Boards of Canada, Autechre, Burial, GAS, Carbon Based Lifeforms, Tycho, The Orb, AFX, Ceephax and many others. My IG: erhanakkaya_

IDM, Electronic, Synthwave_part3

Exclusive: Rotte - Butterbrot und Peitsche (Thee Church Ov Acid House Version)

For Pudel Produkte’s next outing Rotte’s previously released track Butterbrot und Peitsche gets Thee Church Ov Acid House treatment and satisfies listeners as well as viewers at the same time with a colossal make-over of the original track and video. Butterbrot und Peitsche in Thee Church Ov Acid House Version is, like the artist name suggests, partly musically home in the duo’s nominally including sub-genre Acid House. Partly because the track is a little more built upon a hollow almost techno-esque seeming bass line, which includes partial sizzling bleeps and is musically garnished with Christian Rottler’s, Rotte’s real name, spoken vocals. The combination of this raw back to the roots or basic approach and the thereby emerging dark twist in the version makes Thee Church Ov Acid House Version a classy in fact timeless piece of music that has this simply charming note only one can produce, when having been in this scene for almost as long as it exists. Chapeau! 

In occasion of the release of Rotte’s Butterbrot & Peitsche (Thee Church Ov Acid House Version) on Pudel Produkte on July 15th, 2022. Thee Church Ov Acid House reveal some rare information regarding their personal and artistic being.

Read the full feature here: https://torturetheartist.net/2022/07/13/exclusive-rotte-butterbrot-peitsche-thee-church-ov-acid-house-version-pudel-produkte

Buy/ stream the single: https://PudelProdukte.lnk.to/brotpeitscheTCOAH

Release information
Pudel Produkte 42.3
Artist: Rotte 
Track title: Butterbrot und Peitsche (Thee Church Ov Avid House Version) 
Text, lyrics and guitar: Christian Rottler 
Production: Oliver Bradford & Jörn Elling Wuttke

Artist & label information
Rotte: https://christianrottler.com/rotteaufpudelprodukte // https://instagram.com/rotte_rottler
Pudel Produkte: https://facebook.com/pudelcom // https://soundcloud.com/pudelprodukte // https://instagram.com/pudel_com

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
https://instagram.com/torture_the_artist​ 
https://linktr.ee/torture_the_artist
https://youtube.com/torturetheartist​

Butterbrot und Peitsche (Thee Church Ov Acid House Version)

Buy here

Exclusive: Rotte - Butterbrot und Peitsche (Thee Church Ov Acid House Version) [Pudel Produkte]

From Above Vol. 3

Insurrection

Buy/stream: https://kompakt.fm/releases/velvet_desert_music_vol_3_lp_7_dl

Kompakt unveils the third volume of Jörg Burger’s “Velvet Desert Music” compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With “Velvet Desert Music Vol. 3”, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music.

Because it’s such a broad church, “Velvet Desert Music” admits all kinds of new experiences, as well, with Burger looking for music that “goes beyond the desert to explore different corners of the velvet universe”. Indeed, of all the volumes in the series, this third installment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke.

Burger himself shows up alongside Fritz Ackermann of The Novotones and Max Würden and Thore Pfeiffer, in The Velvet Circle. Their contributions are pure lush life electronica: “Our Tribe” hitches a ride with a low-slung groove, flickering psychedelic reels of acoustic guitar traipsing across moody bass and taffeta layers of drone; their opening remix of Flug 8’s “Puerto Rico” gently introduces the album with softly tangling electronic tones, while guitars, drenched in reverb, pirouette in the background. Mount Obsidian’s remix of Burger´s The Black Frame “Sacrosanct” spins around the listeners ears like a kaleidoscope catching the reflections the sun makes in San Luis Potosí’s ornately decorated churches.

La Finca’s electronics and voice miniature, “What Clouds Say”, is a masterclass in poetic restraint; Martel’s “Dark Mambo”, remixed by Burger, is one of the collection’s big surprises, for it indeed does what the title says, a drifting, surrealist take on the mambo form, full of pensive chords, rich with unrequited longing, a breathy saxophone whispering under the song’s sly rhythmic carriage.

