why are we letting them put everyone's eggs in one digital basket?

@phrixusmusic

Nylon Hood EP out now: 
https://hypnamusic.bandcamp.com/album/nylon-hood

BEAM REFLECTOR (Phrixus Remix)

Brasa

new album out now on NonLocal Research https://nonlocalresearch.bandcamp.com/album/rscale

Havo Dad (w/ 𝓕𝓲𝓸𝓴𝓲)

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

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estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

estoc - No Glory

Along our life path, we intricately entwine energetic bonds with those we encounter. Many of these relationships are precious, as they nourish our soul, bringing us happiness and strength. But remember, we can also be drained of energy in toxic relationships, where we imprison ourselves in cycles of co-dependency and despair.

This collection is a journey of liberation, incorporating angelic frequencies that will erase negative ties that bind us. By releasing these ties, we unleash new possibilities and bring in a future that is not weighed down with the past. Allow each piece to lead you on the journey to renewal, giving you the strength to confront the future with clarity, freedom, and grace.
credits
released June 26, 2025

Compiled and curated by : Archidi
Artwork and animation by : Misfit
Mastering by: Geometric Corruption Studio

TONY PEREZ - PARAFLINCHED

Quick on the Uptake

Quick On The Uptake

Another Battle One May Not Want To Win

Paradise Music Remixed

Silver String Symphony (Niko Demus Remix)

Artwork, Written, Mixed by Edward Joseph Waller
Mastered by Ioannis Nafpliotis

Buy / Stream

Waller - Server

2 tangled [liquid glitch eclectic]

London.Bridge.Is.Falling. 2025 [glitch and bass]

Biological reverse Engineered Technologies

Biological.Reverse.Engineered.Technologies.

Girl… finally! I was worried af… Quick… IDKLANG is playing now! Step closer, you’ve just slipped into the haze of their world. Don’t even try to breathe steady, the air is thick with distortion and bass snarls that cut sharper than glass. Where sweetness flips into menace, where trance melts into chaos, where every kick hits like a bruise. Girl… this isn’t calm, this place’s about to blow… I’m dragging you through glitch and shadow, sweat and static, until you can’t tell if you’re dancing or dissolving. Oh god I lost you again… or wait… is that you?
___

IDKLANG is the moniker of the Vienna-based musician, composer, and producer Markus Steinkellner, whose many projects also include Mermaid & Seafruit, Arktis/Air, Jakuzi’s Attempt, and many more. Over the course of the last ten years, they’ve been performing live shows, conceptual improv sessions, and DJ sets around the world; writing music for theatre pieces and dance performances. Their body of work is characterized by highly-energetic compositions that masterfully handle tension and release, oscillating between loud blasts and heartfelt, grandiose melodies. Seamlessly blending genres such as post-punk, witch house, pop or hardcore, IDKLANG crafts post-nihilist outbursts of an erratic mind. Influenced by club music as well as noise or industrial, their music ranges from accelerated, high-energy tracks to haunted drone sceneries, creating the perfect soundtrack for dystopian euphoria.
___

Le Diouck - Émeraude 
SOPHIE - Faceshopping (Schatz Baile Flip)
SISSY MISFIT, Blood of Aza - Final Girl 
Raiika & Sueuga - Return The Hunt To The Measure Of Dance
Lol K - Severed Tail
Rat Section - Paparazzi 
DJ SS - Black 
KOPI O - S.O.S.
Imaabs & Other Islands - Deposition
Tim Reaper - The Juggernaut
trhä - nêbamΩejn
Infinity Division - Like Heaven
KAVARI - Boleskine
EPHEMER x IDKLANG - ??
Cyon Flex - Gaslight (prod. IDKLANG)
Lauren Duffus - Super
wake forld - you're so sweet
Arca - Señorita
First Paradoxical - Young (IDKLANG Remix)  
Bassvictim - Makes you wonder 
Milanese - Sight Beyond Sight (Hrdvsion Remix)
When It’s Over - This melody kills fascists (demo, unreleased)

CLUB DiVA - DiV4 invites IDKLANG

Based in Bruges, Belgium, dybbuk (@disk-wraith) is a DJ and producer whose sound lies at the crossroads of bass music, ambient atmospheres, and techno mutations. Drawing from the restless experimentation of early 2000s electronic music, his productions weave heavy low-end pressure with crystalline textures, spectral voices, and fragmented rhythms.

His love for old-school sci-fi and video game worlds continues to shape his sonic imagination, where futuristic dread collides with nostalgia. The result is a music that feels both intimate and otherworldly — introspective soundscapes that still carry undeniable club weight.

Following his debut Unruhe on Causal Chain and previous works on Swimming Pool and MONTAGE, dybbuk returns in 2025 with Sunwren, a release that pushes his bass-driven explorations further into the realm of dark, cinematic electronica.

Music by dybbuk (@disk-wraith)
Mastering by SIM (@sim_mtl)
Album art by Jesse Osborne-Lanthier

London.Bridge.Is.Falling. 2025 [glitch and bass]

T.E.N.T.

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