Indie, jazz, prog, 60's, Reggae, Psychedelic

yaki -music,mix,master
yura-sax2
raf jastrzebski -sax1

2009 y.


Http www

Arad Yeini - Trumpet  || Ma'ayan Milo - Trombone || Gal Dahan - Saxophone || Ilan Smilan - Guitar || Lior Romano - Bass (Keytar) || Dan Mayo - Drums || Galla Borowski - Vocal

Recorded at  "DB Studios", Tel-Aviv, Israel
Mixed by Uri "Mixmonster" Wertheim
2011

Crazy Race (Roy Hargrove)

Available on iTunes: https://itunes.apple.com/us/album/sly-5th-ave-presents-akuma/id815716294

Sly5thAve - Deme (feat. denitia) [of denitia and sene]

Recorded live, 2 Meter Sessies, Netherlands 
Date Recording: 08 november 2010
Recording Studio: Studio Leroy, Amsterdam
Master ownership/copyright: 2 Meter Sessies/Double 2 BV
www.2metersessies.nl


Closer (Live)

Keys: Don Pi 
Bass: Ronaldo Nascimento 
Perc.: Vanni Calasans
Guitar/ Voc: Martin Hillmann 

Hamburg 2014

Azymuth´s " Last Summer in Rio "  ( automart re-edit)

Honey Moon ( FREE DOWNLOAD )

Paying respect to an all time fave artist...Alice Coltrane- Stopover Bombay..slightly on the broken tip!!

Alice Coltrane- Stopover Bombay (We Are The Horsemen Re-Edit)

In the tradition of Cumbia and Ethiopian Jazz Fusion, Buyepongo interprets Mulatu by the great Ethiopian Jazz Composer Mulatu Astatke.  Recorded  at XLRebelsX studios in Long Beach CA. 
Written by Mulatu Astatke interpreted Buyepongo
Engineered and Mixed by xLSREBELSx
Mastered by Benjamin Tierney 
Produced By Buyepongo
Executive Producer- M.Suarez  

Mulatu Para Ti

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine.

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985.

The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth-heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’.

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording.

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with Far Out, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica.

Just in time for summer, Sempre is out on Vinyl LP, CD and digitally 28th June 2019

Vinyl / CD / Digi

Marcos Valle - Sempre

Order the 2LP/4LP edition here: www.erasedtapes.com/release/eratp12…ary-celebration

Iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge in April, and Erased Tapes is honoured to produce the vinyl edition of this exceptional body of work. Led by surviving founding members Roscoe Mitchell and drummer Famoudou Don Moye, these brand new recordings involve a staggering array of contemporary artists ranging from across the jazz, experimental and improvised music spheres; from the visionary poet and musician Moor Mother, trumpeters Fred Berry and Hugh Ragin, who have performed with Mitchell for over five and four decades, to bassist Jaribu Shahid, supreme cellist Tomeka Reid, celebrated flute virtuoso Nicole Mitchell and the extraordinary voice of Rodolfo Cordova-Lebron.

The vinyl edition, due for release on July 26, will be available as a double album featuring a meticulous studio session of the newly assembled group of musicians, combining re-recordings of works spanning the last 50 years, some never before recorded, as well as new compositions. The 4-LP special edition also includes their live set recorded at Edgefest, the annual experimental jazz and creative new music festival in Ann Arbor, Michigan.

Having witnessed this exciting new formation around Roscoe and Don live at Big Ears Festival in Knoxville, Robert Raths was compelled to start a conversation with their US label Pi Recordings, based out of New York, and support this project in any way possible.

“Witnessing this music form in front of your eyes and ears is such a thrill; easily one of the most gripping live experiences I have ever had. The AEC have always had a firm place in my musical journey as they’ve kept reinventing and stretching the definition of not only jazz, but artistic expression itself. And I feel that with the addition of all these incredibly gifted and energetic next generation performers, Camae Ayewa in particular, they truly push current boundaries and raise new question marks; both in radical and beautiful ways. And they don’t do it as individuals, they do it as a collective that embraces diversity, which makes this project so urgent, strong and relevant, truly representative of our time.” — Robert Raths

The Art Ensemble will take their thrilling new live set around the world including Stockholm Jazz Festival on October 11 with more dates to be announced soon.

"50 years on, the Art Ensemble of Chicago is still transforming...the record is a triumph" — The New York Times

"Virtuosic, stylistically eclectic, politically and culturally radical, gloriously freaky and ultimately beyond genres" ★★★★ — MOJO

"Five decades in their existence, The Art Ensemble of Chicago still sounds cutting edge" ★★★★ — Uncut Magazine

"A graceful tribute and a testament to these musicians’ questing vision" 
— The Quietus


Released by:
Erased Tapes Records Ltd.
P-line:
℗ 2019 Erased Tapes Records Ltd. under exclusive license from Pi Recordings

We Are On The Edge

Mama Koko

Buy 2LP/4LP edition

The Art Ensemble of Chicago - Mama Koko

01 pMS 1788 - 02 FABM 439 - 03 pMS 3965 - 04 Blue 2767 - 05 364 Green - 06 178 C (Dilla Tribute) - 07 pM$ 543 - 08 pMS 127 - 09 7W 460 - 10 pMS 808 2X (Interlude) - 11 pMS 433 2X (Time-Confusion) - 12 pMS 437 - 13 pMS 161 Generique - 14 pMS 572

M$13BEATAPE2013

Get the full Evening Island EP at https://phonophanatic.bandcamp.com/

Tone - Vicino a te

T_One

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