Old friends reappear, too: Golden Bug’s “Es Cucuruc” is a muted slow burner. The Novotones chime in with a slyly propulsive, Krautrock-esque charmer, “Liberty Bell”, and the guitar-led tone-drift of “Valley of Oblivion”; Paulor’s “The Last Coke in the Desert” is a chiming, lilting dreamscape; Mount Obsidian are joined again by vocalist Charlotte Jestaedt for two modern takes on early-hours art song, „Fade“ and „Marole“, the closing track of the compilation, which is a spooked requiem for times passed. Sascha Funke’s “Mathias Rust” is a lavish dancefloor dream, vocal samples drifting through the song as it slowly envelops the listener in its opulent radiance.

What’s most compelling about “Velvet Desert Music Vol. 3”, perhaps, is the way everything sits together so tightly, so neatly – it’s the album in the series so far that feels the most like it’s been made by collaborators in one long, playful session of experiment and exploration; everyone’s on the same page, exploring the fractured wastelands, dust squalls, sunburnt scapes and psychedelic cacti of the psyche; burnt sienna, desert lilies and willows, fairy dusters, yucca and greasewood… an extravagance of blooming, riotous colour, erupting from the sun-cracked landscapes within each of us.

This is just a taste of the rich pleasures of Velvet Desert Music Vol. 3, a triumph of a compilation that takes the psychedelic visions of its predecessors and looks for the desert within, a dusty kiss, a road-movie hallucination flickering on the listener’s eyelids, a cinematic projection from deep inside the mind.

Velvet Desert Music Vol. 3

Seb Martel feat. Las Ondas Marteles (Joerg Burger Mix)

Seb Martel feat. Las Ondas Marteles - Dark Mambo (Joerg Burger Mix)

Taken from Augang's EP "Sonar".
Already supported by Agoria, Laurent Garnier, Ozgur Can, Ben Watt, Nic Fanciulli, Hernan Cattaneo, Ozgur Can, Phon.o, Noirdegout, Julian Jeweil, Mike Muir..

Aufgang - Sonar (Spitzer rmx)

Protection

Heat Miser

Light My Fire (Live From United Kingdom/1994) [feat. Horace Andy]

Available Digitally Now: https://KompaktRecords.lnk.to/WackerSD

May 19, 2017, will see KOMPAKT releasing T.RAUMSCHMIERE’s new, epic solo full-length HEIMAT. It presents another side of his work which was always there, but never got that much airtime: the artist, the author, the composer with the crystal-clear sound. HEIMAT is a stunning techno album that neither excludes Ambient, nor gets reduced to constant ass kicking. It's perhaps the best recording so far from this man who asks so deeply, so extensively, so much. And at some point even answers. 'Wacker' Is available now to give you a good taste.
@traumschmiere

Wacker

T.Raumschmiere - Wacker

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Shraubn

Available now: https://KompaktRecords.lnk.to/JaguarSD

May 19, 2017, will see KOMPAKT releasing T.RAUMSCHMIERE’s new, epic solo full-length HEIMAT. It presents another side of his work which was always there, but never got that much airtime: the artist, the author, the composer with the crystal-clear sound. HEIMAT is a stunning techno album that neither excludes Ambient, nor gets reduced to constant ass kicking. It's perhaps the best recording so far from this man who asks so deeply, so extensively, so much. And at some point even answers. Jaguar is here to give you another taste of it.

T.Raumschmiere - Jaguar

Available now: https://KompaktRecords.lnk.to/HeimatSD

May 19, 2017, will see KOMPAKT releasing T.RAUMSCHMIERE’s new, epic solo full-length HEIMAT. It presents another side of his work which was always there, but never got that much airtime: the artist, the author, the composer with the crystal-clear sound. HEIMAT is a stunning techno album that neither excludes Ambient, nor gets reduced to constant ass kicking. It's perhaps the best recording so far from this man who asks so deeply, so extensively, so much. And at some point even answers.
@t-raumschmiere

T.Raumschmiere - Zum Mond

Snippet of a new "demo live track" recorded last week end at the great Kazantip festival in Ukraine........ Much more to come very soon !!!!!!! -  This is only a demo , it's not yet produced or recorded in the studio.......

