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Hit the road with Easy Roller, a rock and roll indie vibe with grooved harmonica layered on guitar...

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10 - Z-SLAYER 9000 [OUT MAY 1ST 2022]

Original composition.... Alejandro Gonzalez M.

Mysticum

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - V. Spring Rain (Sara Teasdale)

Baby Cakes

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Concise length with tight, repetitive motifs, likely featuring vocal chops or ad-libs over crisp hi-hats and a bouncy house kick, evoking carefree escapism.

KB Juwaniie - Won’t Mind

"A journey into the mind, a perception being refined."

Join and vibe: https://discord.gg/F7JENf38Qq

First time with future bass, had fun with the sampling, definitely going to use more samples next time and play around with them. May make some more future bass in the future.

YOUTUBE VERSION: https://www.youtube.com/watch?v=ScHDfOFN7d4

Journey

ig: @prodtbear
Tranquil.Bear.
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Email for Inquiries: tranquilbearprod@gmail.com

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Tranquil Bear

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