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Coldest Winter

@UnitSoeurs invite @djmarjo qui a sélectionné ses tracks préférées de ces derniers mois 
Un voyage entre l'afro, l'oriental et l'indie dance... mais toujours avec un gros coup de kick et beaucoup de percussions pour nous faire groover

Unit Soeurs Podcast #14 - Marjo (02.02.23)

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Flumullen (Extrawelt - Dark Side Of My Room Tribute Cover)

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rüpel - Flumullen (Extrawelt - Dark Side Of My Room Tribute Cover) [ZW018]

Glitterbug - Far Far Light (Extrawelt Remix)

Notown Recordings027
C.Sides012
Distribution Kompakt
Release date: 23.02.2015

Glitterbug - Far Far Light (Extrawelt Remix) sneak preview

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Dampfer

INFO: 
https://www.clubbingspain.com/mp3/2017/primicia-undo-simbenia.html

Undo - Simbenia / The Last Song

Simbenia

PRIMICIA: Undo - Simbenia [Factor City]

Uhrwald Orange

Kreuzgang

T.Raumschmiere - I Tank U
released 2008 as 3LP-box, cd &amp; digital download on Shitkatapult

info text:
After years of waiting, Marco Haas aka T.RAUMSCHMIERE is finally releasing his next grand album, “I TANK U“!!! It definitely means a ball, seeing that the album completes the series of the two previous Mute albums, RADIO BLACKOUT and BLITZKRIEG POP – being a grand finale to the triptych. “I TANK U“ is the end result of a musical progress: It's dark electronica, techno history, songwriting, jammed in a terrific rock record. It rocks violently, and therefore, it's being released as a feature album on Marco Haas' own label, SHITKATAPULT.

The number of featuring guests on this album is remarkable. Not only you can hear a (real) band playing more than ever before, but due to all the guest vocalists, this album contains no tracks but songs! Many names may seem surprising at first: the notorious energy rappers from DEICHKIND  with THE CRACK WHORE SOCIETY on the swansong “BRENNER“, the alien rappers from the PUPPETMASTAZ collective on “ANIMAL TERRITORY“, the great TIM VANHAMEL from dEUS and MILLIONAIRE, the artist duo WARREN SUICIDE, as well as Dutch LILIAN HAK and the newcomer Berliners BARBARA PANTHER and GENE SERENE.

“I TANK U“ is a very compact album and its breaches make its beauty complete. The rapping techno beats, cranky patterns, eerie melodies and those front row beasts gushing with energy do not compete with each other, but create an entity together: stories on sawtooth.
This is due to the strikingly tight sound. The live drums and guitars (T.R. Live band members Andi Paruschke &amp; Ben Lauber, assisted by sound engineer Allert Aalders) meet generated synth sounds and distorted bass lines. It’s the unbelievable compression that keeps everything together.
After all, it's the two instrumental tracks (the dark half-beat title track „I TANK U“ as well as the first single and techno hit „E“) and the rock tunes – sung by Mr Haas himself – “CRACK A SMILE“ and “THE FRONT ROW IS NOT FOR THE FRAGILE!!“ - and the analogical mixing by Moses Schneider (TOCOTRONIC, BEATSTEAKS) that make “I TANK U“ more of an electronic rock album than a rocking electronic album: it's musick in arms!!
This release is, of course, something special for SHITKATAPULT in many respects, but it also takes its place in line brilliantly after “WALLS“ by APPARAT and “REQUIEM FOR A MISSING LINK“ by WARREN SUICIDE. Whereas the whole scene may be wailing the crisis it's going through, the Berliner label got courage and defies the prevailing pessimism by doing whatever it fancies and saying no to all strictly defined label boundaries such as techno or electronica,  rejecting any categorisation whatsoever. It's all just music, and what more is there than that? ...And there are more killer releases to look forward to, for example the long-awaited CLP album by Phon.o and ex-Funkstörung Chris de Luca.

The limited double CD has a bonus disc with all the album's tracks as instrumental versions.

The triple-vinyl-box includes the album on 2 discs, the instrumentals on 1 disc, the cd, a sticker, a patch, a pin and a small poster

Nuclear Bedtime Story ft. Lilian Hak

Recorded Live at The Crofters Rights in Bristol (UK) for Noods Radio on September 18th, 2018.

Guitar & Synths - Sebastian Lee Philipp
Drums & Electronic Percussion - Ran Levari

Audio Recording - Lorenzo Cecchi
Audio Mix - Sebastian Lee Philipp

Photo: Still from visuals created by Caroline Barrueco and Thomas Haferlach.

www.diewildejagd.com

Nuclear Bedtime Story ft. Lilian Hak

T.RAUMSCHMIERE

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