Laurent Garnier (LBS)-snippet of a new live track @ Kazantip Festival- 2012

Transmission

Transmission (Extended Mix)

Ly Sander Releases "Lay Down" Featuring Berlin Based Singer Jules Etienne. This Deep And Poetic Tune Is The First Extract From His To Be  Released Album On "Special Place Recordings".
When Jules Etienne provided these dazzling vocals, Ly Sander knew they deserved the song to be built around them. The poetry and dreamy emotions of the lyrics fully embrace us with this slow tempo in-cantation. Ripperton brought his own magic by bringing the track back up to club speed.
"I had invited Berlin based Jules Etienne to record some lyrics to a preexisting uptempo instrumental" explains Ly Sander. When I witnessed their deep and intricated poetry, I decided to build a whole song from scratch». The result is Lay Down, Ly Sander’s first track not to bear any link with his previous efforts that focused on danceable music. It’s ultra low tempo is somewhat intriguing. «I clearly had my album in mind upon producing this track. "A track that you will enjoy at home rather than in the club" says Ly Sander who’s album "Landing" is to be released next year on Special place recordings.
Ripperton is certainly one of the most thought after electronic music remixers, with over a hundred reworks to his credit for artists such as Radiohead, Laurent Garnier or Beanfield. When Ripperton heard Jules Etienne’s impeccable vocals, not only did he accept this remix duty but took over his holiday time to do so. «It is so rare to get to work on vocals where everything falls right into place» says Ripperton. "I really took time to take this track where I wanted it to be". Ripperton also chose to match the vocals to an instrumental at the original speed of 120bpm, making it fit for the dancefloor where it could well become a new favorite.
BUY Link: https://specialplacerecordings.bandcamp.com/album/ly-sander-feat-jules-etienne-lay-down-ep
https://soundcloud.com/ly-sander
https://soundcloud.com/ripperton
https://soundcloud.com/special-place-rec

LISTEN ON YOUTUBE

PREMIERE : Ly Sander - Lay Down Feat. Jules Etienne (Ripperton Remix)

This is the last thing Justin Robertson and I will release under this guise. Twitch from Optimo suggested we ask Barnt for a remix, a collective favourite of ours. He turned in something truly special.

Optimo Music. December 2012 

Daniel Avery & The Deadstock 33s - Magnetic (Barnt Remix)

DOWNLOAD available @ http://official.fm/tracks/ijDi

so mag ich das.... ein Mann, ein Wort... gesagt & getan... ♥♥♥

es ist mir eine Ehre den ersten Podcast für meine Seite präsentieren zu dürfen...!!!!!
tausend Dank an "Johnny for Pleasure" für diese Nummer...!!!!!  ♪♫♪♫

schaut auch mal auf seiner Seite vorbei und lasst euch noch mehr wunderbare Geschichten von ihm erzählen...
https://soundcloud.com/johnnyforpleasure11

oder wie gewohnt auch bei mir zu finden...
https://www.facebook.com/Akustischer.Ohrgasmus

*enjoy & stay tuned*


1.	David Keller – Feelings
2.	Tyson - Mr. Rain (Mano Le Tough Remix)
3.	BENN FINN - It's true ron flatter rmx
4.	Bjorn Storig - The Return Of The Trompetenfrosch (Original Mix)
5.	Illy Noize & Liza Flume - What We Called Love (Monkey Safari Remix)
6.	Unders - Evenin Feelin feat. Veerle (Edu Imbernon Remix)
7.	Monkey Safari - Lenis Gugu (Rene Bourgeois Remix)
8.	Daughter - Still (Philipp Schneider Remix)
9.	Florian Fiernow - Air Balloon
10.	Ultraista - Smalltalk (Whomi Remix)
11.	Shingo Nakamura & Kazusa - Move On (Tim Engelhardt Love Mix)

Shraubn

T.RAUMSCHMIERE

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