the Emax floppy discs. On the flip are two brand new mixes, the first from Los Angeles based producer, Silent Servant, who updates the classic with his modern brand of driving EBM techno.  The second remix is a team effort from Silent Servant and veteran producer John Tejada, that re-creates the original melody using a Roland TR-808 and TB-303, paying homage to early Chicago Acid House artists like Lil Louis and Robert Owens. 

All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The 12” is housed in a mind-alerting, metallic silver die-cut sleeve and a neon green label that pops through, featuring the psychic skull transformed into an alien cone head label all designed by Eloise Leigh. Each copy includes a 2-sided 11x11 square insert with black and white photo of the band from 1988 and liner notes by Fred Giannelli. 

Psychic TV - Alien Be-In (Silent Servant Remix)

‘Bunkerpop’ appears on the album ‘Hinterland’ out now on @warp-records – http://s.warp.net/hinterland

Hinterland

Pre-order ‘Hinterland’

Bunkerpop (Wrangler Mix)

Original compositions created from field recordings captured by George Nicholas of Seekae inside and around the iconic Sydney Opera House.

Remixed By Seekae For Vivid LIVE 2015, At Sydney Opera House

Killawatt

A1. Contort
B1. Flustercuck
B2. Gutter

Available on 12" vinyl and digital download from all good record stores, or direct from:
www.osirismusicuk.bandcamp.com/album/killawatt-contort-ep

Contort / Flustercuck

Buy Here -->

Killawatt - Contort EP - OSMUK042EP - In Stores Now!

Illich (Demo 2012)

Spelling God In Knots (Broken Call Records)

CY003 - V/A - Shark Story of the Century EP

A1 - Enrique - Dissociate
A2 - Beau Wanzer -Weasels
B1 - Esplendor Geometrico - Rotor (!988)
B2 - Esplendor Geometrico - Rotor (Broken English Club Remix)
B3 - Prostitutes - Cuyahoga Frankenstein

To get the first copies just click the 'email me when released' button on the Juno link:

http://www.juno.co.uk/products/enrique-beau-shark-story-of-the-century/586636-01/

OUT SOON ON VINYL...

Shark Story of the Century

JUNO

CY003 - B2 - Esplendor Geometrico - Rotor (Broken English Club Remix)

B2 - Reserves To Talk

Buy 12" from Houndstooth store & get free WAVS: store.houndstoothlabel.com/document-ii.html
iTunes / Google Play: http://found.ee/DocumentIIDL
Spotify: http://found.ee/DocumentIISP
Beatport: http://found.ee/DocumentIISP
Bandcamp: http://found.ee/DocumentIIBC

Shift Work (@shiftworking) are an electronic duo who have previously released on JD Twitch’s Glasgow label Optimo Music. They debut on Houndstooth with ‘Document II’, an EP developed from live jams on outboard analogue gear. ‘Abandoned Hands’ is lean and raw, an angular bassline and indecipherable vox punctuating the relentless 4/4 kick drum and pattering percussion. ‘SBFM’ is fuller-bodied, with the modulating bassline taking centre stage, draped in loose synths and topped with a deadpan vocal refrain.

Shift Work invited remixes from their associates, and the results are impressive, with DVA Damas (@dvadamasdvadamas) dialling down the tempo and stripping back ‘Abandoned Hands’ further still, whilst Factory Floor (@factory-floor) return to remix duty on Houndstooth with a typically subtle yet infectious building take on 'SBFM'.

Order your 12” vinyl (cut & mastered by Matt Colton) from this store and receive free WAV files upon release. Pre-order vinyl at a discounted rate.

@shiftworking
@dvadamasdvadamas

Document II

Abandoned Hands (DVA Damas Remix)

Buy 12" + free WAVs

Shift Work - Abandoned Hands (DVA Damas Remix)

CY004 - VA - Few Tricks for Nervous Dealmakers EP

A1 - Volition Immanent - Swarm Behaviour
A2 - Zombies Under Stress - Maan Zal Zijn (1986)
A3 - Zombies Under Stress - In Onze Tijd (1986)
B1 - Zombies Under Stress - Maan Zal Zijn (Svengalisghost Remix)
B2 - Mark Forshaw - Submission

OUT NOW AT JUNO: http://www.juno.co.uk/products/voiltion-immanent-few-tricks-for-nervous-dealmakers/596928-01/

AVAILABLE FROM ALL OTHER RECORD SHOPS VERY SOON

On the A-side of this latest CY installment we have the Dutch electronic new school versus the old school with Volition Immanent and Zombies Under Stress. The grimacing visage of Volition Immanent, an intense live act made up of Parrish Smith and Mark Van de Maat (Knekelhuis) kick things off. Behind rawkish distortion, splintered beats and acrid bars screams a boiled anger; a track spitting on the divides of punk and electronics. Nastiness is taken up a notch as noise ne'er-do-wells Zombies Under Stress take over. Started in 1984 as a one man project mixing Industrial, electronic, multimedia and improvisation, Zombies Under Stress is not a band, it's a project. With them static is bent and doubled across thick chords and collapsed claps in the 1986 "Maan Zal Zijn" before the raw and raging battery of "In Onze Tijd." L.I.E.S. regular Svengalisghost grapples with "Maan Zal Zijn, channeling the original's rage into a mechanical monster. The 12" is bookended with bite as Mark Forshaw (Tabernacle/Berceuse Heroique) closes with the tortured and torrential thump of "Submission".

