Shitkatapult

alfred heinrichs feat viviana alvarez  - You Show The Light... preview..

Oscar OZZ - AUTUMN 2022 MIXTAPE

Acid Paula's Mountain Girl Remix

Großstadtliebe

... und wieder hab ich mal was neues für euch gemacht :) ... aber nicht so das minimale geballere wie sonst,sondern mehr so nen schönen marsch mit rythem :) die richtung TekkHouse würd ich sagen! denke ist mir ganz gut gelungen ... und wenn ihr euch wundert warum das auf einmal so ruhig ist,hört genau hin... denn dann kommen langsam aber doll die schwingungen " SCHÖN von UNTENRUM " *hrhr*

[ach ja,das set hab ich mit Traktor Scratch 2 an meinem TRAKTOR S4 gelegt  :) ... und die scheiss SYNC TASTE benutze ich mal GAR NICHT !!! wollte ich nochmal sagen ;) alles schön an meinen Technics 12/10 gepitcht,so wie es sich gehört! ]     * VINYL RULED *

NEW hOuSe-sTyLe - mixed bY Schleifer funKtAsTiC wiTh the TRAKTOR S4 - 13.05.2011

Miyagi - Take Me To Your Paradise (Gregorythme Remix)

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Abfahrt

It moves, it sings. ...but does it swing? Anyway, it represents the soundtrack of my life, my musi- cal in uences: some San Francisco psychedelia, some London underground, some Berlin school (old & new). Krautrock from Cologne & New York minimalism. A shot of Detroit grit, a bit of Mos- cow dust, a splash of Paris charm? Who knows. Its about daily grind, the passing of time, the change of seasons & relations. Reality & ction & perception. Biography - back & forth.

BRETSCHNEIDER was raised in Karl-Marx-Stadt (now Chemnitz) in the German Democratic Republic. He is the founder of the in uential East German underground band AG. Geige and co- founder of the prestigious raster-noton label. He lives as a musician, video artist and producer in Berlin.

Plastik / Mechanik

Mechanik

Plastik

Lunik

Logik (snippet)

Numerik (snippet)

Elektrik (snippet)

2009_unreleased 
rmx haben wir vor ewigkeiten gemacht, nie released aber würde trotzdem gern mal wissen wie euch der rmx gefällt ;)

hypnotized-oliver-koletzki / funkytized rmx by chroma & inexcess

Phobos presents you Terry Whyte with the first "Insane EP" on Phobos. Terry Whyte first became an established name on his local circuit over a decade ago. Playing everywhere from Sub Club to under Glasgow's legendary Arches, his Creepy Finger nights carved out their own reputation in the city's famous scene. The past year his support from Richie Hawtin, Dubfire, UMEK, Carlo Ruetz and more. With releases on Phobos and big remixes, it is safe to say that 2019 will be his year! This EP has 2 amazing original tracks and thierd great remixes from Justin James, TiM TASTE and Jens Lewandowski.

beatport

PHS061: Terry Whyte - Choad To Nowhere ( Jens Lewandowski Remix)

This is the last thing Justin Robertson and I will release under this guise. Twitch from Optimo suggested we ask Barnt for a remix, a collective favourite of ours. He turned in something truly special.

Optimo Music. December 2012 

Daniel Avery & The Deadstock 33s - Magnetic (Barnt Remix)

Release Title: The Sky Is Blue
Artist: MONAMI
Label: Wuza Records
Catalogue No.: WUZA001
Release-Date: 12.03.2021
Beatport Buy Link: https://www.beatport.com/release/flying-insel/3281482
▬ ▬ ▬ ▬ ▬
Adults complicate everything. MONAMI would rather be a child. Because for children the sky is just blue. In his second track he also dedicates himself to the disco-influenced jazzy house and delivers a bouncy beat that is encased by a wide sample backdrop. A pinch of humor and catchy vocals make the track a real banger.
▬ ▬ ▬ ▬ ▬
MONAMI
SC: @monamiberlin
Insta: www.instagram.com/monamiberlin/
FB: www.facebook.com/monamiberlin
 
Wuza Records
Insta: www.instagram.com/wuza.records/
FB: www.facebook.com/WuzaRecords

Abfahrt

T.RAUMSCHMIERE

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