Good stuff from Re-Ex feb-25 #2

A return to metal after the more shoegaze influenced Somniferum.

This track was initially much darker lyrically. But I found that I just couldn't continue writing such depressing lyrics. So it became more positive, rather than being a song entirely about darkness and struggle; it became one more about resiliance and strength. It became especially about the role my religion plays in my life.

I am also really happy with how the production turned out on this. I learnt a lot while making Somniferum and I hope it reflects in the song. Let me know what you think of the mixing and mastering.

As a general update, I actually still am working on that album I started back when Wither... dropped at the start of the year. I'd hoped to have had it done by now but my poor physical health over the last few months has made it incredibly difficult to maintain any sort of consistant working schedule. I've also decided to take a couple of weeks off from making music. In the last few months, I've released a mixtape and several singles, all entirely written, recorded and produced by me. While I absolutely love doing this, I think I need a short break mainly for my physical health. When I start back up, I'll be working on that album. Thank you for being patient. If you have any complaints, write a detailed letter adressed to the entire species of staphylococcus aureus, the world's supply seems to be currently concentrated in my lungs. 

Hope you enjoy!

Path To The Light

https://youtu.be/dvxMF-Knmqw
Post ￼on the west side

(Post on the westside of Columbus) (offline YouTube video in description )

G Stereo - Through the rain (official audio)

This is my latest pop song with male AI vocals. Lyrics are taken from a poem by William Shakespeare. Listen with headphones...

Out now on all streaming platforms and distribution sites.

https://open.spotify.com/track/49YgDOnXjzHD4Id0OGWDqQ?si=noxqCHu2SRCjIiNd6ybIsw

"William Shakespeare -  "To me, fair friend..." (sonnet 104)

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead."

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

www.facebook.com/pages/Constellat…/377825935649048

To Me, Fair Friend [out now on Spotify]

Vocals, Keyboards, Drum Programming - Will Montgomery
Guitar, Bass, Bkg Vocals - Spencer Broschard
Bkg Vocals - Julie Lavery

Written & Produced by Will Montgomery

Out of Step

Album: "Phosphor" - Variations (Hinter uns das Land / Behind Us The Land)

This album presents 11 unique interpretations of a harrowing scene from the novel "Hinter uns das Land" / "Behind Us The Land": the attack with phosphorus bombs on the refugees during their escape from East Prussia. Each version of the song "Phosphor" delves into the horror and despair of this moment and explores the musical range of human emotions in times of war.

Experience "Phosphor" in 11 different sonic worlds, from darkly atmospheric post-rock and industrial to driving metal and gothic pop-rock variations and soulful alternative versions. Five versions with German vocals and six with English vocals reflect the turmoil and the universal tragedy of the escape.

Discover the musical diversity that emerges from the horror and intensity of this scene in "Hinter uns das Land" / "Behind Us The Land":

Post-Rock: Immerse yourself in atmospheric soundscapes that musically capture the protagonists' inner turmoil and the external threat.
Industrial: Feel the harshness of war and the desperation of the escape in driving rhythms and distorted sounds.
Metal: Experience the raw power of emotions in a powerful and dramatic interpretation.
Gothic-Pop-Rock: Be moved by a melancholic and atmospheric version of the phosphorus attack.
Alternative: Discover experimental and unconventional interpretations that open up new perspectives on the theme.
This album is a musical experiment that pushes the boundaries of genres and casts the timeless story of "Hinter uns das Land" / "Behind Us The Land" in a new light. It is a musical processing of powerlessness, fear, and pain, but also of the will to survive and humanity in inhuman times.

---

Album: "Phosphor" - Variationen (Hinter uns das Land)

Dieses Album präsentiert 11 einzigartige Interpretationen einer erschütternden Szene aus dem Roman "Hinter uns das Land": der Angriff mit Phosphorbomben auf die Flüchtlinge während ihrer Flucht aus Ostpreußen. Jede Version des Songs "Phosphor" taucht ein in das Grauen und die Verzweiflung dieses Moments und erforscht die musikalische Bandbreite der menschlichen Emotionen in Zeiten des Krieges.

Erlebe "Phosphor" in 11 verschiedenen Klangwelten, von düster-atmosphärischem Post-Rock und Industrial über treibende Metal- und Gothic-Pop-Rock-Variationen bis hin zu gefühlvollen Alternative-Versionen. Fünf Versionen mit deutschem Gesang und sechs mit englischem Gesang spiegeln die Zerrissenheit und die universelle Tragik der Flucht wider.