CY004 - A2 - Zombies Under Stress - Maan Zal Zijn (1986)

http://mannequinrecords.bigcartel.com/product/mnq-080-maoupa-mazzocchetti-laught-tool-lp

After some acclaimed productions on Unknown Precept, PRR!PRR! and Mannequin Records, we are really excited to announce 'Laugh Tool', the debut full-lenght of Maoupa Mazzocchetti, pseudonym of Florent Mazzocchetti, young and talented French producer based in Brussels.

Maoupa Mazzocchetti is finally bringing back to life the earlier days of electro-industrial, in a mixture that is very close to the late 70's/early 80s period of Fad Gadget, Throbbing Gristle, Portion Control, Cabaret Voltaire and Front 242, crossed with the more fresh and innovative deep electronic experiments of Beau Wanzer and Charles Manier. Strongly addicted to a DIY ethic, and so to a punk ideology and anticonsumerism, most of Florent's releases are recorded in his bedroom without any professional equipment, using analog synth and sequencers, modified drum machines, tape loops and a load of pedal effects.  

Florent started to experiment with the rhythm since his early age. Developing a passion for the drums at the age of 10 years, soon after he  was moving to rock records and guitar, which became his instrument and one of the keystones of his perception of music. Florent approach with rhythm and drums was never traditional, making him feeling more a researcher than a musician.
 
To an audience of contemporary electronic music consumers, who had only closely followed techno, electro and disco, the sounds of 'Laugh Tool' will appear unearthly, entirely unexpected, withering comets of strangeness. A 10 tracks album ready to change their minds..

Limited edition of 500 copies.

Tracklist

A1 Walloon Smokers
A2 Zero Power Fixed
A3 Unsequenced Hours
A4 Laugh Tool
A5 Startisty
B1 Dear Idols
B2 I'll Have The Meat But Not Teeth
B3 Hair Bulbs Jam
B4 Pale Social Dimension
B5 Car Clock

Artwork by Florent Mazzocchetti.
Mastered by Rude 66.

B4 Pale Social Dimension

A Three Of You - Drum Electronic Sound (Paul du Lac edit)
B MM - Holding You (Mick Wills Cut)

('Three Of You - Drum Electronic Sound' courtesy of Bordello a Parigi)


https://clone.nl/item38869.html

RHYTHMZ-DEL - Three Of You - Drum Electronic Sound / MM - Holding You

Esplendor Geometrico - Rotor (Broken English Club remix)

Leaves opens things up with "Alley 4" - his new collaboration with Iron Curtis -, a gloomy four to the floor groove, characterized by a rolling bassline and deep synth lines, with the addition of some subtle background elements.

https://soundcloud.com/sounds-benefit-records
https://soundcloud.com/iron-curtis
http://www.facebook.com/soundsbenefit
https://www.facebook.com/ironcurtismusic

Paris-based label Sounds Benefit adds the second release to his catalogue, where label owner's Tom Joyce teams up with Leaves, Iron Curtis, Stojche and Ben Cohen, to offer what could be the soundtrack of a walk into the grey landscapes of the New Iram, with reference to the mysterious city of a thousand pillars. 

Pre-Order Here > https://goo.gl/IgvU70
EP Tracklist : 
A1 Leaves - Alley 4 (Iron Curtis Edit)
A2 Tom Joyce – Roland in Space
B1 Stojche - Subway Stress
B2 Ben Cohen - Time is Destiny

Pre-Order Here!

PRÈMIÉRE: Leaves - Alley 4 (Iron Curtis Edit) [Sounds Benefit]

The next outing for Canada’s My Favorite Robot sees the act enlist a crack team of remixers to tackle some of their own productions. French duo and close MFR associates Villanova do their perfectly analogue and machine made thing on ‘Manifesto,’ which is a dark, electric and frazzled cut full of abstract design and rich texture, but importantly it also has a deep and inviting groove right at its core.

https://soundcloud.com/myfavoriterobot
https://soundcloud.com/villanova-official
https://soundcloud.com/my-favorite-robot-records
https://facebook.com/MyFavoriteRobotRecords/
https://facebook.com/villanovapage

-

Out on April 29th.

EP Tracklist:
1. Cast (Timo Maas Remix)
2. Glass To The End (Eric Volta's discarding You Like Broken Glass Remix)
3. Magneto (Kezokichi Remix)
4. Manifesto (Villanova Remix)

Available soon!

PRÉMIÈRE: My Favorite Robot - Manifesto (Villanova Remix) [My Favorite Robot]

TAPAN is a duo from Belgrade. Title track, “The City”, takes few minutes to get going, but when it does… its like a James Chance/no wave saxophone on some kind of funky slo mo euro techno. The other 3 tracks drift in and out like some kind of night time fog on a glassy lake with live instruments/percussion peeping out from the hills. For deep and moody waistoids and freaks only.
credits
released December 10, 2015

written and produced by Nebojša Bogdanovic and Goran Simonoski
sax and flute on "The City" Jamal Alkiswani 

Mxm

Sergey Zavyalov