Entdecke die musikalische Vielfalt, die aus dem Grauen und der Intensität dieser Szene in "Hinter uns das Land" erwächst:

Post-Rock: Tauche ein in atmosphärische Klanglandschaften, die die innere Zerrissenheit der Protagonisten und die äußere Bedrohung musikalisch einfangen.
Industrial: Spüre die Härte des Krieges und die Verzweiflung der Flucht in treibenden Rhythmen und verzerrten Klängen.
Metal: Erlebe die rohe Kraft der Emotionen in einer kraftvollen und dramatischen Interpretation.
Gothic-Pop-Rock: Lass dich von einer melancholischen und atmosphärischen Version des Phosphor-Angriffs berühren.
Alternative: Entdecke experimentelle und unkonventionelle Interpretationen, die neue Perspektiven auf das Thema eröffnen.
Dieses Album ist ein musikalisches Experiment, das die Grenzen der Genres sprengt und die zeitlose Geschichte von "Hinter uns das Land" in ein neues Licht rückt. Es ist eine musikalische Verarbeitung von Ohnmacht, Angst und Schmerz, aber auch von Überlebenswillen und Menschlichkeit in unmenschlichen Zeiten.

Fire And Smoke - Alternative

This album is ‘Last Dance’ and my final album of my musical journey and consists of specially selected love ballads that takes you on a nostalgic journey through the years from 1968 to 2024. 

From 2016 to 2025, I have recorded and produced 1,117 songs comprising 51 Albums. It is time to undertake a new journey in my life that will further my growth into other realms. I thank all my fans and supporters who have helped me achieve this amazing milestone and ‘my music’ is a gift to humanity.

‘Those Were the Days’ is a song composed by ‘Boris Fomin’. Welsh singer ‘Mary Hopkin’ covered ‘Those Were the Days’ as her debut single in 1968. 

‘Push the Button’ is a song recorded by English girl group the ‘Sugababes’ for their fourth studio album ‘Taller in More Ways’ (2005).

‘Everywhere’ is a song by British American rock band ‘Fleetwood Mac’ from their 14th studio album, ‘Tango in the Night’ (1987). 

‘Ugly Heart’ is the second single by American British Canadian girl group ‘G.R.L.’ from their self-titled EP. The song was released on Sept 5, 2014.

‘Make It with You’ is a song written by ‘David Gates’ and originally recorded by American pop-rock group ‘Bread’ and was the first single from their Album ‘On the Waters’ and was released in Aug 1970.

‘Some Broken Hearts Never Mend’ is a song written by ‘Wayland Holyfield’ and recorded by American country music artist ‘Don Williams’. It was released in January 1977 as the first single from the album ‘Visions’.

‘Redneck Girl’ is a song written by ‘David Bellamy’ and recorded by American country music duo ‘The Bellamy Brothers’. It was released in September 1982 as the first single from the album ‘Strong Weakness’. 

‘Beautiful Things’ is a song by American singer and songwriter ‘Benson Boone’. It was released on January 19, 2024, as the lead single of his debut studio album, ‘Fireworks & Rollerblades’.

‘Love Yourself’ is a song recorded by Canadian singer ‘Justin Bieber’ for his fourth studio album ‘Purpose’ (2015). 

‘Calm Down’ is a song by Nigerian singer ‘Rema’, from his debut studio album ‘Rave & Roses’ (2022).  A remix of ‘Calm Down’ with American singer ‘Selena Gomez’ was released on 25 August 2022.

‘Lay Back in the Arms of Someone’ is a song co-written by ‘Nicky Chinn’ and ‘Mike Chapman’, performed by the English band ‘Smokie’ and released in 1977.

‘50 Ways to Say Goodbye’ is a song by American pop rock band ‘Train’. It is the second single from their sixth studio album, ‘California 37’. It was released in the on June 11, 2012.

‘Sara’ is a song written by singer-songwriter ‘Stevie Nicks’ of the British American band ‘Fleetwood Mac’, which was released as a single from the 1979 ‘Tusk’.

‘Yellow’ is a song by the British rock band ‘Coldplay’, who wrote the song and co-produced it with British record producer Ken Nelson for their debut album, ‘Parachutes’ (2000). 

‘Baby Can I Hold You’ is the third single released by American contemporary folk artist ‘Tracy Chapman’, released in October 1988. 

‘Little Lies’ is a song by British American rock band Fleetwood Mac from their 14th studio album, ‘Tango in the Night’ (1987). 

‘How Can I Tell Her’ Is a song by American singer-songwriter ‘Lobo’, from his third studio album ‘Calumet’ (1973).

‘Aubrey’ is a song written and composed by American singer-songwriter ‘David Gates’ and originally recorded by the soft rock group Bread and appeared on Bread's 1972 album ‘Guitar Man’. 

‘Lost in Love’ is a song recorded by the British Australian soft rock duo Air Supply from their ‘Life Support’ (1979) album. The song was written by group member ‘Graham Russell’. 

‘Last Dance’ is a song by American singer ‘Donna Summer’ from the soundtrack album to the 1978 film ‘Thank God It's Friday’.

 ‘Every chord I strike is a call to the heart’s deepest desires, a reminder that in the rhythm of life, we find the courage to dance through the darkness and into the light.’

Enjoy!!!

Redneck Girl (O'Neill Fernandes)


mash up cuts

Like-Share-Follow-Repost


  2025 
☯️🌹 🗡️


-BNH


LiterateMinds™
Entertainment

Artist: Bars No Hooks
Lyricist: Bars No Hooks



Cuts

Company Culture

Check out purpl's Spotify 
https://open.spotify.com/artist/0qLq938YLoXapahHpnzVSO?si=XSntU_daTtyWo-qKolt06Q

FREE DOWNLOAD

Purpl - Baby - Produced By H.C. - Free Download In Description

Guitar G.

***
Я устал от бесконечного бега
Я бегу от себя и пытаюсь понять
Почему в моей душе так много холодного снега
Почему, что нашёл, я успел потерять

Утопая в мерцании звёзд чужих
Я пытаюсь заметить одну
Но в их свете прозрачном я вижу лишь море лжи
Я понимаю, иду ко дну

День за днём я ищу своё лето
Нахожу лишь обломки прошлых побед
Я уже не уверен, что нужно мне это
Но дорога зовёт, я вижу свет

***(google translate)
I was tired of endless running
I'm running from myself and trying to understand
Why is there so much cold snow in my soul
Why, what I found, I managed to lose

I'm drowning in twinkling stars that aren’t mine
I'm trying to spot one
But in their transparent light I see only a sea of lies
I understand, I'm sinking

Day after day I seek my summer
I find only fragments of past victories
I'm not so sure that I need this
But the road is calling, I see the light

20 Years of Silence

Give Me a Hand

Дай Руку / Give Me a Hand

artist soundcloud: https://soundcloud.com/nevelslevels
producer: https://soundcloud.com/offspringmusic

#NuSoundexpress

Spellbound

New track off the 2019 album “Borders”.

Borders

Socially Mobile

I'm Gone

Lofoten Isles, Norway
More than 25 years as a rookie on my belt
Making music - in my case - is a creative exercise and something I like to do for recreational purposes, above all.
I love that anyone can take a guitar, their DAW, or whatever. Even just pen and paper, and come up with something special and unique that has never been heard or written.
This opportunity, regardless of experience and talent, to enter a universe and go places no one has set foot before, is magic. 
To draw a parallel to soccer, Im a non-league player, and would get attention for all the wrong reasons if I were thrown into a match with Salah, Haaland and the like. Still, by finding my level I can be part of an amateur team that serves a purpose in a local community, like a social meeting spot for people who like football - or don't - to come together, get into talks through a comment on a situation in the match and such. And you know what's coolest of all? Once in a while, when the sun and moon line up, I`m on a streak with my evening prayers or for some other reason have my day, I make this amazing dribble, then score a spectacular goal, becoming the local hero of the day or something. Those moments happen on all levels. Chances are perhaps even better on lower levels for this dribble to never have been seen before, since amateur football is not as controlled and professionalised as La Liga, Premier League, etc, leaving much more room for experimentation and individual creativity.  
I bet you had a few of those moments yourself, right? Send me a sound file, - soccer being a metaphor after all -  of your magic moment, it being a victorious match full song or just this cool detail you like, perhaps a great lyric line, guitar riff, or even cover art, all goes, so I get the chance to enjoy it too, thanks in advance! 
Cheers
Odd Roar

36 | Experimental Pop/Psychedelic/Plunderphonics

INFOMANIA

Control • Consume • Don't Worry

Everything is a Series of Pipes.

Company Culture

T B 8 S

Recent comments

moonlightpsych

mollare

KRT Production

Roman Barks

Related tracks